Making popular music : (Record no. 1121437)

MARC details
000 -LEADER
fixed length control field 02959cam a2200373 i 4500
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20221101182337.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 000622s2000 enk bk 001 0 eng d
011 ## - LINKING LIBRARY OF CONGRESS CONTROL NUMBER [OBSOLETE]
Local cataloguing issues note BIB MATCHES WORLDCAT
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 0340652233
Qualifying information pb
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780340652237
Qualifying information pb
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 0340652241
Qualifying information hb
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780340652244
Qualifying information hb
035 ## - SYSTEM CONTROL NUMBER
System control number (ATU)b10398946
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)44749132
040 ## - CATALOGING SOURCE
Original cataloging agency OCoLC
Language of cataloging eng
Description conventions rda
Modifying agency ATU
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number ML3470.
Item number T69 2000
082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 306.484
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Toynbee, Jason,
Relator term author.
9 (RLIN) 1030572
245 10 - TITLE STATEMENT
Title Making popular music :
Remainder of title musicians, creativity and institutions /
Statement of responsibility, etc. Jason Toynbee.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture London :
Name of producer, publisher, distributor, manufacturer Arnold ;
Place of production, publication, distribution, manufacture New York :
Name of producer, publisher, distributor, manufacturer Co-published in the U.S.A. by Oxford University Press,
Date of production, publication, distribution, manufacture, or copyright notice 2000.
300 ## - PHYSICAL DESCRIPTION
Extent xxiv, 199 pages ;
Dimensions 24 cm
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term unmediated
Media type code n
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term volume
Carrier type code nc
Source rdacarrier
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Includes bibliographical references (pages 173-190) and index.
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Includes discography.
505 00 - FORMATTED CONTENTS NOTE
Title Acknowledgements --
-- Introduction --
Miscellaneous information 1.
Title Market: the selling of soul(s) --
-- Adorno, equivalence and the market --
-- Entrepreneurs and innovation --
-- Music markets and the political economy of popular music --
-- Growing up broken up: the emergence of institutional autonomy --
-- Proto-markets and author-stars --
Miscellaneous information 2.
Title Making up and showing off: what musicians do --
-- Music-making and the radius of creativity --
-- Social authorship and voice --
-- Mingus Fingers --
-- Performance - theatre and process --
-- Performance - loud, clear and interrupted --
Miscellaneous information 3.
Title Technology: the instrumental instrument --
-- Audio recording - a case of late development --
-- Dissemination and crystallization --
-- Ventriloquism --
-- Tape delay (1) - on the cusp of the big sound --
-- Tape delay (2) - making space --
-- Aesthetics and politics in the Wall of Sound --
-- Multitracking and experimenting with time --
-- Programmed bears in the new age of dance --
-- Coda: technological determinism and gendered power --
Miscellaneous information 4.
Title Genre-cultures --
-- The sound of genre --
-- The inevitability of genre - the case of free music --
-- Community, subculture and the structural homology --
-- Commodity form, or genres across time, space and race --
Miscellaneous information 5.
Title Dance music: business as usual or heaven on earth? --
-- Dance music: context --
-- From house to drum and bass: two kinds of generic change --
-- Agency, creativity and the aesthetics of dance --
-- Dance music networks: corporal and economic --
-- Record companies, producers and the politics of production --
-- Conclusion - creating in small amounts --
-- Endnotes --
-- Bibliography --
-- Discography --
-- Index.
588 ## - SOURCE OF DESCRIPTION NOTE
Source of description note Machine converted from AACR2 source record.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Popular music
General subdivision Social aspects
9 (RLIN) 629853
907 ## - LOCAL DATA ELEMENT G, LDG (RLIN)
a .b10398946
b 11-07-17
c 27-10-15
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type Book
945 ## - LOCAL PROCESSING INFORMATION (OCLC)
a 306.484 TOY
g 1
i A247825B
j 0
l cmain
o -
p $60.68
q -
r -
s -
t 0
u 21
v 7
w 0
x 2
y .i10896041
z 28-10-15
998 ## - LOCAL CONTROL INFORMATION (RLIN)
-- (2)b
-- (2)c
Operator's initials, OID (RLIN) 06-04-16
Cataloger's initials, CIN (RLIN) m
First date, FD (RLIN) a
-- eng
-- enk
-- 0
Holdings
Withdrawn status Lost status Damaged status Not for loan Home library Current library Shelving location Date acquired Cost, normal purchase price Inventory number Total Checkouts Total Renewals Full call number Barcode Date last seen Date last checked out Copy number Cost, replacement price Price effective from Koha item type
        City Campus City Campus City Campus Main Collection 28/10/2015 60.68 i10896041 21 7 306.484 TOY A247825B 02/11/2016 28/04/2016 1 60.68 30/10/2021 Book

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