000 03695cam a2200421 i 4500
005 20221102161810.0
008 140425t20132013enka b 001 0 eng d
010 _a 2013388416
011 _aBIB MATCHES WORLDCAT
020 _a1846318939
020 _a9781846318931
035 _a(ATU)b13727746
035 _a(OCoLC)822018106
040 _aERASA
_beng
_erda
_cERASA
_dDLC
_dOCLCO
_dYDXCP
_dBTCTA
_dUKMGB
_dCDX
_dYNK
_dQGK
_dERL
_dFDA
_dBDX
_dZCU
_dPMC
_dOCLCF
_dNLE
_dNDD
_dIUL
_dCHVBK
_dWAU
_dATU
042 _alccopycat
050 0 0 _aN72.F45
_bP625 2013
082 0 4 _a704.042
_223
245 0 0 _aPolitics in a glass case :
_bfeminism, exhibition cultures and curatorial transgressions /
_cedited and with an introduction by Angela Dimitrakaki and Lara Perry.
264 1 _aLiverpool :
_bLiverpool University Press,
_c2013
264 4 _c©2013
300 _axvi, 293 pages :
_billustrations ;
_c24 cm.
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
490 1 _aValue : Art : Politics ;
_v7
504 _aIncludes bibliographical references and index.
505 0 _g1.
_tHow to Be Seen: An Introduction to Feminist Politics, Exhibition Cultures and Curatorial Transgressions/Angela Dimitrakaki and Lara Perry -- --
_gPart I.
_tFeminism in the Art Institution --
_g2.
_tSexual Politics: Art Style (Introduction to the --
_g1978.
_tHayward Annual Exhibition Catalogue)/Lucy Lippard --
_g3.
_tA Great Time to Be A Woman? Feminism and Women's Art at Tate Modern/Lara Perry --
_g4.
_tFeminism, Participation and Matrixial Encounters: Towards a Radical, Sustainable Museum (Practice)/Nancy Proctor --
_g5.
_tA Serious Suggestion: Give Up the Goat. Art Collections and Feminist Critique in Sweden/Jessica SjÃholm Skrubbe and Malin Hedlin Hayden --
_g6.
_tExhibiting Black Women's Art in the -- --
_gPart II.
_tExhibitions and Counter-Practices --
_g7.
_tThe Lessons of Sexual Politics: From the --
_g8.
_tRethinking Inside the Visible/Sue Malvern --
_g9.
_tArt as Life, Art as Politics, Art as Political Action. An Interview with Suzanne Lacy/Catherine Wood.
520 8 _aWhat happens to art when feminism grips the curatorial imagination? How do sexual politics become realised as exhibits? Is the struggle against gender discrimination compatible with the aspirations of museums led by market values? Beginning with the feminist critique of the art exhibition in the 1970s and concluding with reflections on intersectional curating and globalisation after 2000, this pioneering collection offers an alternative narrative of feminism's impact on art. The essays provide rigorous accounts of developments in Scandinavia, Eastern and Southern Europe as well as the UK and US, framed by an introduction which offers a politically engaging navigation of historical and current positions. Delivered through essays, memoirs and interviews, discussion highlights include the Tate Modern hang, relational aesthetics, the global exhibition, feminism and technology in the museum, the rise of curatorial collectivism, and insights into major exhibitions such as Gender Check on Eastern Europe.--Back cover.
650 0 _aFeminism and art.
_9317809
700 1 _aDimitrakaki, Angela,
_d1968-
_eeditor.
_9303834
700 1 _aPerry, Lara,
_eeditor,.
_9838064
830 0 _aValue, art, politics ;
_v7.
_91065033
856 4 2 _3Contributor biographical information
_uhttp://catdir.loc.gov/catdir/enhancements/fy1410/2013388416-b.html
907 _a.b13727746
_b13-08-21
_c28-10-15
942 _cB
945 _a704.042 POL
_g1
_iA527038B
_j0
_lcmain
_o-
_p$123.73
_q-
_r-
_s-
_t0
_u8
_v5
_w0
_x5
_y.i1342127x
_z29-10-15
998 _a(2)b
_a(2)c
_b23-03-18
_cm
_da
_feng
_genk
_h0
999 _c1277216
_d1277216