000 02990cam a2200373 i 4500
005 20221102151702.0
008 120625s2012 gw a 001 0 eng d
011 _aBIB MATCHES WORLDCAT
020 _a389955423X
_qpbk.
020 _a9783899554236
_qpbk.
035 _a(ATU)b12545739
035 _a(OCoLC)769991525
040 _aBTCTA
_beng
_erda
_cBTCTA
_dYDXCP
_dOHX
_dERASA
_dMYG
_dATU
082 0 4 _a745.5
_223
245 0 0 _aPretty ugly :
_bvisual rebellion in design /
_c[edited & designed by Twopoints.Net].
264 1 _aBerlin :
_bGestalten,
_c[2012]
264 4 _c©2012
300 _a223 pages :
_bcolour illustrations ;
_c27 cm
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
500 _aCover title.
500 _aIncludes index.
500 _a"Interviews with Bethan Laura Wood, Cox & Grusenmeyer, Nacho Carbonell, and Rob van den Nieuwenhuizen by Twopoints.net"--Colophon.
520 _a"The painting The Young Ladies of Avignon by Picasso was initially scorned but is now considered to be seminal to the development of both cubism and modern art. The dissonance and complex rhythm structures of Stravinsky's ballet music The Rite of Spring caused a scandal when it premiered, but the composition now ranks among the most important musical works of the twentieth century. While art was allowed to be ugly, design had to function. Although for hundreds of years new artistic styles were established through aesthetic upheaval, new trends in graphic design and visual communication were, until recently, variations on what was generally considered to be appealing. But in the last few years, those working in these creative disciplines started to rebel. Dada-esque graphics or unreadable typography began to be used as a way to claim a unique style advantage. Pretty Ugly is a diverse collection of these recent aesthetic rampages not only in the fields of graphic design and visual communication, but also in product design, furniture design, art, and photography. The originators of this work consciously use unusual or negatively perceived forms, colors, and perspectives in an attempt to blaze new creative trails. The variety of examples in Pretty Ugly makes clear that creative leadership in today's design world is less a matter of skilled craft and more about mastering elements that give's one's work a unique visual identity. The elements shown here may still be considered by some to by ugly, but they are already influencing the vanguard of tomorrow's design."--Publisher description.
588 _aMachine converted from AACR2 source record.
650 0 _aDesign.
_9316601
650 0 _aDesign
_xPolitical aspects
_9775896
710 2 _aTwoPoints.Net.
_91095437
907 _a.b12545739
_b06-05-18
_c28-10-15
942 _cB
945 _a745.5 PRE
_g1
_iA517056B
_j0
_lcmain
_o-
_p$61.24
_q-
_r-
_s-
_t0
_u8
_v7
_w1
_x3
_y.i13257249
_z29-10-15
998 _ab
_ac
_b06-04-16
_cm
_da
_feng
_ggw
_h0
999 _c1238405
_d1238405