000 | 03344cam a2200469 i 4500 | ||
---|---|---|---|
003 | OCoLC | ||
005 | 20221102185214.0 | ||
008 | 170106s2017 sz aoe b 001 0beng d | ||
011 | _aMARC Score : 11300(24450) : OK | ||
011 | _aDirect Search Result | ||
011 | _aField 008 : Some 008 values are questionable. Check | ||
020 | _a3037785160 | ||
020 | _a9783037785164 | ||
035 | _a(ATU)b23537589 | ||
035 | _a(OCoLC)967869377 | ||
040 |
_aERASA _beng _erda _cERASA _dNLE _dOCLCO _dOCLCF _dUVV _dBTCTA _dYDXCP _dBDX _dOCL _dNRC _dCUV _dMNU _dUAB _dATU |
||
050 | 4 |
_aN6537.W389 _bA4 2017 |
|
082 | 0 | 4 |
_a709.2 _223 |
099 | _a709.2 WEX | ||
100 | 1 |
_aWexler, Allan, _d1949- _eartist, _eauthor. _9449385 |
|
245 | 1 | 0 |
_aAbsurd thinking : _bbetween art and design / _cAllan Wexler ; with the close collaboration of Ellen Wexler ; edited by Ashley Simone ; essays by Patricia C. Phillips, Sean Anderson, and Michele Calzavara. |
246 | 3 | 0 | _aBetween art and design |
246 | 3 | 0 | _aAllan Wexler, absurd thinking, between art and design |
264 | 1 |
_aZürich, Switzerland : _bLars Müller Publishers, _c[2017] |
|
264 | 4 | _c©2017 | |
300 |
_a295 pages : _billustrations (chiefly colour), photographs, plans ; _c29 cm |
||
336 |
_atext _btxt _2rdacontent |
||
337 |
_aunmediated _bn _2rdamedia |
||
338 |
_avolume _bnc _2rdacarrier |
||
504 | _aIncludes bibliographical references and index. | ||
505 | 0 | _aOn the fine art of applied art -- Assignments in purpose /Patricia C. Phillips -- Process as performance /Sean Anderson -- Abstractions -- Landscape -- Private space -- Public places -- Meditations on habitation /Michele Calzavara -- Biography -- Photo credits -- Contributors -- Index of projects -- Acknowledgements. | |
520 | _a"Absurd Thinking: Between Art and Design is a survey of work by artist/architect Allan Wexler. The book features projects developed across the artist's forty-five-year career that mediate the gap between fine and applied art using the mediums of architecture, sculpture, photography, painting, and drawing. Wexler's works can be broadly described as tactile poetry composed by re-framing the ordinary. They sustain a narrative about landscape, nature, and the built environment that highlights the intriguing and surprising characteristics latent in the elements and rituals that pervade daily life. Wexler's work is sometimes functional sometimes theoretical, and often a hybrid of the two. In all cases, it demonstrates a commitment to re-evaluating basic assumptions about the human relationship to the built and natural environments. Organized thematically across four categories—Abstraction, Landscape, Private Space and Public Places—this book is a richly illustrated cross-section of Wexler's multi-scale, multi-media work featuring his own writings, narratives and reflections"--Publisher's description. | ||
600 | 1 | 0 |
_aWexler, Allan, _d1949- _9449385 |
650 | 0 |
_aFurniture design. _9318233 |
|
700 | 1 |
_aWexler, Ellen, _eauthor. _9876425 |
|
700 | 1 |
_aSimone, Ashley, _eeditor. _9876426 |
|
776 | 1 | 8 |
_w(OCoLC)950450827 _w(OCoLC)982310738 _w(OCoLC)990012268 |
907 |
_a.b23537589 _b06-09-21 _c10-08-17 |
||
942 | _cB | ||
945 |
_a709.2 WEX _g1 _iA534296B _j0 _lcmain _o- _p$72.00 _q- _r- _s- _t0 _u4 _v2 _w1 _x3 _y.i13570481 _z01-09-17 |
||
998 |
_a(2)b _a(2)c _b10-08-17 _cm _da _feng _gsz _h0 |
||
999 |
_c1402127 _d1402127 |