000			05627cam a2200589 i 4500
003			OCoLC
005			20221102234920.0
008			170210s2016 gw a b 000 0 eng d
010			_a 2016509866
011			_aDirect search result
011			_aMARC Score : 10750(23700) : OK
011			_aField 082 : DDC : 111.85 has no edition code
020			_a3956792890 _qpbk.
020			_a9783956792892 _qpbk.
035			_a(OCoLC)970656075
040			_aOHX _beng _erda _cDLC _dOHX _dIXA _dOCLCF _dJPG _dYDX _dERASA _dOCLCO _dOCLCQ _dIUL _dOCLCA _dATU
042			_alccopycat
043			_ae-gx---
050	0	0	_aN7433.92 _b.A37 2016
082	0	4	_a776.7 _223
099			_a776.7 ACR
245	0	0	_aAcross & beyond : _ba transmediale reader on post-digital practices, concepts, and institutions / _cdeveloped by transmediale and Winchester School of Art, University of Southampton ; edited by Ryan Bishop, Kristoffer Gansing, Jussi Parikka, Elvia Wilk.
246	3		_aAcross and beyond
264		1	_aBerlin : _bSternberg Press : _bTransmediale e.V., _c[2016]
300			_a348 pages : _billustrations ; _c21 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
500			_a"This collection of art and theory related to the annual transmediale festival in Berlin analyzes today's post-digital conditions for critical media practices -- moving across and beyond the analog and the digital, the human and the nonhuman. The contributions also look across and beyond the field of media art, staking out new paths for understanding and working on the transversal territories between theory, technology anad art"--Preliminaries.
500			_aDesign: The Laboratory of Manuel Bürger, Stefanie Ackermann, Manuel Bürger.
504			_aIncludes bibliographical references.
505	0		_a1995: the year the future began, or multimedia as the vanishing point of the net / Kristoffer Gansing -- Whatever happened to media art? / Dieter Daniels -- Evil Media Distribution Center / Matsuko Yokokoji & Graham Hardood -- The lab imaginary: speculative practices in situ / Jussi Parikka -- OCTO C7P-1 / Baruch Gottlieb & Dmytri Kleiner -- The touching charm of print / Alessandro Ludovico -- Elegy for the collapse of PAL (2010-2012) / Rosa Menkman -- When Claire Bishop woke up in the drone wars: art and technology, the nth time / Florian Cramer -- Nor art & tech / Olia Lialina -- A year-round festival program / Tatiana Bazzichelli -- Beyond powerlessness / Geoffroy de Lagasnerie -- Think you know me / Erica Scourti -- What is left to subvert?: artistic methodologies for a post-digital world / Daphne Dragona -- Quarantined / Julian Oliver & Danja Vasiliev -- Red stack attack!: algorithms, capital and the automation of the common / Tiziana Terranova -- Geraldine Juárez Hello Bitcoin: it's probably time to start lighting things on fire / Jamie Allen -- Things that shouldn't always work / Keller Easterling -- Critical infrastructure / Jamie Allen & David Gauthier -- Sovereign media, critical infrastructures, and political subjectivity / Ned Rossiter & Clemens Apprich -- Lettres du voyant / Louise Henderson -- The protean munus and nomos of the political subject in polyscalar autonomous remote sending systems / Ryan Bishop -- Can the bot speak?: the paranoid voice in conversational UI / Benjamin H. Bratton -- The 3D additivist manifesto / Morehshin Allahyari & Daniel Rourke -- Technological macrobiome: media art and technology as matter / Olga Goriunova.
520	8		_aThis collection of art and theory analyzes today?s post-digital conditions for critical media practices?across and beyond the analog and the digital, the human and the nonhuman. The contributions also look across and beyond the field of media art, staking out new paths for understanding and working in the transversal territories between theory, technology, and art. The concept of the post-digital is a way to critically take account of, contextualize, and shift the coordinates of new technologies as part of contemporary culture. The post-digital condition is not merely a theoretical issue but also a situation that affects conceptual and practice-based work.0The program of the transmediale festival in Berlin, celebrating its thirtieth year in 2017, has reflected these changes, and this book gathers new contributions from leading international theorists and artists of media and art who have taken part in the festival program over its past five editions. Divided into the thematic sections?Imaginaries,??Interventions,? and?Ecologies,? this book is not a document of the festival itself, it is rather a stand-alone exploration of the ongoing themes of transmediale in a book format.
650		0	_aMultimedia (Art) _9313227
650		0	_aArt and technology. _9314093
650		0	_aComputer art. _9315882
650		0	_aInformation technology. _9326527
650		0	_aDigital media. _9328969
650		0	_aMass media and culture. _9328288
650		0	_aArt festivals _zGermany _zBerlin _9743805
700	1		_aBishop, Ryan, _d1959- _eeditor. _9454638
700	1		_aGansing, Kristoffer, _eeditor. _9954683
700	1		_aParikka, Jussi, _d1976- _eeditor. _9455378
700	1		_aWilk, Elvia, _eeditor. _9954685
710	2		_aWinchester School of Art _9484905
710	2		_aTransmediale e.V. _9954687
776	1	8	_w(OCoLC)986972341 _w(OCoLC)987307893
907			_a.b2697213x _b27-11-19 _c26-06-19
942			_cB
945			_a776.7 ACR _g1 _iA563615B _j0 _lcmain _o- _p$30.00 _q- _r- _s- _t0 _u0 _v0 _w0 _x0 _y.i13639821 _z08-07-19
998			_ab _ac _b02-07-19 _cm _da _feng _ggw _h0
999			_c1504976 _d1504976