000 | 02837cam a2200373 i 4500 | ||
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005 | 20211102183450.0 | ||
008 | 130522s2013 caua 000 0 eng d | ||
010 | _a 2013015076 | ||
011 | _aBIB MATCHES WORLDCAT | ||
020 | _a1615931546 | ||
020 | _a9781615931545 | ||
035 | _a(ATU)b1400916x | ||
035 | _a(OCoLC)829743664 | ||
040 |
_aDLC _beng _erda _cDLC _dYDX _dBTCTA _dYDXCP _dOCLCF _dOCLCO _dATU |
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042 | _apcc | ||
050 | 0 | 0 |
_aTR850 _b.K4633 2013 |
082 | 0 | 0 |
_a777.8 _223 |
100 | 1 |
_aKenworthy, Christopher, _eauthor. _9306337 |
|
245 | 1 | 0 |
_aMaster shots. _nVolume 3, _pThe director's vision : _b100 setups, scenes, and moves for your breakthrough movie / _cChristopher Kenworthy. |
246 | 1 | 0 | _aDirector's vision |
264 | 1 |
_aStudio City, CA : _bMichael Wiese Productions, _c[2013] |
|
264 | 4 | _c©2013 | |
300 |
_axii, 223 pages : _billustrations ; _c19 x 28 cm |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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505 | 0 | 0 |
_g1. _tAdvanced Lensing -- _t1.1 Long Lens Distant -- _t1.2 Long Lens Close -- _t1.3 Long Lens Stationary -- _t1.4 Long Lens in Motion -- _t1.5 Short Lens Distant -- _t1.6 Short Lens Close -- _t1.7 Short Lens Stationary -- _t1.8 Short Lens in Motion -- _t1.9 The Medium Lens -- _t1.10 Cutting the Lens -- -- _g2. _tEssential Motion -- _t2.1 Blended Moves -- _t2.2 Camera in Motion -- _t2.3 Character Drives Camera -- _t2.4 Reveal Moves -- _t2.5 Move with Camera -- _t2.6 Moving Straight On -- _t2.7 Moving Sideways -- _t2.8 Moving at an Angle -- _t2.9 Short Moves -- _t2.10 Turns and Curves -- -- _g3. _tDepth Staging -- _t3.1 Character Moves -- _t3.2 Crossing -- _t3.3 Move to Frame -- _t3.4 Moving Point of View -- _t3.5 Move to Reveal -- _t3.6 Move with Reflection -- _t3.7 Reversed Push -- _t3.8 Velocity Dolly -- -- _g4. _tExpert Framing -- _t4.1 Line Cross -- _t4.2 Break Cut -- _t4.3 Pan Motion -- _t4.4 Push Through -- _t4.5 Repeat Angle Push -- _t4.6 Tilt Reveal -- _t4.7 Rotate Out -- _t4.8 Silhouette -- -- _g5. _tSymbolic Staging -- _t5.1 Double Push -- _t5.2 Magnetic Characters -- _t5.3 Intimacy Break -- _t5.4 High Drag -- _t5.5 Power Exchange -- _t5.6 Indecision -- _t5.7 Isolating Push -- _t5.8 Group Break -- -- _g6. _tProduction Design And Location -- _t6.1 Anti-Establishment Shots -- _t6.2 Dirty Frame -- _t6.3 Enrich the Foreground -- _t6.4 Fake Wall -- _t6.5 Framing Through. |
520 | _aA highly visual exploration of the best shots, moves, and set-ups in the industry. This books reveals the secrets behind each shot’s success, so it can be adapted to the director’s individual scenes. | ||
650 | 0 |
_aCinematography. _9315437 |
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907 |
_a.b1400916x _b22-08-17 _c28-10-15 |
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942 | _cB | ||
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