| 000 | 03605cam a2200505 i 4500 | ||
|---|---|---|---|
| 003 | OCoLC | ||
| 005 | 20211105122524.0 | ||
| 008 | 151120s2016 hiua b 001 0 eng d | ||
| 010 | _a 2015045433 | ||
| 011 | _aMARC Score : 10500(21950) : OK | ||
| 011 | _aDirect Search Result | ||
| 011 | _aATTENTION: PREPUBLICATION RECORD -- Check pagination, date, title and contents | ||
| 011 | _aBIB MATCHES WORLDCAT | ||
| 020 |
_a0824855604 _qcloth (alk. paper) |
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| 020 |
_a9780824855604 _qcloth (alk. paper) |
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| 035 | _a(ATU)b16399158 | ||
| 035 | _a(OCoLC)930875255 | ||
| 040 |
_aHUH/DLC _beng _erda _cHUH _dDLC _dOCLCO _dYDXCP _dBTCTA _dOCLCF _dBDX _dATU |
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| 050 | 0 | 0 |
_aG155.P26 _b.M33 2016 |
| 082 | 0 | 0 |
_a919.541 _223 |
| 099 | _a919.541 MAC | ||
| 100 | 1 |
_aMacCarthy, Michelle, _d1976- _eauthor. _9410749 |
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| 245 | 1 | 0 |
_aMaking the modern primitive : _bcultural tourism in the Trobriand Islands / _cMichelle MacCarthy. |
| 246 | 3 | 0 | _aCultural tourism in the Trobriand Islands |
| 264 | 1 |
_aHonolulu : _bUniversity of Hawaiʻi Press, _c[2016] |
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| 264 | 4 | _c©2016 | |
| 300 |
_a270 pages : _billustrations ; _c24 cm |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_aunmediated _bn _2rdamedia |
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| 338 |
_avolume _bnc _2rdacarrier |
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| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | _aPrologue -- Ethnographic context: the place and the people -- Modernity and primitivity: definitions and discourses in imagining alterity -- Fixing the tourist gaze: essentializing the primitive and the creation of desire in textual and visual media -- Spectacular culture: performance and festivals -- Producing and consuming experience: commoditizing "real life" -- Producing and consuming things: material culture as meaningful object -- Tourist photography: prefiguring and postfiguring the touristic experience -- Cashing in on culture: the meaning of money in tourist-Trobriand transactions -- Epilogue. | |
| 520 | _a"Making the Modern Primitive provides an anthropological analysis of the encounter between local residents and tourists in the Trobriand Islands, a place renowned in anthropology and represented in various media as culturally authentic. In such a place, how are ideas about authenticity implicated in creating and representing the self and cultural Others in the context of cultural tourism? Based on long-term fieldwork, Michelle MacCarthy addresses this question by examining four arenas of interaction between Trobriand Islanders and tourists: formal performances, informal village visits, souvenir shopping, and tourist photography. Drawing on both symbolic/interpretive approaches and concepts derived from economic anthropology, she explores the relationship of tourism to the commoditization of culture, the ways in which local residents actively represent and enact “Trobriandness,” and the ways tourists interpret and narrate their experience." --Publisher's website. | ||
| 650 | 0 |
_aHeritage tourism _zPapua New Guinea _zTrobriand Islands _9703476 |
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| 650 | 0 |
_aCulture and tourism _zPapua New Guinea _zTrobriand Islands _9703482 |
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| 650 | 0 |
_aCulture _xEconomic aspects _zPapua New Guinea _zTrobriand Islands _9732195 |
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| 650 | 0 |
_aRites and ceremonies _zPapua New Guinea _zTrobriand Islands _9703487 |
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| 651 | 0 |
_aTrobriand Islands (Papua New Guinea) _xSocial life and customs _9778513 |
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| 907 |
_a.b16399158 _b06-09-21 _c19-07-16 |
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| 998 |
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