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| 008 | 130917t20142014enka b 001 0 eng d | ||
| 010 | _a 2013036010 | ||
| 011 | _aBIB MATCHES WORLDCAT | ||
| 020 |
_a1472521900 _qpbk. |
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| 020 |
_a9781472521903 _qpbk. |
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| 035 | _a(ATU)b14144517 | ||
| 035 | _a(OCoLC)857981373 | ||
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_aDLC _beng _erda _cDLC _dBTCTA _dUKMGB _dOCLCF _dYDXCP _dCHVBK _dCIA _dIAC _dCLE _dAU@ _dATU |
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| 042 | _apcc | ||
| 050 | 0 | 0 |
_aTR897.6 _b.P87 2014 |
| 082 | 0 | 0 |
_a777.7 _223 |
| 100 | 1 |
_aPurves, Barry, _eauthor. _91065180 |
|
| 245 | 1 | 0 |
_aStop-motion animation : _bframe by frame film-making with puppets and models / _cBarry J C Purves. |
| 250 | _aSecond edition. | ||
| 264 | 1 |
_aLondon : _bFairchild Books, an imprint of Bloomsbury Publishing Plc, _c2014. |
|
| 264 | 4 | _c©2014 | |
| 300 |
_a227 pages : _billustrations ; _c24 cm. |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_aunmediated _bn _2rdamedia |
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| 338 |
_avolume _bnc _2rdacarrier |
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| 490 | 1 | _aBasics animation | |
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | _a1. What is stop-motion? -- 2. Focusing the idea -- 3. The puppets -- 4. Preparations -- 5. Tools and techniques -- 6. Movement and performance -- -- | |
| 505 | 0 |
_tIntroduction -- -- _g1. _tWhat is stop-motion? -- _tThe beginnings -- _tThe illusion of movement -- _tPhysicality -- _tA continuous performance -- _tSpecial effects -- _tWholly animated films -- _tA one-minute film: The story -- -- _g2. _tFocusing the idea -- _tArt and truth -- _tExternalizing internal thoughts -- _tStories and themes -- _tThem and us -- _tApproaching the story -- _tA change of perspective -- _tOut of the mouths of... talking umbrellas? -- _tEconomics -- _tA one-minute film: Who and where? -- -- _g3. _tThe puppets -- _tTelling the story with puppets -- _tThe physical puppet -- _tTelling characteristics -- _tStylized movement -- _tHeads and replacements -- _tEyes -- _tHands -- _tPuppet size -- _tClay -- _tOther techniques -- _tA one-minute film: Getting ready -- -- _g4. _tPreparations -- _tWorking with others -- _tStoryboards -- _tSets -- _tCostume -- _tColour -- _tA one-minute film: Practical puppets -- -- _g5. _tTools and techniques -- _tPracticalities -- _tLighting -- _tSound -- _tDialogue -- _tOn-set effects -- _tEditing -- _tA one-minute film: Filming -- -- _g6. _tMovement and performance -- _tAnimating on the set -- _tPuppet design and movement -- _tHelping the movement -- _tPerformance -- _tA one-minute film: Putting it together -- _tConclusion -- _tA brief history of stop-motion. |
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| 520 |
_a"Stop-motion Animation teaches the skills required to develop as a creative stop-motion animator. It explores how all the elements of film-making - camera work, design, colour, lighting, editing, music and storytelling - come together in this unique art form. With advice on how to use the particular types of movement, characters and stories that typify stop-motion, this book is packed with tips and suggestions to help you get the most out of your stop-motion films, accompanied by illustrations and case studies demonstrating how film-making masters through the years have used it in feature films, short films and television. This second edition also introduces and explores two of the biggest innovations of recent years - at opposite ends of the industry. At the top-end, for film-makers with serious budgets, there is 3D printing in the creation of replacement parts for stop-motion characters while at the amateur/student end of the industry there are a variety of cheap, but effective, apps that can turn turn a smartphone into a mini stop-motion studio. The new edition also includes an extended project in each chapter, covering storytelling techniques, selecting an appropriate style, developing a character, set building and lighting, creating a performance and adding music. These projects combine to lead you through the creation of your first one-minute stop-motion animation"-- _cProvided by publisher. |
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| 650 | 0 |
_aStop-motion animation films _9352382 |
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| 830 | 0 |
_aBasics animation. _91071768 |
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| 907 |
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