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008 120708s2012 onc b 001 0 eng d
011 _aChanged OCLC from 769546582 to 741549514
020 _a1554583640
_qhbk.
020 _a9781554583645
_qhbk.
035 _a(ATU)b12552239
035 _a(OCoLC)741549514
040 _aUKMGB
_beng
_erda
_cUKMGB
_dCDX
_dYDXCP
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050 4 _aNX456.5.P38
_bL58 2012
082 0 4 _a700.1
_223
245 0 0 _aListening up, writing down, and looking beyond :
_binterfaces of the oral, written, and visual /
_cSusan Gingell and Wendy Roy, editors.
264 1 _aWaterloo, Ont. :
_bWilfrid Laurier University Press,
_c2012.
264 2 _aLancaster :
_bGazelle
300 _aviii, 380 pages ;
_c24 cm
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
504 _aIncludes bibliographical references and index.
505 0 0 _tAcknowledgements --
_tIntroduction --
_tOpening the Door to Transdisciplinary, Multimodal Communication /
_rSusan Gingell, Wendy Roy --
_tListening Up: Performance Poetics --
_tBring Da Noise: The Poetics of Performance, chez d'bi young and Oni Joseph /
_rGeorge Elliott Clarke --
_tthe storyteller's integrity --
_td'bi.young.anitafrika (only at http://drc.usask.ca/projects/oral/) --
_tPoetry Performances on the Page and Stage: Insights from Slam /
_rHelen Gregory --
_tPoetry and Overturned Cars: Why Performance Poetry Can't Be Studied (and Why We Should Study It Anyway) /
_rHugh Hodges --
_tEchonomonymy: A Poetics of Ethos, Eros, and Earasure /
_rAdeena Karasick --
_tDialect Poetry and the Need for Performance: The Case of William Barnes /
_rT.L. Burton --
_tThe Speech-Music Continuum /
_rPaul Dutton --
_tWriting Down: Textualized Orature and Orality --
_tWriting and Rapping for a New South Africa: The Poetry of Lesego Rampolokeng /
_rGugu Hlongwane --
_tThe Ballad as Site of Rebellion: Orality, Gender, and the Granuaile Aislingi /
_rNaomi Foyle --
_t"pleasure for our sense, health for our hearts": Inferring Pronuntiatio and Actio from the Text of John Donne's Second Prebend Sermon /
_rBrent Nelson --
_t"The Power and the Paradox" of the Spoken Story: Challenges to the Tyranny of the Written in Contemporary Canadian Fiction /
_rWendy Roy --
_tWhat's in a Frame? The Significance of Relational Word Bundles in Louise Bernice Halfe's Blue Marrow /
_rMareike Neuhaus --
_tToward an "Open Field": The Ethics of the Encounter in Life Lived Like a Story /
_rEmily Blacker --
_tLooking Beyond: Reintegrating the Visual --
_tBecoming the Storyteller: Meaning Making in Our Age of Resistance /
_rWaziyatawin --
_tRe-Si(gh)ting the Storyteller in Textualized Orature: Photographs in the Days of Augusta /
_rCara DeHaan --
_tTraditionalizing Modernity and Sound Identity in Neal McLeod's Writings of the Oral<sup>+</sup> /
_rSusan Gingell --
_tA Nexus of Connections: Acts of Recovery, Acts of Resistance in Native Palimpsest /
_rKimberly M. Blaeser --
_tContributors --
_tIndex.
588 _aMachine converted from AACR2 source record.
650 0 _aPerformance art.
_9322081
650 0 _aPerformance art
_xSocial aspects
_9634383
700 1 _aGingell, Susan,
_d1951-
_9456496
700 1 _aRoy, Wendy,
_d1957-
_9456497
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