| 000 | 03732cam a2200505 i 4500 | ||
|---|---|---|---|
| 001 | on1122183901 | ||
| 003 | OCoLC | ||
| 005 | 20221104070543.0 | ||
| 007 | cr | ||
| 008 | 220209s2020 caua b 001 0 eng | ||
| 010 | _a 2021275894 | ||
| 016 | 7 |
_a019923420 _2Uk |
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| 020 | _a1943532834 | ||
| 020 | _a9781943532834 | ||
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_aCHBIS _b011663347 |
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_aDKDLA _b820080-katalog:000148709 |
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_aUKMGB _b019923420 |
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| 035 | _a(OCoLC)1122183901 | ||
| 040 |
_aYDX _beng _erda _cDLC _dYDX _dERASA _dK6U _dOCLCF _dYDXIT _dUKMGB _dIUL _dP4A _dCUT _dOCLCO _dOCLCQ _dOMB _dATU |
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| 042 | _alccopycat | ||
| 050 | 0 | 0 |
_aNA2750 _b.H46 2020 |
| 082 | 0 | 4 |
_a729 _223 |
| 100 | 1 |
_aHewitt, Mark A., _eauthor. _9939055 |
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| 245 | 1 | 0 |
_aDraw in order to see : _ba cognitive history of architectural design / _cMark Alan Hewitt. |
| 264 | 1 |
_a[Novato, California] : _bORO Editions, _c[2020] |
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| 264 | 4 | _c©2020 | |
| 300 |
_a295 pages : _billustrations (some color) ; _c23 cm |
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| 336 |
_atext _btxt _2rdacontent |
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| 336 |
_astill image _bsti _2rdacontent |
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| 337 |
_aunmediated _bn _2rdamedia |
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| 338 |
_avolume _bnc _2rdacarrier |
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| 504 | _aIncludes bibliographical references (pages 274-288) and index. | ||
| 505 | 0 | _aNew thinking about design -- Brains, bodies, and images -- Mimesis, memory, and enactment -- Crafting, depicting, and assembling -- The discovery of depiction -- Scenography and craft in the Baroque -- Teaching design in the Modern Era -- Engineering, science, and the machine -- Materials, models, and montage -- Conceptual architecture and the digital void -- Design with embodiment -- Twelve steps. | |
| 520 | _a"'Draw In Order to See' is the first book to survey the history of architectural design using the latest research in neuroscience and embodied cognition. At present, among the dozens of books on architectural drawing, design theory, methodologies, model making, CAAD, and planning, there is no book that specifically looks at the history of representation as a reflection of cognitive habits among individuals and groups of architects. As a historian and a practicing architect, Mark Hewitt has a unique point of view, that has enabled him to study the design practices of many architects during various eras, beginning in the Renaissance and stretching into the late 20th century. Hewitt has dedicated more than 30 years to writing about the process of conception (or visualisation) of buildings in the brain. Researchers on that subject now consistently cite one of his earliest studies on drawings and modes of conception.0This book pursues that line of inquiry with the new discoveries about visual perception, cognition and embodiment that have revolutionised brain science. Hewitt believes that looking historically at how architects have designed, a brain-based practice developed during and after the Renaissance, once drawings became sophisticated enough to provide feedback for perception and memory in the cortex. His contention is that disegno, as invented in Italy during the time of Leonardo and Michelangelo, initiated that system, and that it was translated into a curriculum during the rise of Beaux Arts institutions prior to the 1920s, after which the Bauhaus system replaced it completely with what we have today."--Publisher | ||
| 650 | 0 |
_aArchitectural design _xHistory. _9659305 |
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| 650 | 0 |
_aArchitectural design _xPsychological aspects. _9785469 |
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| 650 | 0 |
_aArchitectural drawing. _9313892 |
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| 650 | 0 |
_aDrawing _xTechnique. _9371635 |
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| 650 | 0 |
_aPerspective. _9322123 |
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| 650 | 0 |
_aArchitecture _xHistory. _9375501 |
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| 942 |
_2ddc _cB _n0 |
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| 948 | _hNO HOLDINGS IN Z5A - 59 OTHER HOLDINGS | ||
| 999 |
_c1692715 _d1692715 |
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