000			03864cam a2200457 i 4500
005			20240521133125.0
008			231115t20232023caua bc 000 0deng d
011			_aZ3950 Search: @attr 1=7 "9781636811222"
011			_aZ3950 Record: 0 of 2
020			_a9781636811222 _q(hardcover)
020			_a1636811221 _q(hardcover)
035			_a(OCoLC)1409203454
040			_aYDX _beng _erda _cYDX _dBDX _dSAP _dOCLCO _dERASA _dYDX _dCRU _dINU _dCAM _dGUA _dZ5A
050		4	_aND237.M738 _bA4 2023
082	0	4	_a759.13 _223
099			_a759.13 MOR
100	1		_aMorris, Rebecca, _d1969- _eartist.
245	1	0	_aRebecca Morris : _b2001-2022 / _c[curated by] Jamillah James.
264		1	_aLos Angeles : _bInstitute of Contemporary Art ; _aNew York : _bDelMonico Books-D.A.P., _c2023.
264		4	_c©2023
300			_a287 pages : _bchiefly colour illustrations ; _c29 cm
336			_atext _btxt _2rdacontent
336			_astill image _bsti _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
500			_aCatalog of an exhibition organized by the Institute of Contemporary Art, Los Angeles, in cooperation with the Musuem of Contemporary Art, Chicago, and held at the Institute of Contemporary Art, Los Angeles, October 1, 2022-January 15, 2023; and the Museum of Contemporary Art, Chicago, September 30-2023-April 7, 2024.
504			_aIncludes bibliographical references.
505	0		_aInstallation views -- Foreword / Anne Ellegood -- Acknowledgments / Jamillah James and Rebecca Morris -- Plates -- Who's afraid of pink, silver, and brown? / Jamillah James -- Manifesto (for Abstractionists and friends of the non-objective) / Rebecca Morris -- All that glitters is glitter / Hamza Walker -- Borderlines / Camila McHugh -- On vacant paintings / Alex Jen -- 27 x 21 x 28 / Anthony Elms -- Studio timeline -- List of works -- Artist's biography -- Contributors -- Staff and Board.
520			_a"Featuring a range of paintings produced since 2001 and showcasing the artist's progression of styles and rigorous commitment to experimentation and abstraction, the exhibition includes 27 paintings. It highlights several formal tendencies that Morris has developed over the years, resulting in a distinct and recognizable visual language. Her arsenal of techniques includes erasure, dripping, and spray painting, applied to canvases lying flat on the floor in an active, physical process. Recurring motifs--such as atomization; the use of patterns, grids, and checkerboards; interlocking geometric forms; painted borders delimiting the picture plane; and her characteristic use of color, including metallic hues and saturated tones, are traced through groupings of works. orris's dynamic paintings contain formal tensions and contradictions through their embrace of patterns and textures, and the visibility of the artist's hand in every gesture. Her work pushes against the historical foundation of her chosen medium and offers a glimpse into new ways forward for the constantly evolving and expanded field of painting."-- _cVisit.mcachicago.org.
600	1	0	_aMorris, Rebecca, _d1969- _vExhibitions.
650		0	_aPainting, Abstract _y21st century _vExhibitions.
700	1		_aEllegood, Anne, _ewriter of foreword. _91097556
700	1		_aJames, Jamillah, _d1980-, _eorganizer, _ewriter of supplementary textual content.
700	1		_aWalker, Hamza, _ewriter of supplementary textual content.
700	1		_aMcHugh, Camila, _d1993-, _ewriter of supplementary textual content.
700	1		_aJen, Alex, _c(Writer and curator), _ewriter of supplementary textual content.
700	1		_aElms, Anthony, _ewriter of supplementary textual content.
710	2		_aInstitute of Contemporary Art (Los Angeles, Calif.), _ehost institution.
710	2		_aMuseum of Contemporary Art (Chicago, Ill.), _ehost institution. _9311951
942			_cB
999			_c1888238 _d1888238