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008			080423s20082003ilua b2 001 0 eng d
010			_a 2008018328
011			_aBIB MATCHES WORLDCAT
020			_a0226148165 _qhdbk. (alk. paper)
020			_a9780226148168 _qhdbk. (alk. paper)
035			_a(ATU)b12627689
035			_a(OCoLC)225876110
040			_aDLC _beng _erda _cDLC _dBTCTA _dBAKER _dYDXCP _dUKM _dC#P _dCDX _dBWX _dTBS _dHEBIS _dOCLCQ _dBDX _dTULIB _dATU
041	1		_aeng _hfre
050	0	0	_aD804.348 _b.D5313 2008
082	0	0	_a940.5318072 _222
100	1		_aDidi-Huberman, Georges. _9262377
245	1	0	_aImages in spite of all : _bfour photographs from Auschwitz / _cGeorges Didi-Huberman ; translated by Shane B. Lillis.
264		1	_aChicago : _bUniversity of Chicago Press, _c2008.
300			_a232 pages : _billustrations ; _c23 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
500			_aOriginally published as Images malgré tout, in 2003.
504			_aIncludes bibliographical references (pages 183-225) and index.
505	0	0	_gpt. I. _tImages in Spite of All -- _tFour Pieces of Film Snatched from Hell -- _tAgainst All Unimaginable -- _tIn the Very Eye of History -- _tSimilar, Dissimilar, Survivor -- _gpt. II. _tIn Spite of the All Image -- _tFact-Image or Fetish-Image -- _tArchive-Image or Appearance-Image -- _tMontage-Image or Lie-Image -- _tSimilar Image or Semblance-Image.
520	1		_a"Of one and a half million surviving photographs related to Nazi concentration camps, only four depict the actual process of mass killing perpetrated at the gas chambers. Images in Spite of All reveals that these rare photos of Auschwitz, taken clandestinely by one of the Jewish prisoners forced to help carry out the atrocities there, were made as a potent act of resistance." "Available today because they were smuggled out of the camp and into the hands of Polish resistance fighters, the photographs show a group of naked women being herded into the gas chambers and the cremation of corpses that have just been pulled out. Georges Didi-Huberman's relentless consideration of these harrowing scenes demonstrates how Holocaust testimony can shift from texts and imaginations to irrefutable images that attempt to speak the unspeakable. Including a powerful response to those who have criticized his interest in these images as voyeuristic, Didi-Huberman's eloquent reflections constitute an invaluable contribution to debates over the representability of the Holocaust and the status of archival photographs in an image-saturated world."--Jacket.
546			_aTranslated from the French.
588			_aMachine converted from AACR2 source record.
650		0	_aHistoriography and photography _9343153
650		0	_aHolocaust, Jewish (1939-1945) _xHistoriography _9643132
650		0	_aWorld War, 1939-1945 _xPhotography. _9326099
730	0		_aImages malgré tout. _lEnglish.
907			_a.b12627689 _b27-07-21 _c28-10-15
998			_ab _ac _b20-03-18 _cm _da _feng _gilu _h0
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