000			07609cam a2200517 i 4500
003			OCoLC
005			20230526151404.0
008			130402s2013 mau b 001 0 eng d
010			_a 2013012830
011			_aMARC Score : 10900(23350) : OK
011			_aDirect Search Result
020			_a0262519674 _qpbk. ; (alk. paper)
020			_a9780262519670 _qpbk. ; (alk. paper)
020			_a0854882162
020			_a9780854882168
035			_a(ATU)b2064775x
035			_a(OCoLC)840927756
040			_aDLC _beng _erda _cDLC _dYDX _dBTCTA _dYDXCP _dBDX _dUPP _dCDX _dUKMGB _dERASA _dYNK _dOCLCF _dTLE _dIG# _dCIA _dOCLCQ _dOCLCO _dCNGUL _dATU
042			_apcc
050	0	0	_aN8600 _b.M373 2013
082	0	0	_a701.03 _223
099			_a701.03 MAR
245	0	4	_aThe market / _cedited by Natasha Degen.
264		1	_aCambridge, MA : _bThe MIT Press, _c2013.
300			_a239 pages ; _c21 cm.
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
490	1		_aDocuments of contemporary art
504			_aIncludes bibliographical references and index.
505	0	0	_tValue. _tValue and money / _rGeorg Simmel -- _tAesthetic theory / _rTheodor Adorno -- _tContingencies of value : alternative perspectives for critical theory / _rBarbara Herrnstein Smith -- _tPricing the priceless: art, artists and economics / _rWilliam Grampp -- _tArt and money / _rMarc Shell -- _tThe art of making money / _rThomas Zaunschirm -- _tIcons of capitalism: how prices make art / _rWolfgang Ullrich -- _tThe two economies of world art / _rMalcolm Bull -- _tPatronage. _tThe theory of the leisure class / _rThorstein Veblen -- _tBob and Spike / _rTom Wolfe -- _tThe art auction: sign exchange and sumptuary value / _rJean Baudrillard -- _tCollecting: an unruly passion / _rWerner Muensterberger -- _tFree exchange / _rPierre Bourdieu and Hans Haacke -- _tThe Yale lecture / _rRichard Serra -- _tMining the museum in me / _rFred Wilson -- _tThe collectors / _rElmgreen & Dragset -- _tHedge fund / _rMelanie Gilligan -- _tBonfire of the vanities / _rJJ Charlesworth -- _tL'1%, c'est moi / _rAndrea Fraser -- _tThe hideousness of the art world / _rCharles Saatchi -- _tInstitutions and networks. _tCanvases and careers: institutional change in the French painting world / _rHarrison and Cynthia White -- _tThe American painter as a blue chip / _rMarvin Elkoff -- _tSort of the Svengali of pop / _rJosh Greenfeld -- _tThe £sd of art / _rPeter Fuller -- _tCode of ethics for art museums / _rGuerrilla Girls -- _tArt capital / _rSimon Ford and Anthony Davies -- _tThe commercial significance of the exhibition space / _rMartin Braathen -- _tTemptations of the fair: Miami virtue and vice / _rPeter Schjeldahl -- _tThe Venice effect / _rOlav Velthuis -- _tLarge-scale art fabrication and the currency of attention / _rKaren van den Berg and Ursula Pasero --
505	8	0	_tCritique. _tExchange rate: on obligation and reciprocity in some art of the 1960s and after / _rMiwon Kwon -- _tArt as an investment and artistic stockholding: experiments in the 1960s / _rSophie Cras -- _tSeptember 21-October 12, 1974. Claire Copley Gallery, Inc., Los Angeles, California / _rMichael Asher -- _tThe art market: affluence and degradation / _rIan Burn -- _tAnswers in my disorder / _rCarl Andre -- _tWhat is money? / _rJoseph Beuys -- _tJoseph Beuys, or The last of the proletarians / _rThierry de Duve -- _tLove for sale: the words and pictures of Barbara Kruger / _rKate Linker -- _tBehind the art scene with Louise Lawler / _rDietmar Elger -- _tNew listing, Zhou Tiehai, rises on debut before reaching fair value / _rZhou Tiehai -- _tMuseum-quality leftovers: Nedko Solakov / _rMarc Spiegler -- _tReena Spaulings: an art brand / _rNick Stillman -- _tWhen attitudes become commodities (become attitudes) / _rJens Hoffmann -- _tChristian Jankowski and the art business: motif and strategy / _rRuth Diehl -- _tEconomics of progress / _rTino Sehgal and Maurizio Cattelan -- _tIn conversation with Murat Alat / _rAhmet Ögüt -- _tLiu Ding's store / _rLiu Ding -- _tBusiness art. _tThe philosophy of Andy Warhol: from A to B and back again / _rAndy Warhol -- _tHeading towards the market / _rLü Peng -- _tThe new spirit of capitalism / _rLuc Boltanski and Eve Chiapello -- _tThe photographic experience of commodities / _rThomas Seelig -- _tTent community / _rJack Bankowsky -- _tThe medium is the market / _rHal Foster -- _tTakashi Murakami: company man / _rScott Rothkopf -- _tWhy Koons? / _rDorothea von Hantelmann -- _tThe map and the territory / _rMichel Houellebecq.
