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008 | 990728t20002000enk b 001 0 eng | ||
011 | _aZ3950 Search: @attr 1=7 "9780719043956" | ||
011 | _aZ3950 Record: 0 of 13 | ||
020 | _a0719043948 | ||
020 | _a9780719043949 | ||
020 |
_a0719043956 _q(pbk.) |
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020 |
_a9780719043956 _q(pbk.) |
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035 | _a(OCoLC)42022385 | ||
040 |
_aDLC _beng _cDLC _dUKM _dIAY _dC#P _dLVB _dBAKER _dBTCTA _dYDXCP _dIG# _dOCLCQ _dAUD _dGEBAY _dZ@L _dBDX _dOCLCF _dOCLCO _dOCL _dDEBBG _dDEBSZ _dFC@ _dCSJ _dDHA _dGZM _dCPO _dBGU _dAU@ _dSXQ _dBUF _dEUX _dIL4J6 _dIPL _dVU@ _dNKM _dOCLCL _dZ5A |
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042 | _apcc | ||
050 | 0 | 0 |
_aHQ1206 _b.H57 2000 |
082 | 0 | 0 |
_a305.42 _223 |
099 | _a305.42 HOL | ||
100 | 1 |
_aHollows, Joanne, _eauthor. _91026908 |
|
245 | 1 | 0 |
_aFeminism, femininity, and popular culture / _cJoanne Hollows. |
264 | 1 |
_aManchester, U.K. ; _aNew York, N.Y. : _bManchester University Press, _c2000. |
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264 | 4 | _c©2000. | |
300 |
_a229 pages ; _c22 cm |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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504 | _aIncludes bibliographical references (pages 205-220) and index. | ||
505 | 0 |
_gPart I. _tIntroduction : -- _g1. _tSecond-wave feminism and femininity -- _g2. _tFeminism, cultural studies and popular culture -- _gPart II. _tWomen's genres: texts and audiences : -- _g3. _tFilm studies and the woman's film -- _g4. _tReading romantic fiction -- _g5. _tSoap operas and their audiences -- _gPart III. _tConsumption practices and cultural identities : -- _g6. _tConsumption and material culture -- _g7. _tFashion and beauty practices -- _g8. _tYouth cultures and popular music -- _gPart IV. _tConclusions : -- _g9. _tFeminism in popular culture. |
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520 | _a"In this accessible introductory guide, the author identifies key feminist approaches to popular culture from the 1960s to the present and demonstrates how the relationship between feminism, femininty and ponityand popular culture has often been a troubled one. The book introduces the central ideas of both second-wave feminism and feminist cultural studies and demonstrates how they inform feminist debates about a range of popular forms and practices through a series of case studies: the woman's film; romantic fiction; soap opera; consumption and material culture; fashion and beauty practices; and youth culture and popular music. By showing the relationships between feminist positions within different fields of study, Joanne Hollows identifies the ways in which feminism has often been based on a rejection of both popular culture and femininity. The book examines the ways in which different feminist critics have drawn cultural distinctions between what is 'feminist' and what is not, demonstrating how feminist identities were often produced through a refusal of feminine forms and practices and shows what implications these positions have for feminist cultural politics. The author also illustrates the importance of understanding both feminine and feminist identities as a site of struggle in specific historical contexts."--Back cover. | ||
588 | _aRDA encoding generated via machine conversion from ISBD record. | ||
650 | 0 |
_aWomen in popular culture. _9325966 |
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650 | 0 |
_aFeminist criticism. _9326522 |
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650 | 0 |
_aFeminist theory. _9327380 |
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650 | 0 |
_aFeminism. _9317807 |
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650 | 0 |
_aFemininity. _9317805 |
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650 | 0 |
_aPopular culture. _9322576 |
|
650 | 0 |
_aFeminist literary criticism. _9317814 |
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650 | 2 |
_aFeminism. _9358183 |
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650 | 2 | _aPopular Culture. | |
758 |
_ihas work: _aFeminism, femininity, and popular culture (Text) _1https://id.oclc.org/worldcat/entity/E39PCGkKj9jG9qMDFRytBtmdjP _4https://id.oclc.org/worldcat/ontology/hasWork |
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776 | 0 | 8 |
_iOnline version: _aHollows, Joanne. _tFeminism, femininity, and popular culture. _dManchester, U.K. ; New York, N.Y. : Manchester University Press, 2000 _w(OCoLC)654640038 |
942 | _cB | ||
999 |
_c1886825 _d1886825 |