Making popular music : musicians, creativity and institutions / Jason Toynbee.
Material type: TextPublisher: London : New York : Arnold ; Co-published in the U.S.A. by Oxford University Press, 2000Description: xxiv, 199 pages ; 24 cmContent type:- text
- unmediated
- volume
- 0340652233
- 9780340652237
- 0340652241
- 9780340652244
- 306.484
- ML3470. T69 2000
Item type | Current library | Call number | Copy number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|
Book | City Campus City Campus Main Collection | 306.484 TOY (Browse shelf(Opens below)) | 1 | Available | A247825B |
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306.484 POP Popular music and communication / | 306.484 SEX Sexing the groove : popular music and gender / | 306.484 SWI Mapping the beat : popular music and contemporary theory / | 306.484 TOY Making popular music : musicians, creativity and institutions / | 306.484 WIC Rock music : culture, aesthetics, and sociology / | 306.4842 ADO Introduction to the sociology of music / | 306.4842 GIB Music and tourism : on the road again / |
Includes bibliographical references (pages 173-190) and index.
Includes discography.
Acknowledgements -- Introduction -- 1. Market: the selling of soul(s) -- Adorno, equivalence and the market -- Entrepreneurs and innovation -- Music markets and the political economy of popular music -- Growing up broken up: the emergence of institutional autonomy -- Proto-markets and author-stars -- 2. Making up and showing off: what musicians do -- Music-making and the radius of creativity -- Social authorship and voice -- Mingus Fingers -- Performance - theatre and process -- Performance - loud, clear and interrupted -- 3. Technology: the instrumental instrument -- Audio recording - a case of late development -- Dissemination and crystallization -- Ventriloquism -- Tape delay (1) - on the cusp of the big sound -- Tape delay (2) - making space -- Aesthetics and politics in the Wall of Sound -- Multitracking and experimenting with time -- Programmed bears in the new age of dance -- Coda: technological determinism and gendered power -- 4. Genre-cultures -- The sound of genre -- The inevitability of genre - the case of free music -- Community, subculture and the structural homology -- Commodity form, or genres across time, space and race -- 5. Dance music: business as usual or heaven on earth? -- Dance music: context -- From house to drum and bass: two kinds of generic change -- Agency, creativity and the aesthetics of dance -- Dance music networks: corporal and economic -- Record companies, producers and the politics of production -- Conclusion - creating in small amounts -- Endnotes -- Bibliography -- Discography -- Index.
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