000 01824cam a2200397 i 4500
005 20221102173153.0
008 111222s2012 maua b 001 0beng d
010 _a 2011052778
011 _aBIB MATCHES WORLDCAT
020 _a0262017806
_qhardcover (alk. paper)
020 _a9780262017800
_qhardcover (alk. paper)
035 _a(ATU)b13348814
035 _a(OCoLC)769818984
040 _aDLC
_beng
_erda
_cDLC
_dYDX
_dBTCTA
_dERASA
_dOCLCO
_dUKMGB
_dBDX
_dYDXCP
_dBWX
_dCDX
_dCOO
_dVP@
_dOCLCQ
_dMYG
_dHEBIS
_dATU
042 _apcc
050 0 0 _aN6853.H88
_bB37 2012
082 0 0 _a709.2
_223
100 1 _aBarikin, Amelia,
_d1979-
_eauthor.
_9820241
245 1 0 _aParallel presents :
_bthe art of Pierre Huyghe /
_cAmelia Barikin.
246 3 0 _aArt of Pierre Huyghe
264 1 _aCambridge, Massachusetts :
_bThe MIT Press,
_c[2012]
264 4 _c©2012
300 _ax, 268 pages :
_billustrations ;
_c24 cm
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
500 _aOutgrowth of the author's thesis (doctoral--University of Melbourne, Australia).
504 _aIncludes bibliographical references and index.
505 0 _aIntroduction: in what time do we live? -- Early work -- The open present -- A movie navigated by stops -- Figures of speech -- Inside-out Utopia -- Topological systems: an economy of time.
600 1 0 _aHuyghe, Pierre,
_d1962-
_xCriticism and interpretation.
776 0 8 _iOnline version:
_aBarikin, Amelia, 1979-
_tParallel presents.
_dCambridge, Massachusetts : The MIT Press, [2012]
_z9780262315319
907 _a.b13348814
_b08-09-20
_c28-10-15
942 _cB
945 _a709.2 HUY
_g1
_iA479720B
_j0
_lcmain
_o-
_p$42.89
_q-
_r-
_s-
_t0
_u10
_v8
_w3
_x2
_y.i13369908
_z29-10-15
998 _ab
_ac
_b06-04-16
_cm
_da
_feng
_gmau
_h0
999 _c1265458
_d1265458