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_a389357123X _qpbk. |
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_a9783893571239 _qpbk. |
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035 | _a(ATU)b12366407 | ||
035 | _a(OCoLC)779533827 | ||
037 | _bGovett-Brewster Art Gallery, Private Bag 2025, New Plymouth 4310, N.Z. ; govettinfo@govettbrewster.com ; Dunedin Public Art Gallery PO Box 566, Dunedin, N.Z. ; dpagmail@dcc.govt.co.nz ; Artspace, P.O. Box 68418, Auckland 1145, N.Z. ; artspace@artspace.org.nz | ||
040 |
_aNZNB _beng _erda _cNZNB _dATU |
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043 | _au-nz--- | ||
082 | 0 | 4 |
_a709.2 _223 |
100 | 1 |
_aMitchell, Dane, _d1976- _eauthor. _9455431 |
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245 | 1 | 0 |
_aRadiant matter I/II/III / _cDane Mitchell. |
264 | 1 |
_aBerlin : _bBerliner Künstlerprogramm/DAAD, _c2011. |
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300 |
_a93 pages : _bcolour illustrations ; _c30 cm |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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_avolume _bnc _2rdacarrier |
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500 | _aRadiant Matter I/II/III was a series of exhibitions by Dane Mitchell presented at three public galleries across New Zealand in 2011, each exhibition operating in autonomous ways and yet sharing similar aesthetic, conceptual and material concerns. Radiant Matter I at the Govett-Brewster Art Gallery, New Plymouth involved the sculptural possibilities of perfume and atmospheric vapours in their various states of transformation and the means of containing, diffusing and releasing these into the air. Radiant Matter II at the Dunedin Public Art Gallery extended these concerns - working with witchcraft, glass vessels blown through the playing of musical instruments and the spoken word, obsidian, and a hand-engineered perfume produced with French nose Michel Roudnitska. Radiant Matter III at Auckland's Artspace continued his exploration into perfume and the 'vaporous', the state of suspension or in-between poetic potential of liquids, gases and solids by again working with Michel Roudnitska to develop a synthetic scent of 'The Smell of an Empty Space' to continue his exploration of ideas and substances in transitional states which hover at the edge of perception, physicality, affect and time. This publication brings together these three bodies of work, anchoring them in research begun whilst the artist was a guest of the Berliner Künstlerprogramm DAAD in 2009 and further explored in textstexts by Cay Sophie Rabinowtiz, Chris Sharp, Aaron Kreisler, Dane Mitchell and foreword by Ariane Beyn. | ||
504 | _aIncludes bibliographical references. | ||
588 | _aMachine converted from AACR2 source record. | ||
600 | 1 | 0 |
_aMitchell, Dane, _d1976- _9455431 |
650 | 0 |
_aInstallations (Art) _vExhibitions _9371134 |
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_aDeutscher Akademischer Austauschdienst. _bBerliner Künstlerprogramm _9492691 |
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710 | 2 |
_aArtspace (Auckland, N.Z.) _9244615 |
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710 | 2 |
_aDunedin Public Art Gallery. _9312212 |
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710 | 2 |
_aGovett-Brewster Art Gallery. _9312520 |
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907 |
_a.b12366407 _b03-10-17 _c28-10-15 |
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