000 | 01824cam a2200397 i 4500 | ||
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005 | 20221102173153.0 | ||
008 | 111222s2012 maua b 001 0beng d | ||
010 | _a 2011052778 | ||
011 | _aBIB MATCHES WORLDCAT | ||
020 |
_a0262017806 _qhardcover (alk. paper) |
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020 |
_a9780262017800 _qhardcover (alk. paper) |
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035 | _a(ATU)b13348814 | ||
035 | _a(OCoLC)769818984 | ||
040 |
_aDLC _beng _erda _cDLC _dYDX _dBTCTA _dERASA _dOCLCO _dUKMGB _dBDX _dYDXCP _dBWX _dCDX _dCOO _dVP@ _dOCLCQ _dMYG _dHEBIS _dATU |
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042 | _apcc | ||
050 | 0 | 0 |
_aN6853.H88 _bB37 2012 |
082 | 0 | 0 |
_a709.2 _223 |
100 | 1 |
_aBarikin, Amelia, _d1979- _eauthor. _9820241 |
|
245 | 1 | 0 |
_aParallel presents : _bthe art of Pierre Huyghe / _cAmelia Barikin. |
246 | 3 | 0 | _aArt of Pierre Huyghe |
264 | 1 |
_aCambridge, Massachusetts : _bThe MIT Press, _c[2012] |
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264 | 4 | _c©2012 | |
300 |
_ax, 268 pages : _billustrations ; _c24 cm |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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500 | _aOutgrowth of the author's thesis (doctoral--University of Melbourne, Australia). | ||
504 | _aIncludes bibliographical references and index. | ||
505 | 0 | _aIntroduction: in what time do we live? -- Early work -- The open present -- A movie navigated by stops -- Figures of speech -- Inside-out Utopia -- Topological systems: an economy of time. | |
600 | 1 | 0 |
_aHuyghe, Pierre, _d1962- _xCriticism and interpretation. |
776 | 0 | 8 |
_iOnline version: _aBarikin, Amelia, 1979- _tParallel presents. _dCambridge, Massachusetts : The MIT Press, [2012] _z9780262315319 |
907 |
_a.b13348814 _b08-09-20 _c28-10-15 |
||
942 | _cB | ||
945 |
_a709.2 HUY _g1 _iA479720B _j0 _lcmain _o- _p$42.89 _q- _r- _s- _t0 _u10 _v8 _w3 _x2 _y.i13369908 _z29-10-15 |
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998 |
_ab _ac _b06-04-16 _cm _da _feng _gmau _h0 |
||
999 |
_c1265458 _d1265458 |