000			03072cam a2200385 i 4500
005			20230526151520.0
008			160401s2016 gw b ||0| ||eng d
010			_a 2016419216
011			_aZ3950 Search: @attr 1=7 "9783956790072"
011			_aZ3950 Record: 0 of 14
020			_a3956790073 _qpaperback
020			_a9783956790072 _qpaperback
035			_a(OCoLC)939712035
040			_aYDXCP _beng _erda _cDLC _dYDXCP _dOHX _dJPG _dOCLCF _dNGA _dZCU _dVVPCS _dTXI _dCHVBK _dYDX _dOCLCQ _dOCLCA _dUKTTE _dOSU _dUKOBU _dCUI _dU3G _dCNNGC _dCTU _dOCLCO _dZ5A
042			_alccopycat _apcc
050	0	0	_aND50 _b.P225 2016
082	0	4	_a759 _223
099			_a759 PAI
245	0	0	_aPainting beyond itself : _bthe medium in the post-medium condition / _cedited by Isabelle Graw and Ewa Lajer-Burcharth.
246	3	0	_aMedium in the post-medium condition
264		1	_aBerlin : _bSternberg Press, _c[2016]
264		4	_c©2016
300			_a289 pages : _billustrations ; _c19 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
500			_a"Based on a conference at Harvard University in 2013"--Page 4 of cover.
504			_aIncludes bibliographical references.
505	0	0	_tMarking, scoring, storing, and speculating (on time) / _rDavid Joselit -- _tScenes of instruction / _rEwa Lajer-Burcharth -- _tBeyond, beyond! Two years after the conference / _rJutta Koether -- _tModern color : a new paradigm / _rJacqueline Lichtenstein -- _tThe value of liveliness : painting as an index of agency in the new economy / _rIsabelle Graw -- _tOn color / _rAmy Sillman -- _tWelcome to the second day / _rIsabelle Graw -- _tPainting photography painting : timelines and medium specificities / _rCarol Armstrong -- _tRehearsing in/with media : some remarks on the relationship between dance, film and painting / _rSabeth Buchmann -- _tThread, pixel, grain / _rMatt Saunders -- _tBody and soul : about the practice of painting in France (1660-1770) / _rRené Démoris -- _tA nude in the neo-avant-garde Ema (Nude on a staircase), 1966 / _rBenjamin H.D. Buchloh -- _tNotes on painting / _rJulie Mehretu.
520			_a"In response to recent developments in pictorial practice and critical discourse, Painting beyond Itself: The Medium in the Post-medium Condition seeks new ways to approach and historicize the question of the medium. Reaching back to the earliest theoretical and institutional definitions of painting, this book--based on a conference at Harvard University in 2013--focuses on the changing role of materiality in establishing painting as the privileged practice, discourse, and institution of modernity. Myriad conceptions of the medium and its specificity are explored by an international group of scholars, critics, and artists. Painting beyond Itself is a forum for rich historical, theoretical, and practice-grounded conversation"--Publisher's description.
650		0	_aPainting _xHistory. _9370711
700	1		_aGraw, Isabelle, _eeditor. _91051228
700	1		_aLajer-Burcharth, Ewa, _eeditor. _9927312
942			_cB _n0
999			_c1725893 _d1725893