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005 | 20221102163051.0 | ||
008 | 110911s2011 ctuaf b 001 0beng d | ||
010 | _a 2010049533 | ||
011 | _aBIB MATCHES WORLDCAT | ||
020 |
_a0300155344 _qhardback |
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020 |
_a9780300155341 _qhardback |
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035 | _a(ATU)b12186077 | ||
035 | _a(OCoLC)670481384 | ||
040 |
_aDLC _beng _erda _cDLC _dYDX _dBTCTA _dYDXCP _dERASA _dIOG _dCDX _dIG# _dVP@ _dUPM _dSHH _dUKMGB _dMIX _dATU |
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042 | _apcc | ||
043 | _an-us--- | ||
050 | 0 | 0 |
_aGV1785.P73 _bS38 2011 |
082 | 0 | 0 |
_a792.8028092 _222 |
100 | 1 |
_aSchwartz, Peggy, _eauthor. _91089530 |
|
245 | 1 | 4 |
_aThe dance claimed me : _ba biography of Pearl Primus / _cPeggy and Murray Schwartz. |
264 | 1 |
_aNew Haven [Conn.] : _bYale University Press, _c[2011] |
|
264 | 4 | _c©2011 | |
300 |
_a324 pages, 16 unnumbered pages of plates : _billustrations ; _c25 cm |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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504 | _aIncludes bibliographical references and index. | ||
505 | 0 | _aOne.From Laventille to Camp Wo-Chi-Ca -- Two.A Life in Dance -- Three.African Transformations -- Four.Teaching, Traveling, and the FBI -- Five.Trinidad Communities -- Six.Return to Africa -- Seven.The PhD -- Eight.The Turn to Teaching and Return to the Stage -- Nine.Academic Trials and Triumphs -- Ten.Transmitting the Work -- Eleven.Barbados: Return to the Sea. | |
520 |
_a"Pearl Primus (1919-1994) blazed onto the dance scene in 1943 with stunning works that incorporated social and racial protest into their dance aesthetic. In The Dance Claimed Me, Peggy and Murray Schwartz, friends and colleagues of Primus, offer an intimate perspective on her life and explore her influences on American culture, dance, and education. They trace Primus's path from her childhood in Port of Spain, Trinidad, through her rise as an influential international dancer, an early member of the New Dance Group (whose motto was "Dance is a weapon"), and a pioneer in dance anthropology. Primus traveled extensively in the United States, Europe, Israel, the Caribbean, and Africa, and she played an important role in presenting authentic African dance to American audiences. She engendered controversy in both her private and professional lives, marrying a white Jewish man during a time of segregation and challenging black intellectuals who opposed the "primitive" in her choreography. Her political protests and mixed-race tours in the South triggered an FBI investigation, even as she was celebrated by dance critics and by contemporaries like Langston Hughes. For The Dance Claimed Me, the Schwartzes interviewed more than a hundred of Primus's family members, friends, and_fellow artists,_as well as_other individuals to create a vivid portrayal of a life filled with passion, drama, determination, fearlessness, discipline, and fierce originality"-- _cProvided by publisher. |
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588 | _aMachine converted from AACR2 source record. | ||
600 | 1 | 0 |
_aPrimus, Pearl. _91089531 |
650 | 0 |
_aAfrican American dancers _vBiography _9771317 |
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650 | 0 |
_aChoreographers _zUnited States _vBiography _9595622 |
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650 | 0 |
_aAfrican American dance _xHistory _9653694 |
|
700 | 1 |
_aSchwartz, Murray, _eauthor. _91089532 |
|
907 |
_a.b12186077 _b11-07-17 _c28-10-15 |
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