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_a036742326X _qhardback |
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_a9780367423261 _qhardback |
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_a1032117869 _qpaperback |
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_a9781032117867 _qpaperback |
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_aML3917.N45 _bT87 2021 |
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_a781.646093 _223 |
099 | _a781.646093 TUR | ||
100 | 1 |
_aTurner, Elizabeth _q(Elizabeth Anne) _eauthor. _9512842 |
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245 | 1 | 4 |
_aThe discourse of protest, resistance and social commentary in reggae music : _ba Bakhtinian analysis of Pacific reggae / _cElizabeth Turner. |
264 | 1 |
_aNew York : _bRoutledge, _c2022. |
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264 | 4 | _c©2022 | |
300 |
_axi, 141 pages ; _c20 cm |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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490 | 1 | _aRoutledge studies in linguistics | |
504 | _aIncludes bibliographical references and index. | ||
505 | 0 | _aConstructing an encounter between Mikhail Bakhtin and the New Zealand band Herbs -- Message music and meaning -- Mikhail Bakhtin : dialogism, discourse, and ethics -- The social, political, and cultural context -- Politics, protest, and resistance in Herbs' What's Be Happen? -- Narratives of experience and identity -- Taking sides : Herbs' album cover -- Coda. | |
520 |
_a"A comprehensive, engaging and timely Bakhtinian examination of the ways in which the music and lyrics of Pacific reggae, aspects of performance, a record album cover, and the social and political context construct social commentary, resistance and protest. Framed predominantly by the theory and philosophy of Russian literary theorist Mikhail Bakhtin, this innovative investigation of the discourse of Pacific reggae in New Zealand produces a multi-faceted analysis of the dialogic relationships that create meaning in this genre of popular music. It focuses on the award-winning record EP What's Be Happen? by the band Herbs, which has been recognised for its ground-breaking music and social commentary in the early 1980s. Herbs' songs address the racism and ideology of the apartheid regime in South Africa and the relationship between sport and politics, as well as universally relevant conflicts over race relations, the experiences of migrants, and the historic and ongoing loss of indigenous people's lands. The book demonstrates the striking compatibility between Bakhtin's theorisation of utterances as ethical acts and reggae music, along with the Rastafari philosophy that underpins it, which speaks of resistance to social injustice, of ethical values and the kind of society people seek to achieve. It will appeal to a cross-disciplinary audience of scholars in Bakhtin studies; discourse analysis; popular cultural studies; the literary analysis of popular music and lyrics, and those with an interest in the culture and politics of Aotearoa New Zealand and the Pacific region"-- _cProvided by publisher. |
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600 | 1 | 0 |
_aBakhtin, M. M. _q(Mikhail Mikhaĭlovich), _d1895-1975 _xCriticism and interpretation. |
610 | 2 | 0 |
_aHerbs (Musical group). _tWhat's Be Happen?. _91009421 |
650 | 0 |
_aReggae music _xPolitical aspects _zNew Zealand _9784046 |
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650 | 0 |
_aReggae music _zNew Zealand _xHistory and criticism _9677441 |
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830 | 0 |
_aRoutledge studies in linguistics. _91060678 |
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907 |
_a.b30618253 _b03-06-21 _c28-05-21 |
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