MARC details
000 -LEADER |
fixed length control field |
02959cam a2200373 i 4500 |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20221101182337.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
000622s2000 enk bk 001 0 eng d |
011 ## - LINKING LIBRARY OF CONGRESS CONTROL NUMBER [OBSOLETE] |
Local cataloguing issues note |
BIB MATCHES WORLDCAT |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
0340652233 |
Qualifying information |
pb |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780340652237 |
Qualifying information |
pb |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
0340652241 |
Qualifying information |
hb |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780340652244 |
Qualifying information |
hb |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(ATU)b10398946 |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
(OCoLC)44749132 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
OCoLC |
Language of cataloging |
eng |
Description conventions |
rda |
Modifying agency |
ATU |
050 #4 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
ML3470. |
Item number |
T69 2000 |
082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
306.484 |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Toynbee, Jason, |
Relator term |
author. |
9 (RLIN) |
1030572 |
245 10 - TITLE STATEMENT |
Title |
Making popular music : |
Remainder of title |
musicians, creativity and institutions / |
Statement of responsibility, etc. |
Jason Toynbee. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Place of production, publication, distribution, manufacture |
London : |
Name of producer, publisher, distributor, manufacturer |
Arnold ; |
Place of production, publication, distribution, manufacture |
New York : |
Name of producer, publisher, distributor, manufacturer |
Co-published in the U.S.A. by Oxford University Press, |
Date of production, publication, distribution, manufacture, or copyright notice |
2000. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
xxiv, 199 pages ; |
Dimensions |
24 cm |
336 ## - CONTENT TYPE |
Content type term |
text |
Content type code |
txt |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media type term |
unmediated |
Media type code |
n |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier type term |
volume |
Carrier type code |
nc |
Source |
rdacarrier |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographical references (pages 173-190) and index. |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes discography. |
505 00 - FORMATTED CONTENTS NOTE |
Title |
Acknowledgements -- |
-- |
Introduction -- |
Miscellaneous information |
1. |
Title |
Market: the selling of soul(s) -- |
-- |
Adorno, equivalence and the market -- |
-- |
Entrepreneurs and innovation -- |
-- |
Music markets and the political economy of popular music -- |
-- |
Growing up broken up: the emergence of institutional autonomy -- |
-- |
Proto-markets and author-stars -- |
Miscellaneous information |
2. |
Title |
Making up and showing off: what musicians do -- |
-- |
Music-making and the radius of creativity -- |
-- |
Social authorship and voice -- |
-- |
Mingus Fingers -- |
-- |
Performance - theatre and process -- |
-- |
Performance - loud, clear and interrupted -- |
Miscellaneous information |
3. |
Title |
Technology: the instrumental instrument -- |
-- |
Audio recording - a case of late development -- |
-- |
Dissemination and crystallization -- |
-- |
Ventriloquism -- |
-- |
Tape delay (1) - on the cusp of the big sound -- |
-- |
Tape delay (2) - making space -- |
-- |
Aesthetics and politics in the Wall of Sound -- |
-- |
Multitracking and experimenting with time -- |
-- |
Programmed bears in the new age of dance -- |
-- |
Coda: technological determinism and gendered power -- |
Miscellaneous information |
4. |
Title |
Genre-cultures -- |
-- |
The sound of genre -- |
-- |
The inevitability of genre - the case of free music -- |
-- |
Community, subculture and the structural homology -- |
-- |
Commodity form, or genres across time, space and race -- |
Miscellaneous information |
5. |
Title |
Dance music: business as usual or heaven on earth? -- |
-- |
Dance music: context -- |
-- |
From house to drum and bass: two kinds of generic change -- |
-- |
Agency, creativity and the aesthetics of dance -- |
-- |
Dance music networks: corporal and economic -- |
-- |
Record companies, producers and the politics of production -- |
-- |
Conclusion - creating in small amounts -- |
-- |
Endnotes -- |
-- |
Bibliography -- |
-- |
Discography -- |
-- |
Index. |
588 ## - SOURCE OF DESCRIPTION NOTE |
Source of description note |
Machine converted from AACR2 source record. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Popular music |
General subdivision |
Social aspects |
9 (RLIN) |
629853 |
907 ## - LOCAL DATA ELEMENT G, LDG (RLIN) |
a |
.b10398946 |
b |
11-07-17 |
c |
27-10-15 |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Koha item type |
Book |
945 ## - LOCAL PROCESSING INFORMATION (OCLC) |
a |
306.484 TOY |
g |
1 |
i |
A247825B |
j |
0 |
l |
cmain |
o |
- |
p |
$60.68 |
q |
- |
r |
- |
s |
- |
t |
0 |
u |
21 |
v |
7 |
w |
0 |
x |
2 |
y |
.i10896041 |
z |
28-10-15 |
998 ## - LOCAL CONTROL INFORMATION (RLIN) |
-- |
(2)b |
-- |
(2)c |
Operator's initials, OID (RLIN) |
06-04-16 |
Cataloger's initials, CIN (RLIN) |
m |
First date, FD (RLIN) |
a |
-- |
eng |
-- |
enk |
-- |
0 |