000 06798cam a2200481 i 4500
003 OCoLC
005 20221103171659.0
008 180807s2019 nyuab bf 001 0 eng d
010 _a 2018037868
011 _aDirect search result
011 _aMARC Score : 11100(24200) : OK
020 _a0190659807
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020 _a9780190659806
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035 _a(ATU)b29842426
035 _a(OCoLC)1084644287
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050 0 0 _aML3799.2
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082 0 0 _a780.9
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245 0 4 _aThe Oxford handbook of musical repatriation /
_cedited by Frank Gunderson, Robert C. Lancefield, Bret Woods.
246 1 1 _aMusical repatriation
264 1 _aNew York, NY :
_bOxford University Press,
_c[2019]
264 4 _c©2019
300 _alvi, 774 pages :
_billustrations ;
_c26 cm.
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
490 1 _aOxford handbooks series
504 _aIncludes bibliographical references and index.
505 0 0 _tPathways toward open dialogues about sonic heritage : an introduction to the Oxford handbook of musical repatriation /
_rFrank Gunderson and Bret Woods --
_tMusical traces' retraceable paths : the repatriation of recorded sound /
_rRobert C. Lancefield --
_tReflections on reconnections : when human and archival modes of memory meet /
_rDaniel B. Reed --
_tMusic archives and repatriation : digital return of Hugh Tracey's "Chemirocha" recordings in Kenya /
_rDiane Thram --
_tRethinking repatriation and curation in Newfoundland : archives, angst, and opportunity /
_rBeverley Diamond and Janice Esther Tulk --
_tRepatriating the Alan Lomax Haitian recordings in post-quake Haiti /
_rGage Averill --
_t"Where dead people walk" : fifty years of archives to Q'eros, Peru /
_rHolly Wissler --
_tAudiovisual archives : bridging past and future /
_rJudith Gray --
_tArchives, repatriation, and the challenges ahead /
_rAnthony Seeger --
_tReturning voices : repatriation as shared listening experiences /
_rBrian Diettrich --
_t"Boulders, fighting on the plain" : a World War I-era song repatriated and remembered in western Tanzania /
_rFrank Gunderson --
_t"We want our voices back" : ethical dilemmas in the repatriation of recordings /
_rGrace Koch --
_tSharing John Blacking : recontextualizing children's music and reimagining musical instruments in the repatriation of a historical collection /
_rAndrea Emberly and Jennifer C. Post --
_tAutism doesn't speak, people do : musical thinking, chat messaging, and autistic repatriation /
_rMichael B. Bakan --
_tMusical repatriation as method /
_rMichael Iyanaga --
_tTeachers as agents of the repatriation of music and cultural heritage /
_rPatricia Shehan Campbell and J. Christopher Roberts --
_t"Each in our own village" : creating sustainable interactions between custodian communities and archives /
_rCatherine Ingram --
_tRadio Afghanistan archive project : averting repatriation, building capacity /
_rHiromi Lorraine Sakata, Laurel Sercombe, and John Vallier --
_tBringing Radio Haiti home : the digital archive as devoir de mémoire /
_rCraig Breaden and Laura Wagner --
_tBali 1928 music recordings and 1930s films : strategies for cultural repatriation /
_rEdward Herbst --
_tCinematic journeys to the source : musical repatriation to Africa in film /
_rLisa Osunleti Beckley-Roberts --
_t"Pour préserver la mémoire" : Algerian shaʹbī musicians as repatriated subjects and agents of repatriation /
_rChristopher Orr --
_tRepatriating an Egyptian modernity : transcriptions and the rise of Coptic women's song activism /
_rCarolyn M. Ramzy --
_tMemory, trauma, and the politics of repatriating Bikindi's music in the aftermath of the Rwandan genocide /
_rJason McCoy --
_tNew folk music as attempted repatriation in Romania /
_rMaurice Mengel --
_tThe politics of repatriating Civil War brass music /
_rElizabeth Whittenburg Ozment --
_tRadio archives and the art of persuasion /
_rCarlos Odria --
_tThe banning of Samoa's repatriated mau songs /
_rRichard Moyle --
_tBells in the cultural soundscape : Nazi-era plunder, repatriation, and campanology /
_rCarla Shapreau --
_tDigital repatriation : copyright policies, fair use, and ethics /
_rAlex Perullo --
_tMountain highs, valley lows : institutional archiving of gospel music in the twenty-first century /
_rBirgitta J. Johnson --
_t"The songs are alive" : bringing Frances Densmore's recordings back home to Ojibwe country /
_rLyz Jaakola and Timothy B. Powell --
_tMoving songs : repatriating audiovisual recordings of aboriginal Australian dance and song (Kimberley Region, Northwestern Australia) /
_rSally Treloyn, Matthew Dembal Martin, and Rona Goonginda Charles --
_tAfter the archive : an archaeology of Bosnian voices /
_rPeter McMurray --
_tReclaiming ownership of the indigenous voice : the Hopi music repatriation project /
_rTrevor Reed --
_tYolngu music, indigenous "knowledge centres," and the emergence of archives as contact zones /
_rPeter G. Toner --
_tTraditional re-appropriation : modes of access and digitization in Irish traditional music /
_rBret Woods --
_tClaiming Ka Mate : Maori cultural property and the nation's stake /
_rLauren E. Sweetman and Kirsten Zemke --
_tRepatriation and decolonization : thoughts on ownership, access, and control /
_rRobin R.R. Gray.
520 _a"The Oxford Handbook of Musical Repatriation is an edited volume comprising thirty-eight chapters from contributors working in regions all over the world. This collection highlights studies exploring sonic repatriation in its broadest sense in the twentieth and twenty-first centuries. “Sonic” or “musical” repatriation refers primarily to the return of audiovisual archival materials to the communities from which they were initially recorded or collected. Repatriation is overtly guided by an ethical mandate to “return,” providing reconnection and Indigenous control and access to cultural materials—but as the chapters in this collection reveal, there are more dimensions to repatriation than can be described by simply “giving back” or returning archives to their “homelands.""--Publisher's website.
650 0 _aMusic
_xRepatriation.
_9378182
650 0 _aSound recordings in ethnomusicology.
_9376700
700 1 _aGunderson, Frank D.,
_eeditor.
_9919326
700 1 _aLancefield, Robert C.,
_eeditor.
_9919327
700 1 _aWoods, Bret D.,
_d1978-
_eeditor.
_9394788
830 0 _aOxford handbooks.
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