000 | 02006cam a2200397 i 4500 | ||
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005 | 20221102163535.0 | ||
008 | 120813s2012 enk b 001 0 eng d | ||
011 | _aBIB MATCHES WORLDCAT | ||
020 |
_a1446207714 _qhbk. |
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020 |
_a9781446207710 _qhbk. |
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020 |
_a1446207722 _qpbk. |
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020 |
_a9781446207727 _qpbk. |
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035 | _a(ATU)b12959820 | ||
035 | _a(OCoLC)808495850 | ||
040 |
_aUKMGB _beng _erda _cUKMGB _dOCLCO _dCDX _dYDXCP _dCOO _dATU |
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050 | 4 | _aML | |
082 | 0 | 4 |
_a306.4842 _223 |
100 | 1 |
_aWall, Tim, _eauthor. _91080482 |
|
245 | 1 | 0 |
_aStudying popular music culture / _cTim Wall. |
250 | _aSecond edition. | ||
264 | 1 |
_aLondon : _bSAGE, _c2012. |
|
300 |
_axv, 320 pages : _billustrations ; _c25 cm |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
||
504 | _aIncludes bibliographical references (pages 289-312) and index. | ||
505 | 0 | _aIntroduction: definitions and approaches -- Part One: Histories. 1 Constructing histories of popular music -- 2 Musical and cultural repertoires -- 3 Social, economic and technical factors -- 4 Writing popular music history -- Part Two: Industries and institutions. 5 An overview of popular music production -- 6 Taking issue with the record industry -- 7 Popular music and the media -- Part Three: Form, meaning and representation. 8 Form -- 9 Meaning -- 10 Representation -- Part Four: Audiences and consumption. 11 The sociology of the music consumer -- 12 Listening and looking -- 13 Dancing -- 14 Acquiring, organising and sharing music. | |
588 | _aMachine converted from AACR2 source record. | ||
650 | 0 |
_aPopular music _xSocial aspects _9629853 |
|
650 | 0 |
_aPopular culture _9322576 |
|
650 | 0 |
_aMusic trade. _9321216 |
|
907 |
_a.b12959820 _b11-07-17 _c28-10-15 |
||
942 | _cB | ||
945 |
_a306.4842 WAL _g1 _iA508002B _j0 _lcmain _o- _p$106.47 _q- _r- _s- _t0 _u2 _v0 _w0 _x0 _y.i13333112 _z29-10-15 |
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998 |
_ab _ac _b06-04-16 _cm _da _feng _genk _h0 |
||
999 |
_c1251988 _d1251988 |