000 | 02751cam a2200625 i 4500 | ||
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001 | ocn966436289 | ||
003 | OCoLC | ||
005 | 20230526151510.0 | ||
008 | 161213t20182018enka 001 0 eng | ||
010 | _a 2016054564 | ||
015 |
_aGBB7N2677 _2bnb |
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016 | 7 |
_a018636020 _2Uk |
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020 |
_a9781474235112 _q(paperback) |
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020 |
_a1474235115 _q(paperback) |
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020 |
_z9781474235136 _q(ePUB) |
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020 |
_z9781474235129 _q(ePDF) |
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020 | _a1474235131 | ||
020 | _a9781474235136 | ||
020 | _a1474235123 | ||
020 | _a9781474235129 | ||
024 | 8 | _a60002242142 | |
029 | 1 |
_aAU@ _b000059286751 |
|
029 | 1 |
_aCHBIS _b011047137 |
|
029 | 1 |
_aCHDSB _b006787022 |
|
029 | 1 |
_aCHNEW _b000985541 |
|
029 | 1 |
_aCHVBK _b508368456 |
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029 | 1 |
_aCHVBK _b509379540 |
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029 | 1 |
_aCHVBK _b51168889X |
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029 | 1 |
_aUKMGB _b018636020 |
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035 |
_a(OCoLC)966436289 _z(OCoLC)967198730 |
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040 |
_aDLC _beng _erda _cDLC _dBDX _dOCLCF _dBTCTA _dOCLCO _dOCLCQ _dYDX _dOCLCO _dNDD _dCHVBK _dOCLCO _dNUI _dNRC _dUKOBU _dDLC _dYUS _dCULIB _dOCLCA _dOCLCQ _dUKMGB _dGYG _dOCLCA _dMLA _dTJC _dATU |
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042 | _apcc | ||
050 | 0 | 0 |
_aTR897 _b.S47 2018 |
082 | 0 | 0 |
_a777.53 _223 |
100 | 1 |
_aScott-James, Kahra, _eauthor. _91028120 |
|
245 | 1 | 0 |
_aSound design for moving image : _bfrom concept to realization / _cKahra Scott-James. |
264 | 1 |
_aLondon : _aOxford ; _aNew York ; _aNew Delhi ; _aSydney : _bBloomsbury Academic, and imprint of Bloomsbury Publishing PLC, _c2018. |
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264 | 4 | _c©2018 | |
300 |
_avii, 184 pages : _billustrations (some color) ; _c27 cm |
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336 |
_atext _btxt _2rdacontent |
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336 |
_astill image _bsti _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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386 |
_mGender group: _ngdr _aWomen _2lcdgt |
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386 |
_mNationality/regional group: _nnat _aNew Zealanders _2lcdgt |
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500 | _aIncludes index. | ||
505 | 0 | _aEarly practice -- Sound as design -- Contemporary sound design -- Preproduction -- Production -- Postproduction. | |
520 | 8 | _aContemporary soundtracks are often made up of hundreds of separate tracks, and thousands of individual sounds, including elements of dialogue, music and sound effects. As a result, many budding filmmakers find them a daunting prospect, and are tempted to leave sound to the last stages of post-production. 'Sound Design for Moving Image' offers a clear introduction to sound design theory and practice to help you integrate sound ideas into your productions. | |
650 | 0 |
_aSound motion pictures. _9321143 |
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650 | 0 |
_aSound _xRecording and reproducing. _9347934 |
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650 | 0 |
_aMotion pictures _xSound effects. _9321139 |
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650 | 0 |
_aMotion pictures _xEditing. _9321134 |
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942 |
_2ddc _cB _n0 |
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948 | _hNO HOLDINGS IN Z5A - 194 OTHER HOLDINGS | ||
999 |
_c1660073 _d1660073 |