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010 | _a 2013042152 | ||
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_a0230368867 _qhardback |
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_a9780230368866 _qhardback |
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_aDLC _beng _erda _cDLC _dYDX _dBTCTA _dUKMGB _dCDX _dBDX _dYDXCP _dYNK _dOCLCO _dERASA _dCUD _dUKDBK _dCHVBK _dOCLCF _dATU |
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042 | _apcc | ||
050 | 0 | 0 |
_aAM7 _b.A75 2013 |
082 | 0 | 0 |
_a069 _223 |
100 | 1 |
_aArnold-de Simine, Silke _eauthor. _9277717 |
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245 | 1 | 0 |
_aMediating memory in the museum : _btrauma, empathy, nostalgia / _cSilke Arnold-de Simine Birkbeck, University of London, UK. |
264 | 1 |
_aHoundmills, Basingstoke, Hampshire ; _aNew York, NY : _bPalgrave Macmillan, _c2013. |
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264 | 4 | _c©2013 | |
300 |
_ax, 239 pages : _billustrations ; _c23 cm. |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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490 | 1 | _aPalgrave Macmillan memory studies | |
504 | _aIncludes bibliographical references and index. | ||
505 | 0 | 0 |
_gPart I. _tMuseum -- Memory -- Medium -- _g1. _tA New Type of Museum? -- _g2. _tMemory Boom, Memory Wars and Memory Crisis -- _g3. _tIs There Such a Thing as 'Collective Memory'? -- _g4. _tMedia Frameworks of Remembering -- _g5. _tDifficult Pasts, Vicarious Trauma: The Concept of 'Secondary Witnessing' -- _g6. _tEmpathy and its Limits in the Museum -- _g7. _tNostalgia and Post-Nostalgia in Heritage Sites -- -- _gPart II. _tThe deaths of others: representing trauma in war museums -- _g8. _tSites of Trauma -- _g9. _tIcons of Trauma -- -- _gPart III. _tScreen memories and the 'moving' image: empathy and projection in ism, liverpool, and iwm north, manchester -- _g10. _tThe Politics of Empathy -- _g11. _tTestimonial Video Installation -- _g12. _tMiddle Passage Installation -- _g13. _tThe Big Picture in IWM North -- _g14. _tGuilt, Grief and Empathy -- -- _gPart IV. _tThe paradoxes of nostalgia in museums and heritage sites -- _g15. _t(Post-)Nostalgia for the Museum? The Pitt Rivers Museum, Oxford -- _g16. _tThe Ghosts of Spitalfields: -- _g18. _tFolgate Street and -- _g19. _tPrincelet Street -- _g17. _tIntangible Heritage, Place and Community: Écomusée d'Alsace -- _g18. _tOstalgie -- Nostalgia for GDR Everyday Culture? The GDR in the Museum -- -- _gPart V. _tUncanny objects, uncanny technologies -- _g19. _tPhantasmagoria and its Spectres in the Museum. |
520 | _a"Mediating Memory in the Museum is a contribution to an emerging field of research which is situated at the interface between memory studies and museum studies. It highlights the role of museums in the proliferation of the so-called memory boom as well as the influence of memory discourses on international trends in museum cultures. By looking at a range of museums in Germany, Britain, France and Belgium, which address a diverse spectrum of topics such as migration, difficult and dark heritage, war, slavery and the GDR, Arnold-de Simine outlines the paradigm shifts in exhibiting practices associated with the transformation of traditional history museums and heritage sites into 'spaces of memory' over the past thirty years. She probes the political and ethical claims of new museums and maps the relevance of key concepts such as 'vicarious trauma', 'secondary witnessing', 'empathic unsettlement', 'prosthetic memory' and 'reflective nostalgia' in the museum landscape"-- Provided by publisher. | ||
650 | 0 |
_aMuseums _xPhilosophy _9370774 |
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650 | 0 |
_aMuseums _xHistoriography _9643014 |
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650 | 0 |
_aMemory _xHistory _9653561 |
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650 | 0 |
_aMuseums _xSocial aspects _9630265 |
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650 | 0 |
_aMuseum techniques. _9334629 |
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830 | 0 |
_aPalgrave Macmillan memory studies. _91082353 |
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907 |
_a.b13647830 _b23-08-17 _c28-10-15 |
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