| 000 | 01702cam a2200397 i 4500 | ||
|---|---|---|---|
| 005 | 20221102154851.0 | ||
| 008 | 111215s2012 inua b 001 0 eng d | ||
| 010 | _a 2011051853 | ||
| 011 | _aBIB MATCHES WORLDCAT | ||
| 020 |
_a0253357039 _qcloth (alkaline paper) |
||
| 020 |
_a9780253357038 _qcloth (alkaline paper) |
||
| 035 | _a(OCoLC)712119582 | ||
| 040 |
_aICU/DLC _beng _erda _cCGU _dDLC _dSTF _dBTCTA _dYDXCP _dUKMGB _dBDX _dTDF _dOCLCO _dBWX _dCOO _dOKN _dATU |
||
| 042 | _apcc | ||
| 050 | 0 | 0 |
_aML3797 _b.C87 2012 |
| 082 | 0 | 0 |
_a780.72 _223 |
| 100 | 1 |
_aCurrie, James R., _eauthor. _91097658 |
|
| 245 | 1 | 0 |
_aMusic and the politics of negation / _cJames R. Currie. |
| 264 | 1 |
_aBloomington, Ind. : _bIndiana University Press, _c2012. |
|
| 300 |
_axxi, 222 pages : _billustrations ; _c24 cm. |
||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_aunmediated _bn _2rdamedia |
||
| 338 |
_avolume _bnc _2rdacarrier |
||
| 490 | 1 | _aMusical meaning and interpretation | |
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | _aVeils (Mozart, Piano concerto K. 459, Finale) -- Dreams (fugal counterpoint) -- Exile (Haydn, String quartet op. 33, no. 5) -- Enchantment (Mozart, La clemenza di Tito) -- Forgetting (Edward Said). | |
| 588 | _aMachine converted from AACR2 source record. | ||
| 650 | 0 |
_aMusicology _9333902 |
|
| 650 | 0 |
_aPostmodernism. _9322618 |
|
| 650 | 0 |
_aMusic _xPolitical aspects _9775435 |
|
| 830 | 0 |
_aMusical meaning and interpretation. _91097659 |
|
| 907 |
_a.b12736557 _b11-07-17 _c28-10-15 |
||
| 942 | _cB | ||
| 945 |
_a780.72 CUR _g1 _iA517911B _j0 _lcmain _o- _p$42.39 _q- _r- _s- _t0 _u3 _v0 _w0 _x1 _y.i13287230 _z29-10-15 |
||
| 998 |
_ab _ac _b06-04-16 _cm _da _feng _ginu _h0 |
||
| 999 |
_c1243228 _d1243228 |
||