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008 | 120708s2012 onc b 001 0 eng d | ||
011 | _aChanged OCLC from 769546582 to 741549514 | ||
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_a1554583640 _qhbk. |
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_a9781554583645 _qhbk. |
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_aNX456.5.P38 _bL58 2012 |
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_a700.1 _223 |
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_aListening up, writing down, and looking beyond : _binterfaces of the oral, written, and visual / _cSusan Gingell and Wendy Roy, editors. |
264 | 1 |
_aWaterloo, Ont. : _bWilfrid Laurier University Press, _c2012. |
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264 | 2 |
_aLancaster : _bGazelle |
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300 |
_aviii, 380 pages ; _c24 cm |
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_atext _btxt _2rdacontent |
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_aunmediated _bn _2rdamedia |
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_avolume _bnc _2rdacarrier |
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504 | _aIncludes bibliographical references and index. | ||
505 | 0 | 0 |
_tAcknowledgements -- _tIntroduction -- _tOpening the Door to Transdisciplinary, Multimodal Communication / _rSusan Gingell, Wendy Roy -- _tListening Up: Performance Poetics -- _tBring Da Noise: The Poetics of Performance, chez d'bi young and Oni Joseph / _rGeorge Elliott Clarke -- _tthe storyteller's integrity -- _td'bi.young.anitafrika (only at http://drc.usask.ca/projects/oral/) -- _tPoetry Performances on the Page and Stage: Insights from Slam / _rHelen Gregory -- _tPoetry and Overturned Cars: Why Performance Poetry Can't Be Studied (and Why We Should Study It Anyway) / _rHugh Hodges -- _tEchonomonymy: A Poetics of Ethos, Eros, and Earasure / _rAdeena Karasick -- _tDialect Poetry and the Need for Performance: The Case of William Barnes / _rT.L. Burton -- _tThe Speech-Music Continuum / _rPaul Dutton -- _tWriting Down: Textualized Orature and Orality -- _tWriting and Rapping for a New South Africa: The Poetry of Lesego Rampolokeng / _rGugu Hlongwane -- _tThe Ballad as Site of Rebellion: Orality, Gender, and the Granuaile Aislingi / _rNaomi Foyle -- _t"pleasure for our sense, health for our hearts": Inferring Pronuntiatio and Actio from the Text of John Donne's Second Prebend Sermon / _rBrent Nelson -- _t"The Power and the Paradox" of the Spoken Story: Challenges to the Tyranny of the Written in Contemporary Canadian Fiction / _rWendy Roy -- _tWhat's in a Frame? The Significance of Relational Word Bundles in Louise Bernice Halfe's Blue Marrow / _rMareike Neuhaus -- _tToward an "Open Field": The Ethics of the Encounter in Life Lived Like a Story / _rEmily Blacker -- _tLooking Beyond: Reintegrating the Visual -- _tBecoming the Storyteller: Meaning Making in Our Age of Resistance / _rWaziyatawin -- _tRe-Si(gh)ting the Storyteller in Textualized Orature: Photographs in the Days of Augusta / _rCara DeHaan -- _tTraditionalizing Modernity and Sound Identity in Neal McLeod's Writings of the Oral<sup>+</sup> / _rSusan Gingell -- _tA Nexus of Connections: Acts of Recovery, Acts of Resistance in Native Palimpsest / _rKimberly M. Blaeser -- _tContributors -- _tIndex. |
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_aPerformance art. _9322081 |
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_aPerformance art _xSocial aspects _9634383 |
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_aGingell, Susan, _d1951- _9456496 |
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_aRoy, Wendy, _d1957- _9456497 |
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