000 | 05062cam a2200505 i 4500 | ||
---|---|---|---|
003 | OCoLC | ||
005 | 20221102231229.0 | ||
008 | 170606s2017 sz a b 000 0 eng d | ||
010 | _a 2017027129 | ||
011 | _aDirect search result | ||
011 | _aMARC Score : 11100(26100) : OK | ||
011 | _aField 008 : Illustration codes in the 008: af don't match the codes suggested by the contents of the 300b subfield: a | ||
020 |
_a0262534320 _qpaperback ; (alkaline paper) |
||
020 |
_a9780262534321 _qpaperback ; (alkaline paper) |
||
035 | _a(ATU)b26457428 | ||
035 | _a(OCoLC)978560138 | ||
040 |
_aDLC _beng _erda _cDLC _dBTCTA _dYDX _dOCLCO _dOCLCF _dQGJ _dVVPCS _dEQO _dGZM _dZLM _dUBY _dGILDS _dFSJ _dUKTTE _dL2U _dUKMGB _dATU |
||
042 | _apcc | ||
050 | 0 | 0 |
_aN408 _b.H69 2017 |
082 | 0 | 0 |
_a708 _223 |
099 | _a708 HOW | ||
245 | 0 | 0 |
_aHow institutions think : _bbetween contemporary art and curatorial discourse / _cedited by Paul O'Neill, Lucy Steeds, and Mick Wilson. |
264 | 1 |
_aFeldmeilen, Switzerland : _bLUMA Foundation ; _aAnnandale-on-Hudson, NY : _bCenter for Curatorial Studies, Bard College ; _aCambridge, MA : _bThe MIT Press, _c[2017] |
|
264 | 4 | _c©2017 | |
300 |
_a248 pages : _billustrations ; _c30 cm |
||
336 |
_atext _btxt _2rdacontent |
||
336 |
_astill image _bsti _2rdacontent |
||
337 |
_aunmediated _bn _2rdamedia |
||
338 |
_avolume _bnc _2rdacarrier |
||
504 | _aIncludes bibliographical references. | ||
505 | 0 | 0 |
_gPart I: Thinking via institutions -- _tInstitution, invention, possibility / _rPatricia Falguières -- _tOn slow institutions / _rNataša Petrešin-Bachelez -- _tDark venues / _rClémentine Deliss -- _tDeath and the stone age: Ugandan art institutions (1941-1967) / _rMoses Serubiri -- _tUnlearning institution: do as you present (or preach) / _rBinna Choi and Annette Kraus -- _tAutohistorias: reclaiming our institutions / _rMélanie Bouteloup -- _tWhen the colonizer comes to stay / _rPip Day -- _tRevisiting the 'developmental' and reconsidering the 'alternating' / _rPatrick D. Flores -- _tInstitution and political community with the dead / _rMick Wilson -- _gPart II: Thinking about institutions -- _tThe magmas: on institutions and instituting / _rSimon Sheikh -- _tStructure, subject, art / _rDave Beech -- _tHow institutions think? Institutions do not think, they simply act! / _rMarina Gržinić -- _tOn dispositions and form-making: a conversation / _rKeller Easterling and Andrea Phillips -- _tA total education / _rStefano Harney and Fred Moten -- _tCome in and make a place for yourself: instituting along lines of self-determination and interdependency / _rEmily Pethick -- _tCan an institution speak for a woman? / _rNikita Yingqian Cai -- _tPractices of negation / _rSarah Pierce -- _tThe demodernizing possibility / _rCharles Esche -- _tThe arched bow of the institution of display / _rAlhena Katsof -- _tThe post-agonistic institution: what after mimesis and critique of the democratic project? / _rBassam El Baroni. |
520 | _a"Contemporary art and curatorial work, and the institutions that house them, have often been centers of power, hierarchy, control, value, and discipline. Even the most progressive among them face the dilemma of existing as institutionalized anti-institutions. This anthology-taking its title from Mary Douglas's 1986 book, How Institutions Think-reconsiders the practices, habits, models, and rhetoric of the institution and the anti-institution in contemporary art and curating. Contributors reflect upon how institutions inform art, curatorial, educational, and research practices as much as they shape the world around us. They consider the institution as an object of inquiry across many disciplines, including political theory, organizational science, and sociology. Bringing together an international and multidisciplinary group of writers, How Institutions Think addresses such questions as whether institution building is still possible, feasible, or desirable; if there are emergent institutional models for progressive art and curatorial research practices; and how we can establish ethical principles and build our institutions accordingly. The first part, "Thinking via Institution," moves from the particular to the general; the second part, "Thinking about Institution," considers broader questions about the nature of institutional frameworks." -- Publisher's description | ||
650 | 0 |
_aArt museums _xCuratorship _9778419 |
|
650 | 0 |
_aOrganizational behavior. _9345409 |
|
650 | 0 |
_aArt, Modern _y21st century. _9329156 |
|
650 | 0 |
_aArt and society. _9314091 |
|
700 | 1 |
_aO'Neill, Paul, _d1970- _eeditor. _9457825 |
|
700 | 1 |
_aSteeds, Lucy, _eeditor. _9834435 |
|
700 | 1 |
_aWilson, Mick, _eeditor. _91080061 |
|
776 | 1 | 8 |
_w(OCoLC)978286364 _w(OCoLC)978753394 _w(OCoLC)979014698 _w(OCoLC)979351025 _w(OCoLC)979530338 _w(OCoLC)979856745 _w(OCoLC)1019471745 |
907 |
_a.b26457428 _b13-10-21 _c18-02-19 |
||
942 | _cB | ||
945 |
_a708 HOW _g1 _iA533676B _j0 _lcmain _o- _p$52.77 _q- _r- _s- _t0 _u5 _v8 _w2 _x3 _y.i13630635 _z29-03-19 |
||
998 |
_a(2)b _a(2)c _b21-02-19 _cm _da _feng _gsz _h0 |
||
999 |
_c1495803 _d1495803 |