000 | 02643cam a2200373 i 4500 | ||
---|---|---|---|
005 | 20221110024152.0 | ||
008 | 130223s2013 enka 000 0 eng d | ||
010 | _a 2013432633 | ||
011 | _aBIB MATCHES WORLDCAT | ||
020 |
_a1908966297 _qpbk. |
||
020 |
_a9781908966292 _qpbk. |
||
035 | _a(ATU)b13402948 | ||
035 | _a(OCoLC)828485383 | ||
040 |
_aBTCTA _beng _erda _cBTCTA _dYDXCP _dBDX _dUKMGB _dYNK _dCDX _dNDD _dDLC _dZCU _dSINLB _dOCLCF _dATU |
||
050 | 4 |
_aN70 _b.F57 2013 |
|
082 | 0 | 4 |
_a701 _223 |
100 | 1 |
_aFisher, Elizabeth, _d1973- _eauthor. _9462478 |
|
245 | 1 | 0 |
_aOn not knowing : _bhow artists think / _cElizabeth Fisher and Rebecca Fortnum. |
246 | 3 | 0 | _aHow artists think |
264 | 1 |
_aLondon : _bBlack Dog Publishing, _c[2013] |
|
264 | 4 | _c©2013 | |
300 |
_a159 pages : _billustrations (colour) ; _c28 cm |
||
336 |
_atext _btxt _2rdacontent |
||
337 |
_aunmediated _bn _2rdamedia |
||
338 |
_avolume _bnc _2rdacarrier |
||
505 | 0 | _aIn a language you don't understand / Elizabeth Fisher -- On the value of not knowing: wonder, beginning again and letting be / Rachel Jones -- Mobilising uncertainty / Cornford & Cross -- Unteachable and unlearnable: the ignorance of artists / Andrew Warstat -- Towards the reification of a wandering mind / London Fieldworks -- On being overt: secrecy and covert culture / Office of Experiments -- Creative accounting: not knowing in talking and making / Rebecca Fortnum -- Made in silence? On words and bricolage / Jyrki Siukonen -- Unidentified foreign objects / Phyllida Barlow in conversation with Elizabeth Fisher -- Ahead of yes and no: Heidegger on not knowing and art / Gary Peters -- Studio / Ian Kiaer -- Tactics for not knowing: preparing for the unexpected / Emma Cocker -- Pedagogy of the not known / Dennis Atkinson -- Gulp / Sonia Boyce and Sarah Cole in conversation. | |
520 | _a"The state of 'not knowing' or engaging with the unknown is an important aspect of all research. For artists it is crucial, as the making process often balances a strong sense of direction with a more playful or meditative state of exploration and experimentation. Art practice is not only a valid mode of philosophical enquiry but also provides ways of thinking and articulating knowledge that are not utilized by other disciplines. "--Publisher's website. | ||
650 | 0 |
_aArt and philosophy _9335244 |
|
700 | 1 |
_aFortnum, Rebecca, _eauthor. _91061371 |
|
907 |
_a.b13402948 _b28-04-21 _c28-10-15 |
||
942 | _cB | ||
945 |
_a701 FIS _g1 _iA568502B _j0 _lcmain _o- _p$129.60 _q- _r- _s- _t0 _u3 _v0 _w1 _x2 _y.i13563130 _z18-07-17 |
||
998 |
_a(4)b _a(4)c _b06-04-16 _cm _da _feng _genk _h0 |
||
999 |
_c1266934 _d1266934 |