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035 _a(ATU)b12876719
035 _a(OCoLC)958716039
040 _aATU
_beng
_erda
_cATU
_dATU
082 0 4 _a306.47
_223
245 0 0 _aImages :
_bcritical and primary sources /
_cedited by Sunil Manghani.
264 1 _aLondon :
_bBloomsbury,
_c[2013]
264 4 _c©2013
300 _a4 volumes ;
_c25 cm
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
504 _aIncludes bibliographical references.
505 0 0 _gVolume One.
_tUnderstanding Images --
_gPart One.
_tImage Studies --
_tWhat is an Image? /
_rW.J.T. Mitchell --
_tImage, Medium, Body /
_rHans Belting --
_tThe Domain of Images /
_rJames Elkins --
_tBildwissenschaft /
_rHorst Bredekamp --
_tRole of the Spectator /
_rJacques Aumont --
_tImages, Not Signs /
_rRégis Debray --
_gPart Two.
_tDefining Images --
_tClassical Greek Origins of Western Aesthetic Theory /
_rJohn T. Kirby --
_tThe Philosophical Imaginary /
_rMichèle Le Doeuff --
_tThe Simile of the Cave /
_rPlato --
_tThe Origins of Imitation /
_rAristotle --
_tOptics /
_rRené Descartes --
_tOf Ideas /
_rJohn Locke --
_tRepresentation and Imagination /
_rImmanuel Kant --
_tImages, Bodies and Consciousness /
_rHenri Bergson --
_tModernizing Vision /
_rJonathan Crary --
_gPart Three.
_tImage and Ideology --
_tIconoclash /
_rBruno Latour --
_tIdolatry and Iconoclasm /
_rDavid Freedberg --
_tImage and Icon /
_rMarie-José Mondzain --
_tThe Precession of Simulacra /
_rJean Baudrillard --
_tIdeology, Imagology and Critical Thought /
_rJon Simons --
_tMaking Metapictures Political /
_rSunil Manghani --
_tWhat do Pictures Really Want? /
_rW.J.T. Mitchell --
505 8 0 _gVolume Two.
_tThe Pictorial Turn --
_gPart One.
_tImage Philosophy --
_tThinking as Picturing /
_rJudith Genova --
_tThe Pictorial Turn /
_rW.J.T. Mitchell --
_tPictorial Versus Iconic Turn /
_rGottfried Boehm and W.J.T. Mitchell --
_tDo Pictures Really Want to Live? /
_rJacques Rancière --
_tReality Remade /
_rNelson Goodman --
_tThe Information Available in Pictures /
_rJames J. Gibson --
_tNew Perspective /
_rNelson Goodman --
_tMisreading with Nelson Goodman /
_rJames Elkins --
_gPart Two.
_tText & Image --
_tThe Images of Pictures and Words /
_rRudolf Armheim --
_tDivide and Narrate: the Icon-Symbol Tension in Seurat /
_rWendy Steiner --
_tReaderly Visuality /
_rEllen J. Esrock --
_tRene Magritte's 'Les mots et les images' /
_rLisa K. Lipinski --
_tThe Absent Image /
_rGary Shapiro --
_tThe Convention of Captioning and W.G. Sebald /
_rElizabeth Chaplin --
_gPart Three.
_tImage as Thought --
_tA Plea for Visual Thinking /
_rRudolf Arnheim --
_tPerceptual Metaphor /
_rDonald Brook --
_tPicturing Vision /
_rJoel Snyder --
_tHow to 'See' With the Whole Body /
_rJoyce Brodsky --
_tBody Images /
_rAntonio Damasio --
_tThought-Images /
_rSigrid Weigel --
505 8 0 _gVolume Three.
_tImage Theory --
_gPart One.
_tArt Theory --
_tThe End of Image Theory /
_rOtto Pacht --
_tThe Arrested Image and the Moving Eye /
_rE.H. Gombrich --
_tCrossing Frontiers /
_rPhilippe-Alain Michaud --
_gPart Two.
_tBeyond Semiotics --
_tThe Third Meaning /
_rRoland Barthes --
_tSemiotics and Art History /
_rMieke Bal and Norman Bryson --
_tNonsemiotic Elements in Pictures /
_rJames Elkins --
_gPart Three.
