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008 | 140425t20132013enka b 001 0 eng d | ||
010 | _a 2013388416 | ||
011 | _aBIB MATCHES WORLDCAT | ||
020 | _a1846318939 | ||
020 | _a9781846318931 | ||
035 | _a(ATU)b13727746 | ||
035 | _a(OCoLC)822018106 | ||
040 |
_aERASA _beng _erda _cERASA _dDLC _dOCLCO _dYDXCP _dBTCTA _dUKMGB _dCDX _dYNK _dQGK _dERL _dFDA _dBDX _dZCU _dPMC _dOCLCF _dNLE _dNDD _dIUL _dCHVBK _dWAU _dATU |
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_aN72.F45 _bP625 2013 |
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_a704.042 _223 |
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_aPolitics in a glass case : _bfeminism, exhibition cultures and curatorial transgressions / _cedited and with an introduction by Angela Dimitrakaki and Lara Perry. |
264 | 1 |
_aLiverpool : _bLiverpool University Press, _c2013 |
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264 | 4 | _c©2013 | |
300 |
_axvi, 293 pages : _billustrations ; _c24 cm. |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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490 | 1 |
_aValue : Art : Politics ; _v7 |
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504 | _aIncludes bibliographical references and index. | ||
505 | 0 |
_g1. _tHow to Be Seen: An Introduction to Feminist Politics, Exhibition Cultures and Curatorial Transgressions/Angela Dimitrakaki and Lara Perry -- -- _gPart I. _tFeminism in the Art Institution -- _g2. _tSexual Politics: Art Style (Introduction to the -- _g1978. _tHayward Annual Exhibition Catalogue)/Lucy Lippard -- _g3. _tA Great Time to Be A Woman? Feminism and Women's Art at Tate Modern/Lara Perry -- _g4. _tFeminism, Participation and Matrixial Encounters: Towards a Radical, Sustainable Museum (Practice)/Nancy Proctor -- _g5. _tA Serious Suggestion: Give Up the Goat. Art Collections and Feminist Critique in Sweden/Jessica SjÃholm Skrubbe and Malin Hedlin Hayden -- _g6. _tExhibiting Black Women's Art in the -- -- _gPart II. _tExhibitions and Counter-Practices -- _g7. _tThe Lessons of Sexual Politics: From the -- _g8. _tRethinking Inside the Visible/Sue Malvern -- _g9. _tArt as Life, Art as Politics, Art as Political Action. An Interview with Suzanne Lacy/Catherine Wood. |
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520 | 8 | _aWhat happens to art when feminism grips the curatorial imagination? How do sexual politics become realised as exhibits? Is the struggle against gender discrimination compatible with the aspirations of museums led by market values? Beginning with the feminist critique of the art exhibition in the 1970s and concluding with reflections on intersectional curating and globalisation after 2000, this pioneering collection offers an alternative narrative of feminism's impact on art. The essays provide rigorous accounts of developments in Scandinavia, Eastern and Southern Europe as well as the UK and US, framed by an introduction which offers a politically engaging navigation of historical and current positions. Delivered through essays, memoirs and interviews, discussion highlights include the Tate Modern hang, relational aesthetics, the global exhibition, feminism and technology in the museum, the rise of curatorial collectivism, and insights into major exhibitions such as Gender Check on Eastern Europe.--Back cover. | |
650 | 0 |
_aFeminism and art. _9317809 |
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700 | 1 |
_aDimitrakaki, Angela, _d1968- _eeditor. _9303834 |
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700 | 1 |
_aPerry, Lara, _eeditor,. _9838064 |
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830 | 0 |
_aValue, art, politics ; _v7. _91065033 |
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856 | 4 | 2 |
_3Contributor biographical information _uhttp://catdir.loc.gov/catdir/enhancements/fy1410/2013388416-b.html |
907 |
_a.b13727746 _b13-08-21 _c28-10-15 |
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