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011			_aZ3950 Direct Search: Record 0 of 7
011			_aZ9350 Search Query @attr 1=7 "9781138628403"
011			_aMARC Score : 11150(25800) : OK
020			_a1138628395 _qhardcover
020			_a9781138628397 _qhardcover
020			_a1138628409 _qpaperback
020			_a9781138628403 _qpaperback
035			_a(ATU)b3015151x
035			_a(OCoLC)1029769549
040			_aDLC _beng _erda _cDLC _dOCLCO _dOCLCF _dUKMGB _dCHVBK _dYDX _dOBE _dOCLCA _dNZAUC _dOG$ _dZ5A
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050	0	0	_aTR899 _b.D26 2019
082	0	0	_a777.55 _223
099			_a777.55 DAN
100	1		_aDancyger, Ken, _eauthor. _91060247
245	1	4	_aThe technique of film and video editing : _bhistory, theory, and practice / _cKen Dancyger.
250			_aSixth edition.
264		1	_aNew York, NY : _bRoutledge, _c2019.
264		4	_c©2019
300			_axxv, 511 pages : _billustrations ; _c24 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
500			_a"A Focal Press book"--Cover.
504			_aIncludes bibliographical references and index.
505	0		_aIntroduction -- Section 1. History of film editing -- The silent period -- The early sound film -- The influence of the documentary -- The influence of the popular arts -- The influence of other arts -- Editors who became directors -- Experiments in editing : Alfred Hitchcock -- Experiments in editing II : Robert Altman -- New technologies -- International advance -- The influence of television and theatre -- New challenges to filmic narrative conventions -- The MTV influence on editing I -- The MTV influence on editing II -- Changes in pace -- The appropriation of style I : imitation and innovation -- The appropriation of style II : limitation and innovation -- The appropriation of style III : digital reality -- Section 2. Goals of editing -- Editing for narrative clarity -- Editing for dramatic emphasis -- Editing for subtext -- Editing for surprise -- Editing for aesthetics -- Section 3. Editing for the genre -- Action -- Dialog -- Comedy -- Documentary -- Imaginative documentary -- Innovation in documentary I -- Innovations in documentary II -- Innovation in documentary III : the experimental documentary -- Section 4. Principles of editing -- The picture edit and continuity -- The picture edit and pace -- Ideas and sound -- The sound edit and clarity -- The sound edit and creative sound -- Innovations of sound -- Nonlinear editing and digital technology I -- Nonlinear editing and digital technology II -- Conclusion.
520			_a"This updated sixth edition of The Technique of Film and Video Editing provides a detailed, precise look at the artistic and aesthetic principles and practices of editing for both picture and sound. Ken Dancyger puts into context the storytelling choices an editor will have to make against a background of theory, history, and practice across a range of genres, including action, comedy, drama, documentary and experimental forms, featuring analysis of dozens of classic and contemporary films. This new sixth edition includes new chapters on the influence of other media on the editing form, on the importance of surprise in editing, on the contributions of Robert Altman to the art of editing and on the experimental documentary. This edition also includes expanded coverage in technology, creative sound, point of view, and the long take. New case studies explore Whiplash (2014), Room (2015), Lincoln (2012), Tangerine (2015), The Beaches of Agnès (2008), American Sniper (2014), Son of Saul (2015), The Revenant (2015), and many more."--Back cover.
650		0	_aMotion pictures _xEditing. _9321134
650		0	_aVideo tapes _xEditing. _9325564
650		0	_aDigital video _xEditing. _9331127
776	1	8	_w(OCoLC)1080193531 _w(OCoLC)1154628622
907			_a.b3015151x _b06-09-21 _c03-12-20
942			_cB
945			_a777.55 DAN _g1 _iA538405B _j0 _lcmain _o- _p$90.40 _q- _r- _s- _t0 _u3 _v7 _w3 _x0 _y.i13668018 _z18-01-21
998			_ac _ab _b16-12-20 _cm _da _feng _gnyu _h4
999			_c1601120 _d1601120