000			03407cam a2200433 i 4500
005			20221102162556.0
008			110810s2010 nyua b 001 0 eng d
010			_a 2009046776
011			_aBIB MATCHES WORLDCAT
020			_a023010360X _qalk. paper
020			_a9780230103603 _qalk. paper
020			_a0230103596 _qalk. paper
020			_a9780230103597 _qalk. paper
035			_a(OCoLC)468854451
040			_aDLC _beng _erda _cDLC _dYDXCP _dC#P _dCDX _dBWX _dOCLCA _dOCLCQ _dATU
043			_aa-ja---
050	0	0	_aNC1766.J3 _bBPN 2010
082	0	0	_a700.952090511 _222
100	1		_aBrown, Steven T., _eauthor. _91089016
245	1	0	_aTokyo cyberpunk : _bposthumanism in Japanese visual culture / _cSteven T. Brown.
250			_aFirst edition.
264		1	_aNew York : _bPalgrave Macmillan, _c2010.
300			_aviii, 256 pages : _billustrations ; _c24 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references (pages 229-246) and index.
505	0		_aPosthumanism after Akira. Reading rhizomatically -- Machinic desires, desiring machines, and consensual hallucinations -- Machinic desires : Hans Bellmer's dolls and the technological uncanny in Ghost in the shell 2: innocence. An overview of innocence -- "Once their strings are cut, they easily crumble" -- From puppets to automata -- The uncanny mansion -- The dolls of Hans Bellmer -- Bellmer/Oshii -- On the innocence of dolls, angels, and becoming-animal -- Desiring machines: biomechanoid eros and other. Techno-fetishes in Tetsuo: the iron man and its precursors -- The birth of sexy robots -- After Metropolis, before Tetsuo: un chien andalou -- Giger's biomechanoids, erotomechanics, and metal fetishists -- The "regular-size" monsters of Matango -- Mutating from the inside out: The fly -- "Long live the new flesh": Videodrome -- The tentacle motif from Hokusai to Tetsuo -- Envisioning the machine-city after Blade runner -- Confrontations with the salaryman model: resisting hegemonic masculinity and state-sponsored capitalism -- Coda: co-opting Tetsuo in Tetsuo II: body hammer -- Consensual hallucinations and the phantoms of electronic presence in Kairo and Avalon. Letting in ghosts, shutting out the sun -- Into the mise en abyme: spectral flows and the forbidden room -- The human stain: suicide in the shadow of Hiroshima -- Avalon and "borderline cinema" -- The society of the spectacle -- The surrealism of (virtually) everyday life -- "Welcome to class real" -- Conclusion. Software in a body: critical posthumanism and Serial experiments Lain. A shōjo named lain -- E-mail from the dead -- Doppelgängers in cyberspace -- Desiring disembodiment -- The question of resistance.
588			_aMachine converted from AACR2 source record.
650		0	_aAnimated films _zJapan _xHistory and criticism _9674038
650		0	_aScience fiction films _zJapan _xHistory and criticism _9674386
650		0	_aCyberpunk culture _zJapan _9600465
650		0	_aLiterature and technology _zJapan _9600470
650		0	_aComic books, strips, etc. _zJapan _xHistory and criticism. _9673557
907			_a.b12163831 _b01-08-20 _c28-10-15
942			_cB
945			_a700.952090511 BRO _g1 _iA501093B _j0 _lcmain _o- _p$29.74 _q- _r- _s- _t0 _u14 _v7 _w1 _x8 _y.i1316059x _z29-10-15
998			_ab _ac _b06-04-16 _cm _da _feng _gnyu _h0
999			_c1226841 _d1226841