000			03819cam a2200505 i 4500
005			20221109174729.0
008			110926s2006 ctua bc 000 0beng d
010			_a 2006285740
011			_aBIB MATCHES WORLDCAT
020			_a0300116853
020			_a9780300116854
035			_a(ATU)b12194396
035			_a(OCoLC)71317499
040			_aUKM _beng _erda _cYUS _dNYP _dBAKER _dYDXCP _dERE _dUKM _dDLC _dIXA _dYBM _dATU
042			_apcc
050		4	_aNK3012.A3 _bH5277 2006
082	0	4	_a746.392 _222
100	1		_aDanto, Arthur C., _d1924-2013 _eauthor. _9347930
245	1	0	_aSheila Hicks : _bweaving as metaphor / _cArthur C. Danto, Joan Simon edited by Nina Stritzler-Levine.
246	3	0	_aWeaving as metaphor
264		1	_aNew Haven : _bYale University Press, _c2006.
300			_a415 pages : _bcolour illustrations ; _c22 cm.
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
490	1		_aBard Graduate Center for Studies in the Decorative Arts, Design
500			_aBook designed by Irma Boom.
504			_aIncludes bibliographical references (pages 394-395).
505	0		_aForeword / Susan Weber Soros -- Sponsor's foreword / Target -- Introduction / Nina Stritzler-Levine -- I. Weaving as metaphor / Arthur C. Danto -- 2. Frames of reference / Joan Simon -- 3. Catalogue of the exhibition / Sheila Hicks -- 4. A design identity / Nina Stritzler-Levine.
520			_a"This intriguing book examines the small woven and wrought works artist Sheila Hicks has produced for the past fifty years. With their distinctive colors, thoughtful compositions, and narrative, these miniature creations reveal the emergence and continuity of the artist’s approach to her work. Internationally recognized for her mastery of a textile vocabulary of extremely different scales—sculpture, tapestry, site specific commissions for public spaces, environments of recuperated clothing and uniforms, and more—Hicks has thoughtfully crafted miniatures throughout her nomadic career. The palm-sized works present a record of her remarkable and personal journeys. Focusing on some one hundred miniatures from public and private collections, the book demonstrates the breadth of Hicks's concerns: her persistent inquiry into the mysteries of color, her playful yet reverential subversions of weaving traditions, her surprising range of materials, and her exploration of new technology. From initial experiments based on pre-Columbian weaving structures to a 2005 sculptural project using ninety colors of synthetic filaments, these small works offer a unique opportunity to access and examine the artist's conceptual and technical forays. The volume includes informative essays by Arthur C. Danto, Joan Simon, and Nina Stritzler-Levine as well as illustrations of the artist’s working tools, related drawings, photographs, and chronology."--Publisher description.
588			_aMachine converted from AACR2 source record.
600	1	0	_aHicks, Sheila, _d1934- _vExhibitions.
650		0	_aMiniature fiberwork _vExhibitions _9771465
700	1		_aHicks, Sheila, _d1934- _91089916
700	1		_aSimon, Joan, _eauthor. _91089917
700	1		_aStritzler-Levine, Nina. _9274986
700	1		_aBoom, Irma. _91089918
710	2		_aBard Graduate Center for Studies in the Decorative Arts, Design, and Culture. _9251508
830		0	_aBard Graduate Center for Studies in the Decorative Arts, Design.
856	4	2	_3Contributor biographical information _uhttp://catdir.loc.gov/catdir/enhancements/fy0704/2006285740-b.html
907			_a.b12194396 _b28-07-21 _c28-10-15
942			_cB
945			_a746.392 HIC _g1 _iA506813B _j0 _lcmain _o- _p$84.81 _q- _r- _s- _t0 _u15 _v6 _w1 _x6 _y.i13209188 _z29-10-15
998			_a(2)b _a(2)c _b06-04-16 _cm _da _feng _gctu _h0
999			_c1228524 _d1228524