000			02023cam a2200421 i 4500
005			20221102155807.0
006			m u
008			120725s2013 maua 001 0 eng d
010			_a 2012028197
020			_a0240818989 _qpbk.
020			_a9780240818986 _qpbk.
020			_z0240819144 _qpbk.
020			_z9780240819143 _qpbk.
035			_a(ATU)b12818604
035			_a(OCoLC)802103132
040			_aDLC _beng _erda _cDLC _dYDX _dYDXCP _dATU
042			_apcc
050	0	0	_aTR858 _b.P48 2013
082	0	0	_a777.9 _223
100	1		_aPerkins, Chad, _eauthor. _91098560
245	1	4	_aThe After effects illusionist / _cChad Perkins.
250			_aSecond edition.
264		1	_aBurlington, MA : _bFocal Press, _c2013.
300			_axiii, 686 pages : _billustrations (some colour) ; _c24 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
500			_aIncludes index.
505	0		_aIntroduction -- The 3D channel effects -- The audio effects -- The blur and sharpen effects -- The channel effects -- The color correction effects -- The distort effects -- The expression controls effects -- The generate effects -- The keying effects -- The matte effects -- The noise & grain effects -- The obsolete effects -- The perspective effects -- The simulation effects -- The stylize effects -- The text effects -- The time effects -- The transition effects -- The utility effects -- The cycore effects -- Using multiple effects together -- Enhancing the illusion with maps -- Where do I go from here?.
588			_aMachine converted from AACR2 source record.
630	0	0	_aAdobe After effects. _9313094
650		0	_aCinematography _xSpecial effects _xData processing.
650		0	_aComputer animation _9349650
907			_a.b12818604 _b11-05-16 _c28-10-15
942			_cB
945			_a777.9 PER _g1 _iA519836B _j0 _lcmain _o- _p$56.42 _q- _r- _s- _t0 _u8 _v3 _w0 _x4 _y.i13305888 _z29-10-15
998			_ab _ac _b06-04-16 _cm _da _feng _gmau _h4
999			_c1245163 _d1245163