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008 | 130821s2013 nz a b 001 0 eng | ||
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_a704.0399442 _223 |
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_aNeich, Roger, _eauthor. _91029132 |
|
245 | 1 | 0 |
_aTradition and change in Māori and Pacific art : _bessays / _cby Roger Neich : edited by Chanel Clarke, Fuli Pereira and Nigel Prickett. |
264 | 1 |
_aAuckland : _bAuckland War Memorial Museum, _c2013. |
|
300 |
_a441 pages : _billustrations (some colour) ; _c26 cm |
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336 |
_atext _2rdacontent |
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337 |
_aunmediated _2rdamedia |
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338 |
_avolume _2rdacarrier |
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504 | _aIncludes bibliographical references and index. | ||
505 | 0 | 0 |
_g1. _tA prehistoric stone bird from Bouganville and its relationship to Northern Solomons implements -- _g2. _tBasketwork fertility figures from the Western Enga and nearby groups, Western and Southern Highlands, Papua New Guinea -- _g3. _tSome early Māori woodcarvings from Ruatahuna, Urewera District, New Zealand -- _g4. _tA survey of visitor attitudes to a Māori art exhibition -- _g5. _tA semiological analysis of self decoration in Mount Hagen, New Guinea -- _g6. _tThe complementarity of history and art in Tutamure Meeting House, Omarumutu Marae, Opotiki -- _g7. _tProcesses of change in Samoan arts and crafts -- _g8. _tSamoan figurative carving and Samoan canoes -- _g9. _tInterpretation and presentation of Māori culture -- _g10. _tMāori figurative painting: tradition and innovation in the search for identity -- _g11. _tJacob William Heberley of Wellington: a Māori carver in a changed world -- _g12. _tSamoan figurative carvings and Taumualua canoes - a further note -- _g13. _tCarved entrances of Māori semi-subterranean storehouses -- _g14. _tThe emergence of the individual in Māori woodcarving: Toward a Māori art history -- _g15. _tFrom the canoe to church on late nineteenth-certury Ulawa, Solomon Islands -- _g16. _tThe gateway of maketu: Treasures of Ngāti Pikiao carving style -- _g17. _tPapahou and Wakahuia: Māori treasure boxes -- _g18. _tPowaka Whakairo: a third form of Māori treasure box. |
520 | _aRoger Neich (1944-2010) was an outstanding New Zealand scholar, whose study of Maori and Pacific arts is celebrated in the eighteen essays contained within Tradition and Change in Maori and Pacific Art. The collection of essays span Roger Neich's career - from a 1971 article on a Bougainville ancient stone bird carving to a 2005 study on the powaka whakairo form of Maori treasure box. At the heart of the collection stand his studies of Maori art, focusing on wood-carving and figurative painting. Tradition and Change in Maori and Pacific Art acknowledges the contribution Roger Neich made, not only to research and scholarship but to the way the public came to see Maori and Pacific art in new ways. The book will be invaluable to students in anthropology, art history, and Maori and Pacific studies and welcomed by readers in New Zealand who are familiar with Neich's work. International scholars, museums and collectors will also find this a significant resource for their research archives. | ||
650 | 0 |
_aArt, Māori. _91248877 |
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_aArt _zOceania _9578833 |
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_aToi Māori _2reo _9369888 |
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650 | 7 |
_aMahi toi _2reo _9368971 |
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650 | 7 |
_aTāngata o Te Moana-nui-a-Kiwa _2reo _9369720 |
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650 | 7 |
_aWaka toi _2reo _9370072 |
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700 | 1 |
_aClarke, Chanel, _eeditor. _9822551 |
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700 | 1 |
_aPereira, Pandora Fulimalo, _eeditor. _9242571 |
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700 | 1 |
_aPrickett, Nigel, _eeditor. _91030699 |
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710 | 2 |
_aAuckland War Memorial Museum _eissuing body. _9334691 |
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