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011 _aZ3950 Record: 0 of 13
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035 _a(OCoLC)42022385
040 _aDLC
_beng
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042 _apcc
050 0 0 _aHQ1206
_b.H57 2000
082 0 0 _a305.42
_223
099 _a305.42 HOL
100 1 _aHollows, Joanne,
_eauthor.
_91026908
245 1 0 _aFeminism, femininity, and popular culture /
_cJoanne Hollows.
264 1 _aManchester, U.K. ;
_aNew York, N.Y. :
_bManchester University Press,
_c2000.
264 4 _c©2000.
300 _a229 pages ;
_c22 cm
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
504 _aIncludes bibliographical references (pages 205-220) and index.
505 0 _gPart I.
_tIntroduction : --
_g1.
_tSecond-wave feminism and femininity --
_g2.
_tFeminism, cultural studies and popular culture --
_gPart II.
_tWomen's genres: texts and audiences : --
_g3.
_tFilm studies and the woman's film --
_g4.
_tReading romantic fiction --
_g5.
_tSoap operas and their audiences --
_gPart III.
_tConsumption practices and cultural identities : --
_g6.
_tConsumption and material culture --
_g7.
_tFashion and beauty practices --
_g8.
_tYouth cultures and popular music --
_gPart IV.
_tConclusions : --
_g9.
_tFeminism in popular culture.
520 _a"In this accessible introductory guide, the author identifies key feminist approaches to popular culture from the 1960s to the present and demonstrates how the relationship between feminism, femininty and ponityand popular culture has often been a troubled one. The book introduces the central ideas of both second-wave feminism and feminist cultural studies and demonstrates how they inform feminist debates about a range of popular forms and practices through a series of case studies: the woman's film; romantic fiction; soap opera; consumption and material culture; fashion and beauty practices; and youth culture and popular music. By showing the relationships between feminist positions within different fields of study, Joanne Hollows identifies the ways in which feminism has often been based on a rejection of both popular culture and femininity. The book examines the ways in which different feminist critics have drawn cultural distinctions between what is 'feminist' and what is not, demonstrating how feminist identities were often produced through a refusal of feminine forms and practices and shows what implications these positions have for feminist cultural politics. The author also illustrates the importance of understanding both feminine and feminist identities as a site of struggle in specific historical contexts."--Back cover.
588 _aRDA encoding generated via machine conversion from ISBD record.
650 0 _aWomen in popular culture.
_9325966
650 0 _aFeminist criticism.
_9326522
650 0 _aFeminist theory.
_9327380
650 0 _aFeminism.
_9317807
650 0 _aFemininity.
_9317805
650 0 _aPopular culture.
_9322576
650 0 _aFeminist literary criticism.
_9317814
650 2 _aFeminism.
_9358183
650 2 _aPopular Culture.
758 _ihas work:
_aFeminism, femininity, and popular culture (Text)
_1https://id.oclc.org/worldcat/entity/E39PCGkKj9jG9qMDFRytBtmdjP
_4https://id.oclc.org/worldcat/ontology/hasWork
776 0 8 _iOnline version:
_aHollows, Joanne.
_tFeminism, femininity, and popular culture.
_dManchester, U.K. ; New York, N.Y. : Manchester University Press, 2000
_w(OCoLC)654640038
942 _cB
999 _c1886825
_d1886825