000			02053cam a2200397 i 4500
005			20211103125236.0
008			120402s2012 enka b 001 0 eng d
010			_a 2011001704
011			_aBIB MATCHES WORLDCAT
020			_a0415574188 _qhardback (alk. paper)
020			_a9780415574181 _qhardback (alk. paper)
020			_a0415574196 _qpbk. (alk. paper)
020			_a9780415574198 _qpbk. (alk. paper)
035			_a(ATU)b12422873
035			_a(OCoLC)654318100
040			_aDLC _beng _erda _cDLC _dYDX _dBTCTA _dYDXCP _dBWX _dMST _dUKMGB _dTULIB _dATU
050	0	0	_aPN1995.9.D6 _bE48 2012
082	0	0	_a070.18 _222
100	1		_aEllis, John, _d1952- _eauthor. _9393139
245	1	0	_aDocumentary : _bwitness and self-revelation / _cJohn Ellis.
264		1	_aLondon ; _aNew York : _bRoutledge, _c2012.
300			_avi, 171 pages : _billustrations ; _c23 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references (pages 161-167) and index.
505	0		_aIntroduction -- From reconstruction to observation: a history of documentary 1895-1995 -- New attitudes to documentary -- The changing technologies of documentary filmmaking -- Performance and self-revelation -- Documentary filming as personal interaction -- Editing, narrative and separation -- The changing technologies of documentary editing -- Slow film -- The eventual viewer -- Ambivalent feelings about photography and recording -- Witness and watching -- Ethics, interpretation and the new viewer -- Conclusion.
588			_aMachine converted from AACR2 source record.
650		0	_aDocumentary films _xProduction and direction. _9321142
650		0	_aDocumentary films _xHistory and criticism _9371494
650		0	_aCinematography. _9315437
907			_a.b12422873 _b19-01-18 _c28-10-15
998			_ab _ac _b06-04-16 _cm _da _feng _genk _h0
945			_a070.18 ELL _g1 _iA483754B _j0 _lcmain _o- _p$44.38 _q- _r- _s- _t0 _u13 _v10 _w2 _x4 _y.i1322900x _z29-10-15
942			_cB
999			_c1234462 _d1234462