Image from Coce

Sonic mediations : body, sound, technology / edited by Carolyn Birdsall and Anthony Enns.

Contributor(s): Material type: TextTextPublisher: Newcastle : Cambridge Scholars Pub., 2008Description: viii, 286 pages : illustrations ; 22 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 1847188397
  • 9781847188397
  • 1847184839
  • 9781847184832
Other title:
  • Body, sound, technology
Subject(s): DDC classification:
  • 700.904 22
LOC classification:
  • BF353.5.N65 S66 2008
Contents:
Introduction / Carolyn Birdsall and Anthony Enns -- Part I. Mediating Perception -- The Phonographic Body: Phreno-Mesmerism, Brain Mapping and -- Embodied Recording / Anthony Enns -- Audio Virology: On the Sonic Mnemonics of Preemptive Power / Steve Goodman -- “Quick and Dirty”: Sonic Mediations and Affect / Bruce Johnson -- Touched by Music: The Sonic Strokes of Sur Incises / Vincent Meelberg -- Part II. Mediating Performance -- Delegating the Live: Musicians, Machines and the Practice of Looping / Jeremy Wade Morris -- “Oh Baby, I Like It Raw”: Engineering Truth / Jan Hein Hoogstad -- Voice or Ear? The Female Voice and the Listener’s Position in Paul Lansky’s as it grew dark / Hannah Bosma -- The Pianist’s Body at Work: Mediating Sound and Meaning in Frederic Rzewski’s Winnsboro Cotton Mill Blues / Kathryn Woodard -- Part III. Mediating Space -- Producing Microscopic Embodied Spaces: The Flautist’s Mouth, Reverberation Effects and Kaija Saariaho’s Lichtbogen / Taina Riikonen -- Atmospherics / Steven Connor -- Another Interactivity in Pneumatic Sound Field: On Interactive Sound Art and Digital Audio Technology / Ruth Benschop -- Hearing History: Storytelling and Collective Subjectivity in Cardiff and Miller’s Pandemonium / Adair Rounthwaite -- Part IV. Mediating Audiovision -- Towards Intensive Audiovisual Encounters: Interactions of Opera and Cinema / Milla Tiainen -- Do You Want to Be Absorbed? The Knotty Acts of Mediation in Rosa: A Horse Drama / Tereza Havelkova -- Auditory Imagination and Narrativisation in Béla Bartók’s Bluebeard’s Castle / Pieter Verstraete -- Sound Bites! Dissonant Audiovisions as Historiophony in Hitler’s Hi Parade / Carolyn Birdsall.
Tags from this library: No tags from this library for this title. Log in to add tags.
Holdings
Item type Current library Call number Copy number Status Date due Barcode
Book City Campus City Campus Main Collection 700.904 SON (Browse shelf(Opens below)) 1 Available A378256B

Includes bibliographical references and index.

Introduction / Carolyn Birdsall and Anthony Enns -- Part I. Mediating Perception -- The Phonographic Body: Phreno-Mesmerism, Brain Mapping and -- Embodied Recording / Anthony Enns -- Audio Virology: On the Sonic Mnemonics of Preemptive Power / Steve Goodman -- “Quick and Dirty”: Sonic Mediations and Affect / Bruce Johnson -- Touched by Music: The Sonic Strokes of Sur Incises / Vincent Meelberg -- Part II. Mediating Performance -- Delegating the Live: Musicians, Machines and the Practice of Looping / Jeremy Wade Morris -- “Oh Baby, I Like It Raw”: Engineering Truth / Jan Hein Hoogstad -- Voice or Ear? The Female Voice and the Listener’s Position in Paul Lansky’s as it grew dark / Hannah Bosma -- The Pianist’s Body at Work: Mediating Sound and Meaning in Frederic Rzewski’s Winnsboro Cotton Mill Blues / Kathryn Woodard -- Part III. Mediating Space -- Producing Microscopic Embodied Spaces: The Flautist’s Mouth, Reverberation Effects and Kaija Saariaho’s Lichtbogen / Taina Riikonen -- Atmospherics / Steven Connor -- Another Interactivity in Pneumatic Sound Field: On Interactive Sound Art and Digital Audio Technology / Ruth Benschop -- Hearing History: Storytelling and Collective Subjectivity in Cardiff and Miller’s Pandemonium / Adair Rounthwaite -- Part IV. Mediating Audiovision -- Towards Intensive Audiovisual Encounters: Interactions of Opera and Cinema / Milla Tiainen -- Do You Want to Be Absorbed? The Knotty Acts of Mediation in Rosa: A Horse Drama / Tereza Havelkova -- Auditory Imagination and Narrativisation in Béla Bartók’s Bluebeard’s Castle / Pieter Verstraete -- Sound Bites! Dissonant Audiovisions as Historiophony in Hitler’s Hi Parade / Carolyn Birdsall.

Machine converted from AACR2 source record.

There are no comments on this title.

to post a comment.

Powered by Koha