520			_aTransnational markets hold sway over all aspects of contemporary culture, and that has transformed the environment of recent art, blurring the previously discrete realms of price and value, capital and creativity. Artists have responded not only critically but imaginatively to the many issues this raises, including the treatment of artworks as analogous to capital goods, the assertion that art's value is best measured by the market, and the notion that art and money share an internal logic. Some artists have investigated the market's pressures on creative democracy, its ubiquity, vulgarity, and fetishizing force, while others have embraced the creative possibilities the market offers. And for a decade curators and theorists have speculated on the implications of this new symbiosis between art and money, cultural and economic value. Drawing on a wide range of interdisciplinary sources, in dialogue with artists' writings, this anthology traces the historic origins of these debates in different versions of modernism and surveys the relationships among art, value, and price; the evolution and influence of patronage; the actors and institutions of the art market; and the diversity of artistic practices that either criticize or embrace the conditions of the contemporary market. Artists surveyed include: Carl Andre, Fareed Armaly and Christian Philipp Müller, Fia Backström, Conrad Bakker, John Baldessari, Joseph Beuys, Ian Burn, Maurizio Cattelan, Lygia Clark, Elmgreen & Dragset, Andrea Fraser, Félix González-Torres, Guerrilla Girls, Andreas Gursky, Hans Haacke, Keith Haring, Marianne Heier, Damien Hirst, Christian Jankowski, Jeff Koons, Barbara Kruger, Louise Lawler, Liu Ding, Takashi Murakami, Ahmet Ögüt, Gabriel Orozco, Danica Phelps, Tino Sehgal, Richard Serra, Nedko Solakov, Reena Spaulings, Rirkrit Tiravanija, Andy Warhol, Fred Wilson, Erwin Wurm, Zhou Tiehai. Writers include: Theodor Adorno, Jack Bankowsky, Jean Baudrillard, Luc Boltanski, Pierre Bourdieu, Martin Braathen, Malcolm Bull, Eve Chiapello, Thierry de Duve, Marvin Elkoff, Hal Foster, Peter Fuller, William Grampp, Josh Greenfield, Miwon Kwon, Kate Linker, Scott Rothkopf, Peter Schjeldahl, Thomas Seelig, Marc Shell, Georg Simmel, Barbara Herrnstein Smith, Wolfgang Ullrich, Karen van den Berg, Thorstein Veblen, Olav Velthuis, Thomas Zaunschirm.--Publisher's website.
650		0	_aArt _xEconomic aspects _xHistory _y20th century.
650		0	_aArt _xEconomic aspects _xHistory _y21st century.
650		0	_aArt _xMarketing _xHistory _y20th century.
650		0	_aArt _xMarketing _xHistory _y21st century.
700	1		_aDegen, Natasha, _eeditor. _9873987
776	0	8	_iOnline version: _tMarket _w(OCoLC)971626578
776	1	8	_w(OCoLC)854617354 _w(OCoLC)863038438 _w(OCoLC)900271463 _w(OCoLC)912496537 _w(OCoLC)966141813
830		0	_aDocuments of contemporary art series. _9250194
907			_a.b2064775x _b30-10-19 _c17-07-17
942			_cB
945			_a701.03 MAR _g0 _iA535336B _j0 _lcmain _o- _p$35.93 _q _r _s- _t0 _u7 _v5 _w1 _x6 _y.i13568048 _z15-08-17
998			_a(2)b _a(2)c _b18-07-17 _cm _da _feng _gmau _h4
999			_c1397919 _d1397919