000			03095cam a2200505 i 4500
003			OCoLC
005			20230526151402.0
008			150406t20152015enk b 001 0 eng d
010			_a 2015012835
011			_aMARC Score : 10750(22250) : OK
011			_aDirect Search Result
020			_a026252810X _qpbk. ; (alk. paper)
020			_a9780262528108 _qpbk. ; (alk. paper)
020			_a0854882383
020			_a9780854882380
035			_a(ATU)b20611857
035			_a(OCoLC)906936733
040			_aDLC _beng _erda _cDLC _dYDX _dBTCTA _dYDXCP _dBDX _dOCLCF _dERASA _dMYG _dCHVBK _dCDX _dSTF _dCAD _dCUT _dCIA _dZLM _dOCLCQ _dATU
042			_apcc
050	0	0	_aNX650.M64 _bM68 2015
082	0	0	_a700.456 _223
099			_a700.456 MOV
245	0	0	_aMoving image / _cedited by Omar Kholeif.
264		1	_aLondon : _bWhitechapel Gallery ; _aCambridge, Massachusetts : _bThe MIT Press, _c2015.
264		4	_c©2015
300			_a239 pages ; _c21 cm.
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
490	1		_aDocuments of contemporary art
504			_aIncludes bibliographical references and index.
505	0		_aIntroduction: Navigating the moving image / Omar Kholeif -- Apparatus -- Situation -- Embodiment -- Materialization -- Biographical notes -- Bibliography -- Index -- Acknowledgements.
520			_a"This anthology examines the expanded field of the moving image in recent art, tracing the genealogies of contemporary moving image work in performance, body art, experimental film, installation, and site-specific art from the 1960s to the present day. Contextualizing new developments made possible by advances in digital and networked technology, it locates contemporary practice within a global framework. Among the issues it examines are how new technologies, forms of apparatus, and modes of editing or framing affect innovations in artistic practice and strategy; how work is defined by local contexts, and the tensions that can arise when the local is represented globally; how we define a 'third space' for the filmic image and whether an installation area can be abstracted from geography; how performance-based work in this field explores bodies as borders or territories; the ways in which political, pedagogical, and collective forms of practice have affected the moving image; and the new platforms and modes of viewing that are evolving in response to the globally distributed condition of contemporary media."--Publisher's description.
650		0	_aMotion in art. _9372995
650		0	_aTechnology and the arts. _9324874
650		0	_aArts and globalization. _9336933
650		0	_aSpace (Art) _9324332
700	1		_aKholeif, Omar, _eeditor. _91091353
730	0		_aMoving image (M.I.T. Press)
830		0	_aDocuments of contemporary art series. _9250194
907			_a.b20611857 _b06-09-21 _c06-07-17
942			_cB
945			_a700.456 MOV _g1 _iA549368B _j0 _lcmain _o- _p$35.93 _q- _r- _s- _t0 _u4 _v7 _w0 _x4 _y.i13565692 _z28-07-17
998			_ab _ac _b11-07-17 _cm _da _feng _genk _h0
999			_c1395759 _d1395759