Sonic mediations : body, sound, technology / edited by Carolyn Birdsall and Anthony Enns.
Material type: TextPublisher: Newcastle : Cambridge Scholars Pub., 2008Description: viii, 286 pages : illustrations ; 22 cmContent type:- text
- unmediated
- volume
- 1847188397
- 9781847188397
- 1847184839
- 9781847184832
- Body, sound, technology
- 700.904 22
- BF353.5.N65 S66 2008
Item type | Current library | Call number | Copy number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|
Book | City Campus City Campus Main Collection | 700.904 SON (Browse shelf(Opens below)) | 1 | Available | A378256B |
Includes bibliographical references and index.
Introduction / Carolyn Birdsall and Anthony Enns -- Part I. Mediating Perception -- The Phonographic Body: Phreno-Mesmerism, Brain Mapping and -- Embodied Recording / Anthony Enns -- Audio Virology: On the Sonic Mnemonics of Preemptive Power / Steve Goodman -- “Quick and Dirty”: Sonic Mediations and Affect / Bruce Johnson -- Touched by Music: The Sonic Strokes of Sur Incises / Vincent Meelberg -- Part II. Mediating Performance -- Delegating the Live: Musicians, Machines and the Practice of Looping / Jeremy Wade Morris -- “Oh Baby, I Like It Raw”: Engineering Truth / Jan Hein Hoogstad -- Voice or Ear? The Female Voice and the Listener’s Position in Paul Lansky’s as it grew dark / Hannah Bosma -- The Pianist’s Body at Work: Mediating Sound and Meaning in Frederic Rzewski’s Winnsboro Cotton Mill Blues / Kathryn Woodard -- Part III. Mediating Space -- Producing Microscopic Embodied Spaces: The Flautist’s Mouth, Reverberation Effects and Kaija Saariaho’s Lichtbogen / Taina Riikonen -- Atmospherics / Steven Connor -- Another Interactivity in Pneumatic Sound Field: On Interactive Sound Art and Digital Audio Technology / Ruth Benschop -- Hearing History: Storytelling and Collective Subjectivity in Cardiff and Miller’s Pandemonium / Adair Rounthwaite -- Part IV. Mediating Audiovision -- Towards Intensive Audiovisual Encounters: Interactions of Opera and Cinema / Milla Tiainen -- Do You Want to Be Absorbed? The Knotty Acts of Mediation in Rosa: A Horse Drama / Tereza Havelkova -- Auditory Imagination and Narrativisation in Béla Bartók’s Bluebeard’s Castle / Pieter Verstraete -- Sound Bites! Dissonant Audiovisions as Historiophony in Hitler’s Hi Parade / Carolyn Birdsall.
Machine converted from AACR2 source record.
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