000			03934cam a2200421 i 4500
005			20221109233239.0
007			ta
008			070913t20082008enka b 001 0 eng d
010			_a 2007037913
011			_aBIB MATCHES WORLDCAT
020			_a0521697867 (pbk.)
020			_a9780521697866 (pbk.)
020			_a0521875153
020			_a9780521875158
035			_a(ATU)b13025193
035			_a(OCoLC)171614661
040			_aDLC _beng _erda _cDLC _dYDX _dBAKER _dBTCTA _dYDXCP _dUKM _dIXA _dABG _dBWK _dNOR _dOCLCQ _dTSU _dLMR _dTBS _dMUQ _dVP@ _dCDX _dHEBIS _dA7U _dDEBSZ _dCHRRO _dTUU _dBDX _dATU
043			_aa-cc---
050	0	0	_aDS778.7 _b.C53 2008
082	0	0	_a951.056 _222
100	1		_aClark, Paul, _d1949- _eauthor. _9255010
245	1	4	_aThe Chinese Cultural Revolution : _ba history / _cPaul Clark, the University of Auckland, New Zealand.
264		1	_aCambridge ; _aNew York : _bCambridge University Press, _c2008.
264		4	_c©2008
300			_axii, 352 pages : _billustrations ; _c24 cm
336			_atext _2rdacontent
337			_aunmediated _2rdamedia
338			_avolume _2rdacarrier
504			_aIncludes bibliographical references (pages 325-338) and index.
505	0	0	_tFigures -- _tAcknowledgments -- _tChronology of cultural and political developments, 1949-1980s -- _tIntroduction : a revolution in culture -- _g[pt]. 1. _tModelling a new culture -- _g1. _tModernizing Chinese opera -- _g2. _tThe start of the Cultural Revolution -- _g3. _tThe first five model operas -- _g4. _tThe art of the model operas -- _g[pt]. 2. _tSpreading the new models -- _g1. _tProclaiming the model performances -- _g2. _tOther model operas -- _g3. _tTransplanting the models -- _g4. _tThe importance of the model performances -- _g5. _tReorganizing the ranks -- _g[pt]. 3. _tFixing culture on film -- _g1. _tFilms besieged -- _g2. _tCleansing the ranks -- _g3. _tFixing the model performances on film -- _g4. _tNew-style feature films -- _g5. _tGrowing the industry, pleasing audiences -- _g[pt]. 4. _tElaborating culture : dance, music, stage and fine arts -- _g1. _tDancing for the Revolution -- _g2. _tScoring the Revolution : music -- _g3. _tStaging culture : spoken drama, Quyi, and other performance forms -- _g4. _tVisualizing the modern : fine arts and architecture -- _g[pt]. 5. _tWriting wrongs : public and private fictions and resistance -- _g1. _tModels on the page : official literature -- _g2. _tHidden pleasures : unofficial, underground literature -- _g3. _tModel assertions : criticizing works -- _g4. _tScreening resistance : films under attack -- _g[pt]. 6. _tConclusion : Forcing modernity -- _tNotes -- _tBibliography -- _tIndex.
520	1		_a"A groundbreaking study of cultural life during a turbulent and formative decade in contemporary China, this book seeks to explode several myths about the Cultural Revolution (officially 1966-1976). Through national and local examination of the full range of cultural forms (film, opera, dance, other stage arts, music, fine arts, literature, and even architecture), Clark argues against characterizing this decade as one of chaos and destruction. Rather, he finds that innovation and creativity, promotion of participation in cultural production, and a vigorous promotion of the modern were all typical of the Cultural Revolution. Using a range of previously little-used materials, Clark forces us to fundamentally reassess our understanding of the Cultural Revolution, a period that he sees as the product of innovation in conflict with the effort by political leaders to enforce a top-down modernity."--Jacket.
650		0	_aArts, Chinese _y20th century _9772339
856	4	2	_3Contributor biographical information _uhttp://catdir.loc.gov/catdir/enhancements/fy0803/2007037913-b.html
907			_a.b13025193 _b10-06-19 _c28-10-15
998			_a(2)b _a(2)c _b23-03-18 _cm _da _feng _genk _h4
945			_a951.056 CLA _g1 _iA516039B _j0 _lcmain _o- _p$93.78 _q- _r- _s- _t0 _u3 _v0 _w0 _x2 _y.i13345576 _z29-10-15
942			_cB
999			_c1253925 _d1253925