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_a709.2 _223 |
099 | _a709.2 MIT | ||
100 | 1 |
_aMitchell, Dane, _d1976- _eartist. _9455431 |
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245 | 1 | 0 |
_aPost hoc / _cDane Mitchell. |
250 | _aFirst edition. | ||
264 | 1 |
_aMilan--Italy : _bMousse Publishing, _c2019. |
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264 | 4 | _c©2019 | |
300 |
_a137 pages : _billustrations ; _c30 cm |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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500 | _aCatalog of an exhibition held within the 58th International Art Exhibition La Biennale Venezia, at the Pavilion of New Zealand, Venice, Italy, May 11-November 24, 2019. | ||
504 | _aIncludes bibliographical references. | ||
505 | 2 | _aIntroduction / Zara Stanhope -- Blind spots on a spectrum / Zara Stanhope -- The sense of an ending / Chris Sharp -- Post hoc -- The book of drafts (part 5) / Heman Chong -- Techno-tree / Stephen Turner -- Recent works -- Selected exhibition history and publications / Dane Mitchell -- Work details and list of illustrations. | |
520 | _aDane Mitchell deploys disguised cellphone towers to broadcast a litany of loss at the 58th Venice Biennale. New Zealand artist Dane Mitchell (born 1976) broadcasts from transmission towers disguised as trees a vast inventory of vanished or invisible phenomena, extinctions and past events. This volume explores the origin of this work in the context of Mitchell's career. | ||
600 | 1 | 0 |
_aMitchell, Dane, _d1976- _vExhibitions. |
655 | 7 |
_aExhibition catalogs. _2lcgft _9370347 |
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700 | 1 |
_aStanhope, Zara, _ewriter of added text. _91019875 |
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700 | 1 |
_aSharp, Chris, _d1974- _ewriter of added text. _9442448 |
|
700 | 1 |
_aChong, Heman, _d1977- _ewriter of added text. _9405604 |
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700 | 1 |
_aTurner, Stephen, _d1964- _ewriter of added text. _9405606 |
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711 | 2 |
_aBiennale di Venezia _n(58th : _d2019 : _cVenice, Italy) _9499347 |
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