000			03171cam a2200445 i 4500
003			OCoLC
005			20221102223559.0
008			170327t20172017enka b 001 0 eng
010			_a 2017014280
020			_a9781119328575 _qpaperback
020			_a1119328578 _qpaperback
035			_a(ATU)b2423557x
035			_a(OCoLC)967973216
040			_aDLC _beng _erda _cDLC _dBTCTA _dBDX _dERASA _dOCLCO _dOCLCF _dYDX _dYDX _dOCLCO _dATU
042			_apcc
050	0	0	_aN6758 _b.M3564 2017
082	0	0	_a709.40904 _223
130	0		_aMaterial imagination (Art history)
245	1	0	_aMaterial imagination : _bart in Europe, 1946-72 / _cedited by Natalie Adamson and Steven Harris.
246	3		_aArt in Europe, nineteen forty six - seventy two
264		1	_aChichester, West Sussex : _bJohn Wiley & Sons, Ltd., _c2017.
264		4	_c©2017
300			_a217 pages : _billustrations (some colour) ; _c28 cm.
336			_atext _btxt _2rdacontent
336			_astill image _bsti _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
490	0		_aArt history book series
500			_a"Originally published as Volume 39, Issue 4 of Art History."
504			_aIncludes bibliographical references and index.
505	0	0	_g1. _tMaterial Imagination: Art in Europe, 1946-72 / _rNatalie Adamson and Steven Harris -- _g2. _tBlack Flowers Blossom: Bachelard, Soulages and the Material Imaginary of Abstract Painting / _rNatalie Adamson -- _g3. _tMaterialism and Intersubjectivity in Cobra / _rKaren Kurczynski -- _g4. _tMakeshift Wholes: Interiority and Texture in Postwar British Design / _rAlex Kitnick -- _g5. _tMaterializing Modernism in Postwar Italy: Fausto Melotti, Gio Ponti, and the 1961 Esposizione Internazionale del Lavoro / _rMarin R. Sullivan -- _g6. _tL'Optique Moderne: Daniel Spoerri's 'Optical Readymades' / _rJill Carrick -- _g7. _tTerrain vague: Ben Vautier and the Ecole de Nice / _rAnna Dezeuze -- _g8. _t'Not Yet' Materialized: Carlfriedrich Claus's 'Talking Papers' / _rSarah E. James -- _g9. _tThe Longevity of Roman Opa³ka / _rAlistair Rider.
520			_a"Material Imagination examines the interrelated concepts of matter, materialism, and materiality in postwar European art, from 1946-1972. Provides a unique perspective on European art by prioritizing material dimensions over concept or context, while also paying attention to theoretical and historical concerns. Explores artists methods and materials in order to better understand the social and cultural environments in which their works of art were made. Demonstrates how materials can be harnessed to affect the critical interpretation of artwork. Brings together exceptional illustrations and new research in eight essays by art historians and scholars."--Publisher's website.
650		0	_aArt, European _y20th century _xThemes, motives.
700	1		_aAdamson, Natalie, _eeditor. _9887804
700	1		_aHarris, Steven, _d1953- _eeditor. _9420529
907			_a.b2423557x _b06-09-21 _c31-10-17
942			_cB
945			_a709.40904 MAT _g1 _iA540515B _j0 _lcmain _o- _p$59.00 _q- _r- _s- _t0 _u1 _v0 _w0 _x1 _y.i13581119 _z06-11-17
998			_ab _ac _b31-10-17 _cm _da _feng _genk _h0
999			_c1427881 _d1427881