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020 _a0816643415
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041 1 _aeng
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042 _apcc
043 _ae-uk-en
050 0 0 _aND497.B16
_bD413 2004
082 0 0 _a759.2915
_221
100 1 _aDeleuze, Gilles,
_d1925-1995
_eauthor.
_9312592
240 1 0 _aFrancis Bacon.
_lEnglish
245 1 0 _aFrancis Bacon :
_bthe logic of sensation /
_cGilles Deleuze ; translated and with an introduction by Daniel W. Smith ; afterword by Tom Conley.
264 1 _aMinneapolis :
_bUniversity of Minnesota Press,
_c[2003]
264 4 _c©2003
300 _axxxiii, 183 pages ;
_c22 cm
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
504 _aIncludes bibliographical references and index.
505 0 _aFrancis Bacon: The logic of sensation -- The round area, the ring -- Note on figuration in past painting -- Athleticism -- Body, meat, and spirit: Becoming-animal -- Recapitulative note: Bacon's periods and aspects -- Painting and sensation -- Hysteria -- Painting forces -- Couples and triptychs -- Note: What is a triptych? -- The painting before painting -- The diagram -- Analogy -- Painters recapitulate the history of painting in their own way -- Bacon's trajectory -- Note on color -- The eye and the hand -- A politics of fact and figure / Tom Conley.
520 1 _a"First published in French in 1981, Francis Bacon has come to be recognized as one of Gilles Deleuze's most significant texts in aesthetics. Anticipating his work on cinema, the baroque, and literary criticism, the book can be read not only as a study of Bacon's paintings but also as a crucial text within Deleuze's broader philosophy of art. In it, Deleuze creates a series of philosophical concepts, each of which relates to a particular aspect of Bacon's paintings but at the same time finds a place in the "general logic of sensation.""--Jacket.
600 1 0 _aBacon, Francis,
_d1909-1992
_xCriticism and interpretation.
650 0 _aFigurative expressionism
_zEngland
_9660862
700 1 _aSmith, D. W.
_q(Daniel W.)
_etranslator.
_9512434
907 _a.b14141607
_b14-08-21
_c28-10-15
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