000 | 03098cam a2200493 i 4500 | ||
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003 | OCoLC | ||
005 | 20221101225302.0 | ||
008 | 140526s2014 nyua bc 001 0beng d | ||
010 | _a 2014946055 | ||
011 | _aBIB MATCHES WORLDCAT | ||
020 |
_a0870709496 _qhardcover |
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020 |
_a9780870709494 _qhardcover |
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035 | _a(ATU)b1482369x | ||
035 | _a(OCoLC)880566824 | ||
040 |
_aYDXCP _beng _erda _cYDXCP _dBDX _dBTCTA _dOCLCQ _dUKMGB _dERASA _dMMX _dOCLCO _dZQP _dCIA _dGZM _dZCU _dCHVBK _dCAM _dOCLCF _dWAU _dFDA _dUBY _dMNE _dUAB _dIAD _dATU |
||
050 | 4 |
_aN6537.S78 _bA4 2014 |
|
082 | 0 | 4 |
_a709.2 _223 |
099 | _a709.2 STU | ||
100 | 1 |
_aEleey, Peter, _eauthor, _ecurator. _91074605 |
|
245 | 1 | 0 |
_aSturtevant : _bdouble trouble / _cPeter Eleey. |
246 | 3 | 0 | _aDouble trouble |
264 | 1 |
_aNew York, New York : _bMuseum of Modern Art, _c[2014] |
|
264 | 2 |
_aNew York, New York : _bDistributed in the United States and Canada by ARTBOOK/D.A.P. |
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264 | 4 | _c©2014 | |
300 |
_a187 pages : _billustrations (chiefly colour) ; _c31 cm |
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336 |
_atext _btxt _2rdacontent |
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336 |
_astill image _bsti _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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500 | _aCatalog of an exhibition held November 9, 2014-February 22, 2015 at The Museum of Modern Art, New York, and March-July 2015 at the Museum of Contemporary Art, Los Angeles. | ||
504 | _aIncludes bibliographical references and index. | ||
505 | 0 | _aForeword / Glenn D. Lowry -- Dangerous concealment: the art of Sturtevant / Peter Eleey -- Sturtevant in conversation with Bruce Hainley and Michael Lobel. | |
520 | 8 | _aKnown for her early repetitions of the work of her contemporaries including Jasper Johns, Roy Lichtenstein, Claes Oldenburg, James Rosenquist and Andy Warhol, Elaine Sturtevant (1924-2014) turned the visual logic of Pop art back on itself, using Duchamp's model of the readymade to probe uncomfortably at the workings of art history in real time. Yet the aspect of her work that allowed her to be described as the one artist who can't be copied--her chameleon-like embrace of other artists' art--is also what has allowed her to be largely overlooked in the history of postwar American art. Featuring previously unpublished drawings and sketches from the artists archive, the book includes an essay by the exhibition curator that provides a comprehensive overview of the artist's practice while situating it more concretely within American culture. | |
600 | 0 | 0 |
_aSturtevant, _d1924-2014 _vExhibitions. |
700 | 0 |
_aSturtevant, _d1924-2014 _einterviewee. _9405653 |
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700 | 1 |
_aHainley, Bruce, _einterviewer. _91064561 |
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700 | 1 |
_aLobel, Michael, _einterviewer. _9837672 |
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710 | 2 |
_aMuseum of Modern Art (New York, N.Y.), _ehost institution. _9311621 |
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710 | 2 |
_aMuseum of Contemporary Art (Los Angeles, Calif.), _ehost institution. _9233716 |
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907 |
_a.b1482369x _b06-09-21 _c16-02-16 |
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942 | _cB | ||
945 |
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998 |
_ab _ac _b07-04-16 _cm _da _feng _gnyu _h0 |
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999 |
_c1303069 _d1303069 |