_tPsychoanalysis --
_tThe Gaze /
_rJacques Lacan --
_tWoman as Image (Man as Bearer of the Look) /
_rLaura Mulvey --
_tCindy Sherman's Untitled Film Stills /
_rJoan Copjec --
_tThe Gaze in the Expanded Field /
_rNorman Bryson --
_gPart Four.
_tPhenomenology --
_tEye and Mind /
_rMaurice Merleau-Ponty --
_tImagination /
_rMikel Dufrenne --
_gPart Five.
_tBetween Mediums
_tDiarmuid Costello --Visual and audiovisual: From Image to Moving Image /
_rSean Cubitt --
_tLeaving the Movie Theater /
_rRoland Barthes --
_tSite-seeing /
_rGiuliana Bruno --
_tThe Sequence-Image /
_rVictor Burgin --
_tDigital-Facial-Image: Affect as Medium /
_rMark Hansen --
505 8 0 _gVolume Four.
_tImage Cultures --
_gPart One.
_tVisual Culture --
_tCultural Relativism and the Visual Turn /
_rMartin Jay --
_tSymbol, Idol and Murti /
_rGregory Price Grieve --
_tPhoto-Sharing /
_rSusan Murray --
_gPart Two.
_tImage and Memory --
_tInvoluntary Memory /
_rMarcel Proust --
_tWays of Remembering /
_rJohn Berger --
_tNotes on Myth, Memory and Technology /
_rJustin Lorentzen --
_tThe Image of 'Accidental Napalm' /
_rRobert Hariman and John Louis --
_tBearing Personal Witness /
_rBarbie Zelizer --
_tObama and Image /
_rSusan Buck-Morss --
_gPart Three.
_tVisual Evidence --
_tVisible Materials /
_rJon Wagner --
_tTalking about pictures: a case for photo elicitation /
_rDouglas Harper --
_tThe Prosthetic Eye /
_rChristopher Pinney --
_tLaw In the Age of Images /
_rRichard K. Sherwin --
_gPart Four.
_tScience Imaging --
_tA History of Scientific Imagery /
_rAlexis Smets and Christoph Lüthy --
_tVisual Abstraction and Anatomy /
_rTricia Daly and Philip Bell --
_tImages Scatter into Data, Data Gather into Images /
_rPeter Galison --
_tSensible Models in Cognitive Neuroscience /
_rArthur Piper --
_tThoughts Not Our Own /
_rBarbara Maria Stafford --
_tScientific Visualism /
_rDon Ihde --
_tThe Neurology of the Platonic Ideal /
_rSemir Zeki --
_gPart Five.
_tMaking Images --
_tWriting Hypnagogia /
_rPeter Schwenger --
_tTwo Kinds of Attention /
_rAnton Ehrenzweig --
_tCitizen Hamilton /
_rHal Foster --
_tPhotographic Being /
_rYve Lomax.
520 _a"Images: Critical and Primary Sources is a major multi-volume work of reference that brings together seminal writings on the image. Taking an interdisciplinary approach, the essays range across the domains of philosophy, history, art, aesthetics, literature, science, anthropology, critical theory and cultural studies. The essays reveal a wide set of perspectives, problematics and approaches, helping to frame a rich, encompassing view of what we can broadly term 'image studies'. The four volumes are arranged thematically, each separately introduced and with the essays structured into specific sections for easy reference. Volume 1: Understanding Images establishes conceptual, historical, ideological and philosophical framings for understanding and defining the image; followed in Volume 2: The Pictorial Turn with a focus on the most enduring and constitutive question of the image: its relationship to, with and against text and textuality. Volume 3: Image Theory offers representative materials covering key theoretical approaches for analyzing, interpreting and critiquing the image. Finally, Volume 4: Image Cultures examines a wide range of social and cultural contexts of the image, which covers aspects of visual evidence, image and memory, visual methodologies, scientific imaging and the practical engagement of image-makers. Images: Critical and Primary Sources offers a major scholarly resource for any researchers involved in the study of the image and visual culture."--Publisher's website.
588 _aMachine converted from non-AACR2, non-ISBD source record.
650 0 _aArts and society.
_9314176
650 0 _aGraphic arts
_9318532
700 1 _aManghani, Sunil,
_eeditor.
_91059849
740 0 _aUnderstanding images.
740 0 _aPictorial turn.
740 0 _aImage theory.
740 0 _aImage cultures.
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