000			03431cam a2200493 i 4500
003			OCoLC
005			20221102224303.0
008			020219s2003 maua b 001 0ceng d
010			_a 2002022770
011			_aMARC Score : 10950(23000) : OK
011			_aDirect Search Result
020			_a0262182270 _qhc ; _qalk. paper
020			_a9780262182270 _qhc ; _qalk. paper
020			_a0262681552
020			_a9780262681551
035			_a(ATU)b24898922
035			_a(OCoLC)49225960
040			_aDLC _beng _erda _cDLC _dUKM _dC#P _dBAKER _dNLGGC _dBTCTA _dYDXCP _dIG# _dGEBAY _dDEBSZ _dMCN _dMHA _dDEBBG _dOCLCF _dUQ1 _dP4I _dBDX _dOCLCQ _dMOV _dGILDS _dOCLCO _dATU
042			_apcc
050	0	0	_aN6537.S6184 _bR48 2003
082	0	0	_a779.092 _223
099			_a779.092 SMI
100	1		_aReynolds, Ann Morris, _eauthor. _9900385
245	1	0	_aRobert Smithson : _blearning from New Jersey and elsewhere / _cAnn Reynolds.
264		1	_aCambridge, Mass. : _bMIT Press, _c[2003]
264		4	_c©2003
300			_axviii, 364 pages : _billustrations (some colour) ; _c24 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references and index.
505	0		_aCulture as a way of seeing -- Perceiving abstraction -- The Alogons -- Abstraction's ambiguities -- The lessons of optical art -- Perceptual enantiomorphs -- New Jersey -- The crystal land -- Perspective: the metropolis -- A guide to the monuments of Passaic -- Travel as repetition -- A cartographic premise -- The terminal view -- Yucatan is elsewhere -- Dirt as disorder -- Buried architecture -- Trespassing -- Image crisis.
520	1		_a"Robert Smithson (1938-1973) produced his best-known work during the 1960s and early 1970s, a period in which the boundaries of the art world and the objectives of art-making were questioned perhaps more consistently and thoroughly than any time before or since. In Robert Smithson: Learning from New Jersey and Elsewhere, Ann Reynolds elucidates the complexity of Smithson's work and thought by placing them in their historical context, a context greatly enhanced by the vast archival materials that Smithson's widow, Nancy Holt, donated to the Archives of American Art in 1987. The archive provides Reynolds with the remnants of Smithson's working life - magazines, postcards from other artists, notebooks, and perhaps most important, his library - from which she reconstructs the physical and conceptual world that Smithson inhabited. Reynolds explores the relation of Smithson's art-making, thinking about art-making, writing, and interaction with other artists to the articulated ideology and discreet assumptions that determined the parameters of artistic practice of the time."--Jacket.
588			_aMachine converted from AACR2 source record.
600	1	0	_aSmithson, Robert _xCriticism and interpretation.
600	1	0	_aSmithson, Robert _vArchives.
650		0	_aPhotography, Artistic _y20th century _9772100
700	1		_aSmithson, Robert, _eartist. _91034390
776	1	8	_w(OCoLC)56640198 _w(OCoLC)228434853 _w(OCoLC)316490078 _w(OCoLC)1008282745 _w(OCoLC)1011814602 _w(OCoLC)1022657042
907			_a.b24898922 _b06-09-21 _c23-02-18
942			_cB
945			_a779.092 SMI _g1 _iA566945B _j0 _lcmain _o- _p$72.00 _q- _r- _s- _t0 _u3 _v4 _w1 _x2 _y.i13595568 _z09-03-18
998			_a(2)b _ac _b12-03-18 _cm _da _feng _gmau _h0
999			_c1453366 _d1453366