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005 | 20211129140721.0 | ||
008 | 980225s1998 nyua b 001 0 eng d | ||
010 | _a 98006181 | ||
011 | _aBIB MATCHES WORLDCAT | ||
020 | _a0393046699 | ||
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035 | _a(OCoLC)38542585 | ||
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_aDLC _beng _erda _cDLC _dUKM _dBAKER _dNLGGC _dBTCTA _dYDXCP _dUBC _dZWZ _dHEBIS _dDEBBG _dATU |
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050 | 0 | 0 |
_aBF241 _b.H56 1998 |
082 | 0 | 0 |
_a152.14 _221 |
100 | 1 |
_aHoffman, Donald D., _eauthor. _9275629 |
|
245 | 1 | 0 |
_aVisual intelligence : _bhow we create what we see / _cDonald D. Hoffman. |
250 | _aFirst edition. | ||
264 | 1 |
_aNew York : _bW.W. Norton, _c[1998] |
|
264 | 4 | _c©1998 | |
300 |
_axv, 294 pages : _billustrations (some colour) ; _c25 cm |
||
336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
||
504 | _aIncludes bibliographical references (pages 223-276) and index. | ||
520 | 1 | _a"In an informal style replete with illustrations, cognitive scientist Donald Hoffman presents the compelling scientific evidence for vision's constructive powers, and in so doing he unveils a grammar of vision - a set of rules that govern our perception of line, color, form, depth, and motion. Hoffman also describes the loss of these constructive powers in patients who have suffered devastating impairments: the artist who can no longer see or dream in color; the woman who, having lost her perception of motion, can no longer cross the street. Finally, Hoffman explores the spinoff of visual intelligence in the arts and technology from the dynamics of film special effects to the visual worlds of virtual reality."--BOOK JACKET. | |
588 | _aMachine converted from AACR2 source record. | ||
650 | 0 |
_aVisual perception. _9325612 |
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650 | 0 |
_aHuman information processing. _9318993 |
|
650 | 0 |
_aNeuropsychology. _9321399 |
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