000 | 04314cam a2200445 i 4500 | ||
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003 | OCoLC | ||
005 | 20221102200651.0 | ||
008 | 141011t20152015nyua b 001 0 eng c | ||
010 | _a 2014952399 | ||
011 | _aBIB MATCHES WORLDCAT | ||
019 |
_a892878618 _a919194704 |
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020 | _a9780500239292 | ||
020 | _a0500239290 | ||
035 | _a(ATU)b19421266 | ||
035 | _a(OCoLC)892891670 | ||
040 |
_aBTCTA _beng _erda _cBTCTA _dBDX _dYDXCP _dERASA _dDHA _dOCLCO _dCDX _dOCO _dFM0 _dFXM _dYNK _dUAB _dOCLCF _dVP@ _dNMWMA _dCIA _dOSU _dOMB _dOCL _dNLGGC _dDEBSZ _dLANGC _dGBVCP _dOCLCQ _dVRC _dATU |
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042 | _apcc | ||
050 | 4 |
_aN8354 _b.N63 2015 |
|
082 | 0 | 4 |
_a704.042 _223 |
100 | 1 |
_aNochlin, Linda, _eauthor. _91022963 |
|
245 | 1 | 0 |
_aWomen artists : _bthe Linda Nochlin reader / _cedited by Maura Reilly. |
246 | 3 | 0 | _aLinda Nochlin reader |
264 | 1 |
_aNew York, New York : _bThames & Hudson, _c2015. |
|
264 | 4 | _c©2015 | |
300 |
_a472 pages : _billustrations (chiefly color) ; _c25 cm |
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336 |
_atext _btxt _2rdacontent |
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336 |
_astill image _bsti _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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504 | _aIncludes bibliographical references and index. | ||
505 | 0 | 0 |
_tPreface -- _tA dialogue with Linda Nochlin, the Maverick She -- _t1970s : Why have there been no great women artists? -- _tMiriam Schapiro: recent work -- _tSome women realists -- _tWomen artists after the French Revolution -- _t1980s : Florine Stettheimer: rococo subversive -- _tNancy Graves: the subversiveness of sculpture -- _tMorisot's Wet nurse: the construction of work and leisure in impressionist painting -- _tZuka's French Revolution: a woman's place is public space -- _t1990s : Pornography as a decorative art: Joyce Kozloff's patterns of desire -- _tStarting from scratch: the beginnings of feminist art history -- _tMary Cassatt's modernity -- _tSylvia Sleigh: portraits of women artists and writers -- _tDeborah Kass: portrait of the artist as an appropriator -- _t2000s : Jenny Saville: floating in gender nirvana -- _tMary Frank: encounters -- _tSeeing beneath the surface (Kathleen Gilje) -- _tA rage to paint: Joan Mitchell and the issue of femininity -- _tSam Taylor-Wood: when the stars weep -- _tAlice Neel -- _tUnholy postures: Kiki Smith and the body -- _tSarah Lucas: God is Dad -- _t"Why have there been no great women artists?" thirty years after -- _tWomen artists then and now: painting, sculpture, and the image of the self -- _tCecily Brown: the erotics of touch -- _tExistence and beading: the work of Liza Lou -- _tBlack, white, and uncanny: Miwa Yanagi's Fairy tale -- _tOld-age style: late Louise Bourgeois -- _t2010s : Sophie Calle: word, image and the end of ekphrasis -- _tEllen Altfest: a new, new realism -- _tNatalie Frank: the dark side of the fairy tale. |
520 | _a"Linda Nochlin is one of the most accessible, provocative, and innovative art historians of our time. In 1971 she published her essay “Why Have There Been No Great Women Artists?”—a dramatic feminist call-to-arms that called traditional art historical practices into question and led to a major revision of the discipline. Women Artists brings together twenty-nine essential essays from throughout Nochlin’s career, making this the definitive anthology of her writing about women in art. Included are her major thematic texts “Women Artists After the French Revolution” and “Starting from Scratch: The Beginnings of Feminist Art History,” as well as the landmark essay and its rejoinder “‘Why Have There Been No Great Women Artists?’ Thirty Years After.” These appear alongside monographic entries focusing on a selection of major women artists including Mary Cassatt, Louise Bourgeois, Cecily Brown, Kiki Smith, Miwa Yanagi, and Sophie Calle. Women Artists also presents two new essays written specifically for this book and an interview with Nochlin investigating the position of women artists today." --Publisher's website. | ||
600 | 1 | 0 |
_aNochlin, Linda _vInterviews. |
650 | 0 |
_aWomen artists. _9325930 |
|
700 | 1 |
_aReilly, Maura, _eeditor. _9858701 |
|
907 |
_a.b19421266 _b06-09-21 _c02-11-16 |
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942 | _cB | ||
945 |
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