| 000 | 03735cam a2200505 i 4500 | ||
|---|---|---|---|
| 005 | 20240508140049.0 | ||
| 008 | 120524s2013 ctua bc 001 0 eng | ||
| 010 | _a 2012021496 | ||
| 011 | _aBIB MATCHES WORLDCAT | ||
| 020 |
_a0300186487 _qhardback |
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| 020 |
_a9780300186482 _qhardback |
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| 035 | _a(ATU)b13004451 | ||
| 035 | _a(OCoLC)830201049 | ||
| 040 |
_aDLC _cDLC _dYDX _dYDXCP _dBTCTA _dBDX _dERASA _dUKMGB _dBWX _dZCU _dGZM _dPMC _dMUU _dSTF _dOCLCQ _dATU _erda |
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| 042 | _apcc | ||
| 050 | 0 | 0 |
_aN6537.O77 _bA4 2013 |
| 082 | 0 | 0 |
_a709.22 _223 |
| 100 | 1 |
_aOttmann, Klaus, _eauthor. _91059743 |
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| 245 | 1 | 0 |
_aAngels, demons and savages : _bPollock, Ossorio, Dubuffet / _cKlaus Ottmann, Dorothy Kosinski ; introductions by Dorothy Kosinski and Terrie Sultan ; with essays by Klaus Ottmann and Alicia G. Longwell ; a text by Jean Dubuffet ; and contributions by Elizabeth Steele, Sylvia Albro, Scott Homolka, and Chantal Bernicky. |
| 264 | 1 |
_aNew Haven : _bYale University Press in association with the Phillips Collection and the Parrish Art Museum, _c[2013] |
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| 264 | 4 | _a©2013 | |
| 300 |
_aix, 145 p. : _bill. ; _c29 cm |
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| 336 |
_astill image _2rdacontent |
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| 336 |
_atext _2rdacontent |
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| 337 |
_aunmediated _2rdamedia |
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| 338 |
_avolume _2rdacarrier |
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| 500 | _aPublished on the occasion of the exhibition Angels, Demons, and Savages: Pollock, Ossorio, Dubuffet, co-organized by The Phillips Collection and the Parrish Art Museum. | ||
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | _aAngels, demons, and savages / Klaus Ottmann -- Pollock, Ossorio, Dubuffet, 1948-1952 / Alicia G. Longwell -- The initiatory paintings of Alfonso Ossorio / Jean Dubuffet -- Materials and techniques / Elizabeth Steele [and others]. | |
| 520 | _a"The artistic relationships among Jackson Pollock (1912-1956), Alfonso Ossorio (1916-1990), and Jean Dubuffet (1901-1985) strongly influenced the development of postwar art. Ossorio, the central figure in the trio, was an early champion of Pollock and the close friend of Dubuffet, whose radically anticultural Art Brut collection was prominently displayed at Ossorio's Hamptons estate. Dubuffet's admiration for Ossorio is evident in his 1951 essay on the artist, published here for the first time in English. Angels, Demons, and Savages reveals previously unrecognized technical and thematic affinities in the artists' work, from Dubuffet's "raw," unconventional style to Ossorio's use of Christian iconography and grotesque elements to Pollock's emphasis on medium and gestural force. Complete with two original essays and a conservation study, this groundbreaking catalogue shows how the three artists shaped the aesthetic on both sides of the Atlantic through their exchange of ideas and techniques."--Publisher's website. | ||
| 600 | 1 | 0 |
_aOssorio, Alfonso, _d1916-1990 _vExhibitions. |
| 600 | 1 | 0 |
_aOssorio, Alfonso, _d1916-1990 _xFriends and associates _vExhibitions. |
| 600 | 1 | 0 |
_aPollock, Jackson, _d1912-1956 _vExhibitions. |
| 600 | 1 | 0 |
_aPollock, Jackson, _d1912-1956 _xFriends and associates _vExhibitions. |
| 600 | 1 | 0 |
_aDubuffet, Jean, _d1901-1985 _vExhibitions. |
| 600 | 1 | 0 |
_aDubuffet, Jean, _d1901-1985 _xFriends and associates _vExhibitions. |
| 700 | 1 |
_aKosinski, Dorothy M., _eauthor. _91043890 |
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| 710 | 2 |
_aPhillips Collection. _9265289 |
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| 710 | 2 |
_aParrish Art Museum. _9249852 |
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| 711 | 2 |
_aAngels, Demons, and Savages: Pollock, Ossorio, Dubuffet (Exhibition) _d(2013 : _cWashington (D.C.) and New York (N.Y.)) |
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| 907 |
_a.b13004451 _b11-07-17 _c28-10-15 |
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