000 | 03430cam a2200385 i 4500 | ||
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005 | 20221102153129.0 | ||
008 | 140304t20142014enka b 001 0deng d | ||
011 | _aBIB MATCHES WORLDCAT | ||
020 | _a1443854360 | ||
020 | _a9781443854368 | ||
035 | _a(ATU)b13410969 | ||
035 | _a(OCoLC)875033673 | ||
040 |
_aAU@ _beng _erda _cAU@ _dOCLCO _dCOO _dCDX _dBTCTA _dYDXCP _dUBC _dEMU _dDEBBG _dATU |
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042 | _aanuc | ||
050 | 4 |
_aNA2500 _bS87 2014 |
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_a720.1 _223 |
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_aSurface and deep histories : _bcritiques and practices in art, architecture and design / _cedited by Anuradha Chatterjee. |
264 | 1 |
_aNewcastle upon Tyne : _bCambridge Scholars Publishing, _c2014. |
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264 | 4 | _c©2014 | |
300 |
_ax, 233 pages : _billustrations ; _c22 cm |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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504 | _aIncludes bibliographical references and index. | ||
505 | 0 | 0 |
_gIntroduction: _tSurface Potentialities / _rAnuradha Chatterjee -- _g1. _tMontage and modernity late nineteenth-century colonila graphic culture / _rMolly Duggins -- _g2. _tBetween mischief and reason: wallpaper, femininity and th eproduction of space in the late nineteenth-century / _rAnna Daly -- _g3. _tSartorialised space: the surfacing of expansive bodies / _rStella North -- _g4. _tHypersurface architecture [redux] / _rM. Hank Haeusler -- _g5. _tWhat's in a name? The in-between-ness of the veranda's public faces and threshold spaces / _rChris Brisbin -- _g6. _tJame's Fergusson's theory of architecture: construction and ornament / _rPeter Kohane -- _g7. _tScratchingthe surface: representational and symbolic practices of contemporary green architecture / _rFlavia Marcello and Ian Woodcock -- _g8. _tSurface typologies, critical function and glass walls in Australian architecture / _rAnuradha Chatterjee. |
520 | _aSurface in architecture has had a deeper and a more pervasive presence in the practice and theory of the discipline than is commonly supposed. Orientations to the surface emerge, collapse, and reappear, sustaining it as a legitimate theoretical and artefactual entity, despite the (twentieth-century) disciplinary definition of architecture as space, structure, and function. Even though surface is defended for its pervasiveness (Kurt Forster), its function as a theoretical motif with generative power (Andrew Benjamin), and in constituting the operative principles of modern architecture as a visual phenomenon (Mark Wigley), it occupies the interstice, or the space of the unconscious within architectural discourse, from where it defends its legitimacy as architecturally valuable or 'functional,' as opposed to merely visually pleasurable. Surface and Deep Histories positions surface within the scholarship of critical theory and design-based approaches, and invites academics and designers, and art and architectural historians based in Australia to consider the uses, figurations, scales, and typologies of surfaces. -- back cover. | ||
650 | 0 |
_aHistoricism in architecture _9348043 |
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650 | 0 |
_aSpace (Architecture) _9324331 |
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650 | 0 |
_aVisionary architecture. _9313232 |
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700 | 1 |
_aChatterjee, Anuradha, _eeditor. _9822769 |
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907 |
_a.b13410969 _b22-08-17 _c28-10-15 |
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