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Making popular music : musicians, creativity and institutions / Jason Toynbee.

By: Material type: TextTextPublisher: London : New York : Arnold ; Co-published in the U.S.A. by Oxford University Press, 2000Description: xxiv, 199 pages ; 24 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 0340652233
  • 9780340652237
  • 0340652241
  • 9780340652244
Subject(s): DDC classification:
  • 306.484
LOC classification:
  • ML3470. T69 2000
Contents:
Acknowledgements -- Introduction -- 1. Market: the selling of soul(s) -- Adorno, equivalence and the market -- Entrepreneurs and innovation -- Music markets and the political economy of popular music -- Growing up broken up: the emergence of institutional autonomy -- Proto-markets and author-stars -- 2. Making up and showing off: what musicians do -- Music-making and the radius of creativity -- Social authorship and voice -- Mingus Fingers -- Performance - theatre and process -- Performance - loud, clear and interrupted -- 3. Technology: the instrumental instrument -- Audio recording - a case of late development -- Dissemination and crystallization -- Ventriloquism -- Tape delay (1) - on the cusp of the big sound -- Tape delay (2) - making space -- Aesthetics and politics in the Wall of Sound -- Multitracking and experimenting with time -- Programmed bears in the new age of dance -- Coda: technological determinism and gendered power -- 4. Genre-cultures -- The sound of genre -- The inevitability of genre - the case of free music -- Community, subculture and the structural homology -- Commodity form, or genres across time, space and race -- 5. Dance music: business as usual or heaven on earth? -- Dance music: context -- From house to drum and bass: two kinds of generic change -- Agency, creativity and the aesthetics of dance -- Dance music networks: corporal and economic -- Record companies, producers and the politics of production -- Conclusion - creating in small amounts -- Endnotes -- Bibliography -- Discography -- Index.
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Holdings
Item type Current library Call number Copy number Status Date due Barcode
Book City Campus City Campus Main Collection 306.484 TOY (Browse shelf(Opens below)) 1 Available A247825B

Includes bibliographical references (pages 173-190) and index.

Includes discography.

Acknowledgements -- Introduction -- 1. Market: the selling of soul(s) -- Adorno, equivalence and the market -- Entrepreneurs and innovation -- Music markets and the political economy of popular music -- Growing up broken up: the emergence of institutional autonomy -- Proto-markets and author-stars -- 2. Making up and showing off: what musicians do -- Music-making and the radius of creativity -- Social authorship and voice -- Mingus Fingers -- Performance - theatre and process -- Performance - loud, clear and interrupted -- 3. Technology: the instrumental instrument -- Audio recording - a case of late development -- Dissemination and crystallization -- Ventriloquism -- Tape delay (1) - on the cusp of the big sound -- Tape delay (2) - making space -- Aesthetics and politics in the Wall of Sound -- Multitracking and experimenting with time -- Programmed bears in the new age of dance -- Coda: technological determinism and gendered power -- 4. Genre-cultures -- The sound of genre -- The inevitability of genre - the case of free music -- Community, subculture and the structural homology -- Commodity form, or genres across time, space and race -- 5. Dance music: business as usual or heaven on earth? -- Dance music: context -- From house to drum and bass: two kinds of generic change -- Agency, creativity and the aesthetics of dance -- Dance music networks: corporal and economic -- Record companies, producers and the politics of production -- Conclusion - creating in small amounts -- Endnotes -- Bibliography -- Discography -- Index.

Machine converted from AACR2 source record.

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