000			03185cam a2200481 i 4500
003			OCoLC
005			20230526151402.0
008			131029t20142014enk b 001 0 eng d
010			_a 2013041727
011			_aMARC Score : 10900(20950) : OK
011			_aDirect Search Result
020			_a0262525763 _qpbk. ; (alk. paper)
020			_a9780262525763 _qpbk. ; (alk. paper)
020			_a0854882189 _qpbk.
020			_a9780854882182 _qpbk.
035			_a(ATU)b20611602
035			_a(OCoLC)861670975
040			_aDLC _beng _erda _cDLC _dYDX _dBTCTA _dOCLCO _dBDX _dYDXCP _dVVPCS _dUKMGB _dUKBRU _dEUX _dCDX _dYNK _dCOD _dERASA _dIOG _dCHVBK _dCAD _dOCLCF _dUBY _dUKBOL _dIG# _dOCLCQ _dOMB _dZLM _dATU
042			_apcc
050	0	0	_aBH301.O24 _bO245 2014
082	0	0	_a111.85 _223
099			_a111.85 OBJ
245	0	4	_aThe object / _cedited by Antony Hudek.
264		1	_aLondon : _bWhitechapel Gallery ; _aCambridge, Massachesetts : _bThe MIT Press, _c2014.
264		4	_c©2014
300			_a239 pages ; _c21 cm.
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
490	1		_aDocuments of contemporary art
504			_aIncludes bibliographical references and index.
505	0	0	_tIntroduction -- _tSubject, object, thing -- _tEveryday objects, useful objects -- _tFound objects, lost objects, non-objects -- _tDiscursive objects, affective objects -- _tEvent, object, performance -- _tBiographical notes -- _tBibliography -- _tIndex -- _tAcknowledgements.
520			_a"Artists increasingly refer to "post-object-based" work while theorists engage with material artifacts in culture. A focus on "object-based" learning treats objects as vectors for dialogue across disciplines. Virtual imaging enables the object to be abstracted or circumvented, while immaterial forms of labor challenge materialist theories. This anthology surveys such reappraisals of what constitutes the "objectness" of production, with art as its focus. Among the topics it examines are the relation of the object to subjectivity; distinctions between objects and things; the significance of the object's transition from inert mass to tool or artifact; and the meanings of the everyday in the found object, repetition in the replicated or multiple object, loss in the absent object, and abjection in the formless or degraded object. It also explores artistic positions that are anti-object; theories of the experimental, liminal or mental object; and the role of objects in performance. The object becomes a prism through which to reread contemporary art and better understand its recent past." -- Publisher's description
650		0	_aObject (Aesthetics) _9321570
700	1		_aHudek, Antony, _eeditor. _9826238
776	0	8	_iOnline version: _tObject _w(OCoLC)985109408
776	1	8	_w(OCoLC)868078994 _w(OCoLC)872052278 _w(OCoLC)884962486 _w(OCoLC)898412795
830		0	_aDocuments of contemporary art series. _9250194
907			_a.b20611602 _b04-06-21 _c04-07-17
942			_cB
945			_a111.85 OBJ _g1 _iA549372B _j0 _lcmain _o- _p$35.93 _q- _r- _s- _t0 _u10 _v19 _w2 _x8 _y.i13565709 _z28-07-17
998			_ab _ac _b05-07-17 _cm _da _feng _genk _h4
999			_c1395735 _d1395735