000 | 02774cam a2200397 a 4500 | ||
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003 | OCoLC | ||
005 | 20221103175905.0 | ||
008 | 980721s1999 ctua b 001 0 eng | ||
010 | _a 98036738 | ||
015 |
_aGB9950875 _2bnb |
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019 |
_a1022661832 _a1066926825 |
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020 |
_a0897896289 _q(alk. paper) |
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020 |
_a9780897896283 _q(alk. paper) |
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035 | _a(ATU)b27743780 | ||
035 | _a(OCoLC)39556298 | ||
040 |
_aDLC _beng _cDLC _dUKM _dBAKER _dNLGGC _dYDXCP _dBTCTA _dZWZ _dBDX _dHDC _dOCLCF _dOCLCQ _dI8M _dOCLCQ _dKZS _dDHA _dOCLCQ _dCCH _dOCLCQ _dAU@ _dEUX |
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050 | 0 | 0 |
_aN72.A56 _bH38 1999 |
082 | 0 | 0 |
_a701.03 _223 |
100 | 1 |
_aHatcher, Evelyn Payne. _9975074 |
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245 | 1 | 0 |
_aArt as culture : _ban introduction to the anthropology of art / _cEvelyn Payne Hatcher. |
250 | _a2nd ed. | ||
260 |
_aWestport, Conn. : _bBergin & Garvey, _c1999. |
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300 |
_axxi, 337 pages : _billustrations ; _c25 cm |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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504 | _aIncludes bibliographical references (pages 303-330) and index. | ||
505 | 0 | 0 |
_g1. _tContexts and Comparisons: The Anthropological Approach _g1 -- _g2. _tWhere? The Geographical Dimension _g21 -- _g3. _tHow? The Technological Means _g55 -- _g4. _tWho? The Psychological Perspective _g85 -- _g5. _tWhy? Social Contexts and Social Functions _g113 -- _g6. _t"What ...?" Art as Communication _g135 -- _g7. _tWhen and Whence? The Time Dimension _g167 -- _g8. _tThe Esthetic Mystery _g197 -- _g9. _tThe Global Context: The 15th Century _g209 -- _g10. _tGlobalization: The 20th Century _g229. |
520 | _aThe concept of art as being purely for aesthetic contemplation, one that is typical of industrial civilization, is not a very useful one for cross-cultural studies. The majority of the art forms that we see in museums and art books that have come from Native America, Africa, or Oceania are objects that were once part of a larger artistic whole from which they have been extracted. We need to try to piece together and imagine the artistic context as well as the cultural one if we are to attain a deeper sense of the import than a particular piece alone provides. Even then, it is almost impossible to define the artistic whole. Perhaps we would do better to regard these pieces as fragments from the lifestyle of a people. This book applies anthropological theory and information to the study of art, bringing a sharper perspective to the discipline. | ||
650 | 0 |
_aArt and anthropology. _9314077 |
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650 | 0 |
_aArt and society. _9314091 |
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907 |
_a.b27743780 _b20-08-20 _c05-02-20 |
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942 | _cB | ||
945 |
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_ab _ac _b05-02-20 _cm _da _feng _gctu _h0 |
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999 |
_c1535955 _d1535955 |