000 | 03522cam a2200433 i 4500 | ||
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003 | OCoLC | ||
005 | 20230825152437.0 | ||
008 | 170203t20172017nz a b 011 0 eng | ||
020 | _a9781776561094 | ||
020 | _a1776561090 | ||
035 | _a(ATU)b22637138 | ||
035 | _a(OCoLC)978283921 | ||
040 |
_aNZ1 _beng _erda _cNZWTU _dOCLCO _dZ5U _dOCLCO _dNZDUH _dATU |
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042 | _anznb | ||
082 | 0 | 4 |
_a709.2 _223 |
245 | 0 | 0 |
_aColonial Gothic to Māori renaissance : _bessays in memory of Jonathan Mane-Wheoki / _cedited by Conal McCarthy & Mark Stocker. |
264 | 1 |
_aWellington : _bVictoria University Press, _c2017. |
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264 | 4 | _c©2017 | |
300 |
_axi, 322 pages : _bcolour illustrations ; _c31 cm |
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336 |
_atext _2rdacontent |
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337 |
_aunmediated _2rdamedia |
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338 |
_avolume _2rdacarrier |
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500 | _aNational Library of New Zealand Cataloguing in Publication (CiP) record. | ||
504 | _aIncludes bibliographical references and index. | ||
505 | 0 | 0 |
_tIntroduction: Jonathan Mane-Wheoki -- _ta life in art / _rConal McCarthy -- _tSection one: Two essays by Jonathan Mane Wheoki -- _t"Relics" of a ritualist: the Reverence Bryan King and the Knightsbridge judgement / _rJonathan Mane-Wheoki -- _tIssues in contemporary Māori art / _rJonathan Mane-Wheoki -- _tSection two: Victoria art and architectural heritage -- _tThe church in Lyttelton: an ecclesiological journey, 1851-2015 / _rIan Lockhead -- _tBalancing the old order within the new order: St Michael and All Angels, Christchurch / _rJenny May -- _tBene tradita, bene servanda / _rgood tradition, well maintainted: the architecture of Christ's College / _rRobyn Peers -- _tWatching goldfish in the nude: Thomas Benjamin Kennington's Idlesse / _rMark Stocker -- _tMysticism and art: Roger Fry, Clive Bell and Evelyn Underhill / _rKatharine Lochnan -- _tSection three: New Zealand art and art history -- _tMaking New Zealand: promoting a national identity with art at the New Zealand International Exhibition 1906-07 / _rLinda Tyler -- _tTouchstones, blank cheques and the retreat to tradition: Colin McCahon in Charles Brasch's journals / _rPeter Simpson -- _t"A dirty place, but big enough": Tony Fromison and Philip Clairmont in Christchurch / _rLara Strongman -- _tAngels can herald beginnings / _rSarah Farrar -- _tSection four: Māori, Pacific and indigenous art -- _tTaku āhua i ti rākau koura: Gottfried Lindauer's Māori portrait commissions / _rRoger Blackley -- _tDecolonising art histories: Jonathan Mane-Wheoki and Contemporary Māori art / _rAnna-Marie White -- _tThe road to revolution: the political paintings of Emily Karaka / _rChloe Cull -- _tCrossing borders -- _textending the canon / _rKaren Stevenson -- _tHe whakawhiti kōrero: a conversation about a collaboration / _rHuhana Smith and Penny Allan -- _tAfterword: "A re-centred world" / _rCaroline Turner -- _tAnnotated bibliography / _rAnna-Marie White. |
600 | 1 | 0 |
_aMané-Wheoki, Jonathan. _9242705 |
650 | 0 |
_aArt historians _zNew Zealand _9619820 |
|
650 | 0 |
_aArt, New Zealand _xHistory _9655566 |
|
650 | 7 |
_aMahi toi. _2reo _9368971 |
|
650 | 7 |
_aWaka toi. _2reo _9370072 |
|
655 | 7 |
_aFestschriften _2lcgft _9370218 |
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700 | 1 |
_aMané-Wheoki, Jonathan, _ehonoree. _9242705 |
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700 | 1 |
_aStocker, Mark, _d1956- _eeditor. _9401553 |
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700 | 1 |
_aMcCarthy, Conal, _d1961- _eeditor. _9247844 |
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907 |
_a.b22637138 _b06-09-21 _c26-07-17 |
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942 | _cB | ||
945 |
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